Tras un accidente casi mortal, el detective Sam es transportado misteriosamente al año 1973. Confundido por su nuevo entorno, Sam intenta volver al presente, pero el cuerpo de policía de ant... Leer todoTras un accidente casi mortal, el detective Sam es transportado misteriosamente al año 1973. Confundido por su nuevo entorno, Sam intenta volver al presente, pero el cuerpo de policía de antaño necesita su ayuda.Tras un accidente casi mortal, el detective Sam es transportado misteriosamente al año 1973. Confundido por su nuevo entorno, Sam intenta volver al presente, pero el cuerpo de policía de antaño necesita su ayuda.
- Ganó 1 premio BAFTA
- 9 premios ganados y 30 nominaciones en total
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This British series, which made it's trek to the States, Has proved to me to be one of the best series on BBC America this year (the other being Hex).
The commercials for the series don't do the justice of what the series entails. The commercial make you think that the show is basically your run of the mill Sci-fi series working with a weak plot. I have always said that marketing is just as....if not more...important than the actual subject.
You have probably already read the synopsis from other comments presented here, so I won't bore you with the background too much. However, as I watch this series (currently have watched the first 2 episodes) I can't help but be reminded of another British export from many years ago...The Prisoner.
During each case that our hero is involved in, things come into play about where he actually is. He has no idea whether he's delusional, transported in time, or in a coma. This twist, put into the plot line, is what sets this show apart from the others in a very refreshing way.
Overall, I was quite pleased with how this series has turned out and I hope to see much more of it as well as being able to buy the DVDs if they released here in the U.S.
The commercials for the series don't do the justice of what the series entails. The commercial make you think that the show is basically your run of the mill Sci-fi series working with a weak plot. I have always said that marketing is just as....if not more...important than the actual subject.
You have probably already read the synopsis from other comments presented here, so I won't bore you with the background too much. However, as I watch this series (currently have watched the first 2 episodes) I can't help but be reminded of another British export from many years ago...The Prisoner.
During each case that our hero is involved in, things come into play about where he actually is. He has no idea whether he's delusional, transported in time, or in a coma. This twist, put into the plot line, is what sets this show apart from the others in a very refreshing way.
Overall, I was quite pleased with how this series has turned out and I hope to see much more of it as well as being able to buy the DVDs if they released here in the U.S.
Wow- yet another gem from the BBC after the brilliant Spooks and clearly taking a page from classic American sci fiction/police dramas. Simm looks perfect as the archetypal time travelling hero( he would have a good DR WHO!) and i cant believe that the viewing population would watch trash like reality TV shows featuring under sexed models with false noses and ex basketball junkie criminals. This already has my diary fixed for Monday evenings at 9pm and it is great to relive my past when i was at school- roll on Bowie, Slade ,The Glitterband and The Sweet- the age of glamorous rock bands, The SWeeney and Cortinas. A cracker! And will the BBC continue their great dramas in the months to come as there is very little on terrestrial TV to stimulate the cortices of my brain. I cant wait for the next episode- will Sam Tyler be remembered like Sam Beckett in Quantum Leap?
The BBC have always been streets ahead of other stations when it comes to police dramas but this is one of the best ones for a long time. Young DI Sam Tyler is hunting a killer in 2006 when he is hit by a car and wakes up in 1973. The interesting thing about this show is how Sams modern police methods clash with the policing methods of the 70,s. Sams superior ,played superbly by Philip Glennister,is the sort of copper who arrests first and asks questions later.He cant quite get to grips with Sam's modern thinking and this often leads to fist fights between the two. This drama also has an interesting cast of supporting characters.They include the Jamacan barman who puts on the accent for the other coppers but speaks to Sam in proper language,the barman seems to know more than he is telling. There is the young WPC that seems to be a possible romantic connection but as of yet nothing has developed in that area, There is also the creepy little girl who comes out of the TV at night and tells Sam things. At certain times Sam can hear voices from the hospital in 2006 and this adds to the mystery.Is Sam really in a coma or are the voices in his head just his imagination. We have had three episodes so far and this drama is so compelling and addictive that i can't wait till the next episode to have more of my questions answered. Classic British drama deserves 9/10
Update- Coming up to the final episode and I wonder if this series will finish on a high note oo end up being a disappointment.Will just have to wait and see
Update- Coming up to the final episode and I wonder if this series will finish on a high note oo end up being a disappointment.Will just have to wait and see
10calorne
I've not watched this before as I had got a bit jaded with too many productions with John Simm. Now I want to marry him. This is just brilliant, great concept, terrific characters, plenty of action and it is fall off the sofa funny. Love it!
A couple of days ago I watched the Italian Mafia film 100 Feet, which featured Ballroom Blitz by the Sweet in the soundtrack. The very same song popped up in Life on Mars two days later. I'm now expecting it to hear it in Poldark series 5 which has come to Netflix UK this week and is my next up.
A couple of days ago I watched the Italian Mafia film 100 Feet, which featured Ballroom Blitz by the Sweet in the soundtrack. The very same song popped up in Life on Mars two days later. I'm now expecting it to hear it in Poldark series 5 which has come to Netflix UK this week and is my next up.
Like some of the reviewers here, I wasn't expecting much of this and started watching almost by accident.
I am a '24' man(!) and I have to say after watching this, 24 (after season 3 anyway) starts to show it's weaknesses. In "Life on Mars" you really start to care about the character and what is happening - it has many surprises. Some are startling, some dawn on you as you watch.
Now I wouldn't be old enough to actually remember the 70's, but it is very atmospheric - and crucially, not in an over-the-top way.
The 'real world'(??!) storyline is handled with a light touch too. You go through it with him as clues (or more questions) pop up unpredictably!
This deserves to be a huge hit!
I am a '24' man(!) and I have to say after watching this, 24 (after season 3 anyway) starts to show it's weaknesses. In "Life on Mars" you really start to care about the character and what is happening - it has many surprises. Some are startling, some dawn on you as you watch.
Now I wouldn't be old enough to actually remember the 70's, but it is very atmospheric - and crucially, not in an over-the-top way.
The 'real world'(??!) storyline is handled with a light touch too. You go through it with him as clues (or more questions) pop up unpredictably!
This deserves to be a huge hit!
¿Sabías que…?
- ErroresThe bar scene: No beers cost 22p in 1973. Also, as the UK were still changing the money over, use and handing over of decimals would have been a lot slower than as shown in the film. Beer in Manchester would have been between 10np and 15np (or 2-3 shillings).
- Versiones alternativasWhile the version shown on BBC in the UK are 58 minutes in duration, the repeats on Bravo (UK) and the versions shown worldwide are cut down to about 42 minutes to make way for adverts and to cut down on the more adult material (particularly nudity and swearing). Much of the 1970s music is also replaced with public domain music due to rights issues.
- ConexionesFeatured in Timeshift: Creating 'Life on Mars' (2006)
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