Rocket Science

This film is simply astounding, in my opinion. The acting is top notch as well as the soundtrack, writing, editing, and photography.

I'll start with the general story:

Hal Heffner (Reece Thompson) is just an ordinary , no frills high-school kid who happens to have a severe stutter. He has a some-what broken home life, living with his older, bullying, thief of a brother, Earl (Vincent Piazza). Their parents don't get along so well... Hal has a difficult time dealing with his stutter in school as well as general daily life. He is especially shy. Well... Hal is approached by the school Debate Team Star, Ginny Ryerson (Anna Kendrick) and she entices Hal into joining the Plainsboro High Debate Team. Hal develops a fondness for Ginny and desperately attempts to be closer with her. Hilarity Ensues...

The Acting in this film is nothing but astonishing. Reece does an incredible job of balancing his lines and creating a very convincing stuttering problem. Not only this, but the jokes he has to carry out are low-key and very natural. The very impressive fast-paced and garbled speech that Anna and Nicholas D'Agosto (Ben in the film), as well as the other debaters in the film have to employ is incredible. According to Jeff Blitz, real debaters speak faster, but the Actors/Actresses had to slow their speech so that everything was intelligible. Every player in this film speaks so naturally and fluently that the jokes are not obvious. They require thought, despite their beautiful simplicity. If you know Wes Anderson films, you know what I am talking about.

Speaking of the Writing, it is, once again, amazing. The love story that this film illustrates is a very different type of love story. It takes the genre and flips it upside-down at every turn. This trend also emanates in all other facets of the film as well. Just when your mind thinks one thing is going to happen, something unexpected happens. This film is very unpredictable, which is very nice as this film does not follow the fairy tales that are so common in film today.

Rocket Science is also just beautiful looking. The film was made predominately in the Baltimore Area. The crew did a most convincing job of turning South East Baltimore into Trenton, NJ and turning the suburbs of MD into those of NJ. As a Dundalk resident myself, I can testify.

The editing is also innovative in that it employed its fitting soundtrack into the cutting. The music will fire up to match the sequence and then pause to let a key moment carry itself out, and then pick up right where it left off. Speaking of the music, The Violent Femmes are all over the place and their songs of Love Angst match perfectly with the entire flow and story of the film.

All in all, this film was a most enjoyable experience. The laughs I had are unforgettable and the emotions that I felt watching Hal chase his dreams really tapped into me. Its a realistic film with a slight neurotic sitcom twist to it. Jeff Blitz is simply brilliant and it shows in this work. Reese has a most bright future and will be fully discovered once this film hits.

For a truly uplifting, however, realistic experience that will certainly make you laugh and impress as well, go see Rocket Science when it releases on August 10th.

-Daniel J. Carlin-Weber

Seriously. I have to agree with the writer of the review at the top of the string of reviews. There's insight and brilliance in the script and in the direction. Movies about high school kids will draw comparisons to all the high school films that preceded it, from Hughes to Apatow. Americans, we take our high school years very seriously...especially after we graduate. And we all have our favorite movies that deal with those four years of our lives (mine: "Donnie Darko," "Rushmore," and "Election"). Given time, I think "Rocket Science" will settle somewhere between "Election" and "Napolean Dynamite," for me.

"Rocket Science" is unique if you're willing to look beyond the surface similarities. Yes, this movie has a young protagonist who wants to overcome the odds to get the girl, with the help of friends, with interference from an antagonistic sibling, and parents who just don't seem to understand. That's practically a classical form by now. Euripides could fill in that outline.

Already, there are 4 pages of reviews and I can only add this: the roles of the Asian Americans that writer and director Jeffrey Blitz carved out deserve comment. And that comment is: sweet! Astonishing, really. Someone mentioned "Juno" in these reviews and how "Rocket Science" achieved where "Juno" may have fell short. I skipped "Juno" but listened to at least three separate discussions on public radio and on the local AM stations about the Chinese-baby line used in the promotions. I understand that, in the context of the movie, it wasn't so bad. Nothing nearly that clumsy in "Rocket Science."

Two Asian American actors get speaking roles and their lines are often hilarious: Stephen Park as Judge Pete who is jovial for no good reason and Aaron Yoo as his son, Heston, who crosses that line from admiring muscly dudes to really admiring them. The roles are clearly written as Asian American roles. In fact, father and son are identified, specifically, as Korean American, highlighted by Judge Pete's wailing of "ummah" in a scene where the judge is not so jovial. Blitz does wonderful work in identifying the characters as Asian American while not announcing their scenes as "The Asian Scenes." The jokes come, but not at their expense. There's a funny line about the casserole they bring to dinner which I won't spoil for those who haven't seen the movie yet. The exchange says more about the mother, aptly played by Lisbeth Bartlett, and her appetite for the exotic than the Asian-ness of her guests.

Later in the film, the protagonist and Heston pair up in a speech competition, and employing a technique suggested by his school counselor to quell the stammer, Hal decides to affect an accent. The scene is brilliantly written, directed and edited. The last time I was surprised by how loud I laughed in a movie was when Bart had a full-frontal scene in "The Simpsons." There's also a scene with that same counselor speaking from home to Hal on the phone. There is a shot that includes his significant other who is Asian. It's uncanny (or is it uncannily canny). The casting: she's a good looking woman and, by most measures, he did better than his station or his looks. The composition: she is positioned in a way that suggests detachment and self-absorption, showing no interest in the conversation. She's in a bathrobe, trimming her toenails (or something similar) on the couch, displaying a level of comfort, in particular with her body, many Asians would find immodest and not-so-classy. A director with less skill would have had any Asian actress fiddling around in the background. Jeffrey Blitz creates something as precise as something Wes Anderson put on film, without the elements becoming ornamental.

Yes, there are jokes in "Rocket Science," but it's not the joke-gag-joke rabbit punches of Apatow and his bunch and none of that numbing repetitive dissonance of their adult language spoken by what we're supposed to believe are goofy high school kids. They write as if they are haunted by moments from their high school years in which they could have uttered something clever and snappy but the words came only after dinner. Another memorable scene in "Rocket Science:" Hal visits the principal's office at a private school, and while he waits there, he discusses 2nd base with a girl that could be a delinquent. The girl's final remark is hilarious. And you believe it is something that could be said by a girl who was sent to the principal's office.

With another entry in the "coming of age" category, I really was pleasantly surprised to find--if not an original--a deeply-felt, honest portrayal of the trials of adolescence. The strongest aspects were the performances from the entire cast with Anna Kendrick and Vincent Piazza being standouts. Of course, the fine work of Reese Thompson will be rewarded by the praise he deserves (and hopefully awarded).

But this deeply personal film has many fine moments, both hysterically funny and painfully revealing. Because it refuses to be predictable--even in the final moments--I believe it will stand above other films of this genre. A well chosen score will keep it from becoming dated. It's never glib towards a range "bent" characters, and chooses to leave the smart remarks for the characters and not the film itself. Despite the subject of repressed anger and expressed rage, there's a sweetness that avoids the sentimental.

Clearly Jeffery Blitz needed to tell this story. And I hope he has many more for us in the future.

One of last years best scripts and a breakout performance from the natural Reece Thompson ensures Rocket Science is up on 2007's biggest sleepers list. Unlike the overrated Juno, Jeffrey Blitz's stimulating screenplay hardly ever rings hollow, despite the fact some of these high schooler's made that pregnant whippersnapper sound like a three year old. Here though, as unrealistically hyper-articulate as this high school debate team, indie-romance styled dramedy feels, Blitz possesses the rare ability to seamlessly merge it with a whole bunch of tender awkwardness and create something far superior then a wit-fest.

Encapsulating this neurotic whimsy is the gifted Thompson (amongst other very well casted performances) who like a younger, more accessible Jason Schwartzman, takes an annoyingly exploited trait of stuttering unease and mines it into a tender, thoughtful coming of age characterization that should inspire even the most cynical of introverts.

Littered with scene after scene of a simply far more perceptive quirk then what Hollywood's continuously dumbed-down interpretations of independent film used to be, Rocket Science blasts off with personality and style to spare.

I'm surprised that this film elicits so many negative reviews here. I enjoyed reading the rant by the guy who spells cello "chello." I think that pretty much explains it. Literacy will be required to appreciate this movie.

This has to be the best dialog in any film ever made with a stutterer as a central character.

I found the performances letter-perfect; not a false note anywhere. This is a movie where even the bit parts are played by well-cast actors, not producers' pretty boyfriends or girlfriends. I loved the girl in the washroom with the nosebleed, for example. Perfect.

Rushmore did not come to mind while I watched this film, nor did any of the other "quirky" films named here by other reviewers. But I did think of it as a companion piece to "Welcome to the Dollhouse." Both set in NJ, and both with central characters at the bottom of their school social ranking, and coping with their realities better than one would think.

I particularly liked the relationship between adults and kids in this film. The adults (parents and teachers) are wise about the kids, and the kids are just as wise about the adults. The tone was just right.