Cthulhu

This "movie" was terrible. The DP should be shot. They clearly spent no time on development, rehearsal, or scouting locations. That the producer sold belongings to get this movie made is profoundly sad and I hope he received treatment for whatever malady caused him to feel such fervor for this film. Uwe Boll movies MIGHT be better and they are among the worst films around. I was especially disappointed in Cara Buono's performance as I have enjoyed her work before.

Characters smile at inappropriate times for no discernible reason. Camera work to set the mood was a complete failure and annoying in its presentation. Subplots are picked up and immediately ignored. Motivations are hazy at best. No special effects to enhance the story. Absolutely nothing of Lovecraft in this movie except the title. The highlight of the film was when I sent it back to Netflix. Ugh!

A true to life portrayal of H.P. Lovecraft's Cthulu mythology has rarely been seen over the past 40 or so years, especially installment with decent budgets. The few attempts to capture this level of pure insanity have all fallen far far short and this rendition is no saving grace. "Cthulhu" centers around and gay college professor returning home for his mothers funeral, only to discover that his once serene hometown is now the backbone of a malevolent cult, and that he himself, plays a key role in their nefarious machinations. I mention the fact the he is a gay man merely because this is what this movie is about. You heard me, "Cthulhu" is more about a mans struggle between family and his sexual orientation, than about cult worship and the resurrection of ancient deities. Imagine if Lord of the Rings was more about the strong homo-erotic undertones between Sam and Frodo, and less about complete salvation of their entire world. If you can picture that, then you have "Cthulhu"; pretty much all 100 minuets of it I would say. The fact that he is gay does play into the overall storyline, but is overly focused upon, thus resulting in a incoherent story plagued throughout with poorly ad-libbed dialog and plot progression. The story involves several intense moments of emotion and terror, but poor writing and performance by the actors leaves these scenes lifeless and disorienting. One scene literally starts with a discussion about monsters and cult worship, and abruptly ends with argument about a severe lack of jelly on his PB&J. Its OK to feel like you need to read that last sentence again. One could argue that these moments are intentionally puzzling, as to capture the sense of insanity that The Cthulhu Mythos is most know for. Sorry guys not buying it. The direction choices are neither clever nor a foundation of the film fundamentals, what ever they may be, but rather a way of filling space between love scenes and ultimately dumbing down the entire film. However, beautiful imagery and a sparse, but superbly conducted soundtrack make for a stunning viewing experience. Unique and creative camera work establish the drama in more ways than the actors themselves, but a sever lack of music during several key points of the film does little to keep audience's attention during dialog heavy scenes. Anyone interested in a career behind a camera should invest the time into this film for its great camera direction, which though stylish and well refined, is not enough to save this film in its entirety. From the start of the film, audiences are left just far enough out of the story loop to leave you guessing. Guessing what? Perhaps whats going on? Perhaps why are some of the actors incredibly loud all the time, while others can barely be heard? Perhaps why am I still watching this movie? Perhaps the eeriness of devout hordes of ancient demon worshipers is a task that can only be handled by big budget studios and a top list cast. Or, maybe, you just need someone out there who actually wants to make a movie about the Cthulhu Mythos, and not just stick a big "Cthulu was here" sticker on a homosexual love story. If your going to make a movie about Cthulhu, make it about Cthulhu. Life, please don't send me deceitful crap like this again.

Cthulhu, one of the most revered of horrific thriller literature, originally created by H.P Lovecraft is a creation of dark and mysterious revelations of the terrible deep we know as the open sea. The most obscure of murky scenes pictures the world of Cthulhu with a burned lense towards a full moon, it's cloudy, dirty, foggy, and cold, both in mind and physical presence. A 60:s America taking place in the most inbred of local population, these societies deep beneath the surface of human culture transpires in parallel to what lurks on the bottom of the ocean, it's gritty and malevolent, with no guarantee to reality, psyche, life or death. What we see is chaos, through the vision of people who simply end up in the wrong ally at the wrong time, swept by the waves into the most sinister of maelstroms, sucking you deeper and deeper into madness, until the total epiphany of a psychosis takes one step forward, only to have your protagonist hang himself to one unresolved suicide, with scribbled notes of cultists and watching eyes of the Deep Ones.

This is Cthulhu, a world that never ceases to twist ones mind into a reality not recognizable from the first.

In truth, Cthulhu 2007 is NOT a bad movie, per se. The very spirit of H.P Lovecraft doesn't have that much of a grip, but rather leaves the experience to the watcher, but without explaining any of it. I see how it would be confusion to people unfamiliar with Cthulhu, but probably very unnerved by taking in that puzzling terror of unexplained phenomenon. To fans of Lovecraft, it's certainly a stretch with all the chants, cults, and Cthulhu, all regarded with a very slight read-up on what these books really had in mind, which to me as a small fan appears a bit weak.

However, from a more romanticized view, this movie creates a tale of describing nature, and actually captures the origin pretty good. The very thin love story has actually caught good interest, and renders decent quality, not with any unnecessary thwarts here and there, just plain and simple, and like the movie, it takes itself seriously. As for the horror, I was getting a bit impatient at first, but as it started I could really see this as inspiring. Again, it did not bare the same familiar being to the original, but it has it's own perspective, and in regard to storytelling and emotional value, it holds up very good.

All in all, this movie is not like the books, only with pieces it introduces fright, but it poses itself from a different angle, a more human modern way, and as it reflects upon the book, I'd say it's a good tribute to Lovecrafts work.

The actual best part of this experience is that it leaves me with that exact feeling I'd hoped for, NOTHING is explained, only that there's a cult, strange creatures, and the sea. It is, in it's own sense, a masterpiece.

The only real complaint is about the mythology. The connection gets pretty vague, as Cthulhu is sometimes pronounced wrong, the language of the deep ones could've had more ambitious work, and all in all, reading the books should've been a greater study to really execute the presentation of the movies source.

It could be looked upon as a different starting point within the same universe, or an inspirational version of it's forefather (more like their own version).

As a movie, and compared to Cthulhu, I can say I did enjoy it. It left me satisfied.

Imagine that Stephen-King-wanna-be wrote the gay adaptation of Lovecraft and entrusted directing to David-Lynch-wanna-be. If this sounds to you like an interesting concept, make sure to check out "Cthulhu" from 2007. To me, this accomplishment has left the impression of a paranoid schizophrenic trying to meaningfully screen his hallucinations. On the one hand we have a boring, confusing and seemingly pointless story, mediocre acting and characters with whom I could not connect at any level, and when I saw Tori Spelling in one of the roles I was really on the verge of giving up. And yet, on the other hand, we have an interesting camera work and captivating mystical atmosphere that has kept me to finish it. How to evaluate a movie that I barely made to see through (2/10), which at the same time left a quite strong impression (8/10) ...

5/10

I really wanted to like this, especially with the glut of direct to video adaptations of Lovecraft stories (Beyond the Wall of Sleep etc) that are essentially student project level non-movies. But this is yet another example of a film that heavily relies on Lovecraft and yet totally jettisons any real relation to the author or his works, much less the sensibility behind them. It owes more to The Shadow Over Innsmouth than anything, and unfortunately that world was already realized in far better (yet still in woefully inadequate) fashion in "Dagon." To someone who loves Lovecraft as much as I, it's rather insulting this film is called "Cthulhu." There are ideas the writer and director were far more interested in, such as the main character's confused sexuality, than anything written by Lovecraft. So, why not drop the illusion of being a Lovecraft adaptation, and simply make the film that was there without him, since little in this film relates much to his writing? Answer? Because if you use his name and the titles of his works you gain free publicity and legitimacy. You will also let down legions of HPL fans because once again someone has made a film that seems to think it's own very uninteresting and pedestrian ideas have any place mixed in with the cosmic horror of Lovecraft. And worse, viewers who don't know HPL will once again be left with the opinion that "Gee, I guess he wasn't that good a writer." And with this sad example, you can probably add "Was Lovecraft gay?" to those questions.