Sigue a los investigadores criminales de París desde los diferentes puntos de vista de los implicados.Sigue a los investigadores criminales de París desde los diferentes puntos de vista de los implicados.Sigue a los investigadores criminales de París desde los diferentes puntos de vista de los implicados.
- Nominada a1 premio BAFTA
- 3 premios ganados y 23 nominaciones en total
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This 8 part French detective serial is going out un-publicisied on BBC3 in the UK. It has some resemblances to the very darkest American cop shows, but is really grimmer and dirtier. There are unifying themes and tangents which may work into the main plot. It's impossible to explain how different things are from a UK police drama. The legal system is very different and it's fascinating to follow - who has power to do what to whom. The Police and Prosecutors aren't exactly corrupt, but in a way they can't help being. The police look like criminals and work out of what seems like a run-down basement. A brilliantly convoluted thriller, with all the fascination of a really alien legal system, Paris backdrop, washed out colours, general decay. Final episode on BBC next week, but you should be able to see it somewhere. I see from Amazon France that there's a second season.
While the approach is not new, the execution is excellent.
Firstly the stories interweave and become more engrossing with their machinations, the "engrenages".
Secondly the pace is engaging so its impossible to foresee the next part, and that is because it's well written and intelligently for the viewer; not disguised by quick cuts to dazzle the eye but then frustrate by its tedium or obviousness.
Thirdly, the cast is right and well directed. Characters are alive with a range of human flaws. Maybe Albert Camus was the script editor overseeing the lines of each character's arc.
Unlike some police dramas this one doesn't pull its punches - quite literally - and for those of us all too bored with the US legal system, the presentation of the way the French one does its business, is another interesting aspect to the show.(Along with all the slang.) And finally, watching Caroline Proust and Audrey Fleurot (the former plays a strong brigade police captain; the latter plays a lawyer without morality) is the coup de grace.
Firstly the stories interweave and become more engrossing with their machinations, the "engrenages".
Secondly the pace is engaging so its impossible to foresee the next part, and that is because it's well written and intelligently for the viewer; not disguised by quick cuts to dazzle the eye but then frustrate by its tedium or obviousness.
Thirdly, the cast is right and well directed. Characters are alive with a range of human flaws. Maybe Albert Camus was the script editor overseeing the lines of each character's arc.
Unlike some police dramas this one doesn't pull its punches - quite literally - and for those of us all too bored with the US legal system, the presentation of the way the French one does its business, is another interesting aspect to the show.(Along with all the slang.) And finally, watching Caroline Proust and Audrey Fleurot (the former plays a strong brigade police captain; the latter plays a lawyer without morality) is the coup de grace.
I stumbled across this looking for to improve my French, I've ended up being gripped by the characters. There is a unifying theme but every week there is more blood and seediness and sub-plotted nastiness. It's enough to put one off Paris, however, you do get a vivid impression of reality as in "NYPD" and such work as Steve Bochco is famous for. The photographic effect is nearly monochrome, in keeping with the subject matter. Believe me this not a laugh a minute show, but it is a correction to the romantic view of France that Francophiles like me have. As a cop show it works, although there are enormous differences in legal procedures from those I know. There is also a cynical view of the wielding of power, both judicial and political. Aside from the action there is an indefinable Parisian gloss on the actors, it's no wonder falling into bed happens so easily, all the main leads are good looking and even the cops have a certain "je ne sais quoi".I am hooked on this series to find out what is going to happen to the main characters both good and bad.
10nialjb
Engrenages is a Paris-based police procedural making no concessions to the easy-viewing requirements which deaden its English speaking equivalents. Dowdy police, incompetent lawyers, crims in grey shading into the deepest black. Acting, camera-work, lighting and print quality is imaginative and thorough. Each episode had an exemplary cliff-hanging or shock ending. The rather delayed and somewhat cryptic sub-titles make it tough for non-native speakers, but it has done wonders for my bog-French. Sheer pleasure: the news that they are shooting a new series is excellent. Lets hope it goes out again on BBC3 or 4 - much too demanding, even for BBC2.
9wd-8
I've just binged the full 7 seasons, 76 episodes, 57 hours. And every hour, superb.
This highly complex police drama from France is incredibly good. The plots are complex and tightly written. The production values increase with every year, and camera work is very good by season 3.
I love that the police and judges are often flawed, and make sometimes terrible mistakes. In particular, the lead, Caroline Proust, takes incredible stress and presents it on screen wonderfully. I also love how the writers provide redemption for the characters when they are broken or in danger, often through unexpected twists.
There are often amazing twists in the season plots, and each year is constantly fresh and new-feeling. It's extremely rare to see any plot event or dialogue that doesn't ring true.
This is extraordinary television. It's no wonder it's moving now into it's eighth season.
Must see.
This highly complex police drama from France is incredibly good. The plots are complex and tightly written. The production values increase with every year, and camera work is very good by season 3.
I love that the police and judges are often flawed, and make sometimes terrible mistakes. In particular, the lead, Caroline Proust, takes incredible stress and presents it on screen wonderfully. I also love how the writers provide redemption for the characters when they are broken or in danger, often through unexpected twists.
There are often amazing twists in the season plots, and each year is constantly fresh and new-feeling. It's extremely rare to see any plot event or dialogue that doesn't ring true.
This is extraordinary television. It's no wonder it's moving now into it's eighth season.
Must see.
¿Sabías que…?
- TriviaPhilippe Magnan & Grégory Fitoussi also worked together on Les hommes de l'ombre (2012) as Philippe Deleuvre & Ludovic Desmeuze respectively.
- ConexionesFeatured in BAFTA Television Awards 2016 (2016)
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