Calle Tzameti: 13 El club del suicidio

There is little one can say about the story without giving away its core absurdity. The first half is a mystery. In the second we are thrown into a violent hell. (For the sensitive: the gore is minimal and mostly off camera.) The film reintroduces us to the fact that the repetitiveness of violence deadens our revulsion to it. Here it applies to the main character in the film and to us as audience. It is disturbing how quickly we get used to each eruption of violence and come to see it as a game. This habituation is what soldiers in war, butchers, and grandma slicing the chicken's neck to get it ready for dinner go through. Death as means to an end. Ultimately an allegory of the predatory nature of power and money.

Filmed in B/W. Blood is dark gray which helps tame our revulsion. The director's brother plays the main role. He does a competent job. Filmed in wide format. Superb editing maintains the tension from beginning to end. As I understand it, "Tzameti" means thirteen. See the film to understand why the film is so named.

The film begins with a roofer working at a home of a man who seems to be a hard-core drug addict living out his final days. Several times during the first 1/3 of the film the guy looks like death warmed over and eventually he does die from an overdose. Just before he dies, a letter arrives that somehow means the potential for BIG money--but exactly what it is and how he was to have earned it is unclear. The roofer, on a lark, steals the letter. Later, it turns out there are instructions for where to go as well as a train ticket--but what this big money-making opportunity is is never clear--though you can safely assume it will be dangerous and illegal. After all, why else would anyone offer a dying addict this opportunity?! I really don't want to say more, but this film is amazingly intelligent in its writing but will most likely turn the stomachs or cause very negative reactions in many viewers. Be advised that you may want to bow out midway through the film--that's okay. Too bad the roofer couldn't.

As Ricky Ricardo was fond of saying to Lucy "You got some 'splaining to do" when it comes to my summary. How could the movie earn an 8 and yet be a film I hated watching?! On the surface, this doesn't make any sense. Well here's why--I don't particularly like violent movies and this is one of the most violent and upsetting films I have seen in a long, long time. Now the violence isn't like a John Woo or Sylvester Stallone film--where you have tons of explosions and gunfire. Instead, it's very up close and very personal--and frankly this made it very disturbing. By comparison, it was much more disturbing and difficult to watch than SWEENEY TODD. Exactly how and why it was so disturbing I really don't want to say, as it really would hinder the suspense--just take my word for it that this is NOT a film for kids or even teens to watch and most adults would also flinch at the extreme violence. Now this isn't to say it was gratuitous--the film makers used black and white film and really underplayed the blood but it still made be turn my head from time to time--but the violence was still THAT intense.

This is a brilliant movie. It's not a bloated Hollywood concoction, derived of any original idea or emotion. It tells its story and ends, does not linger endlessly and unnecessarily. It revolves around a single bright idea, which it carries and improves through its length. The fact that it's shot in B/W only adds to the effect, making it more gritty and realistic. It also enhances the expressions of characters, making them more artistic.

The casting is perfect as well, in my opinion. At times, I got the feeling that I'm watching real people and not actors. Great soundtrack which doesn't convolute every scene as silence plays a big role in the movie, building the tension.

This movie just reminds what cinema is really about; why films move people and make them feel things. It's an absolute treat.

Lastly, this movie has the single best sequence I saw in a movie for a long time. It's raw,gripping and nerve racking. Also, pay attention to sounds and looks, which at times tells a whole sentence. Do not watch any trailers or read any detailed reviews on this film to feel the full effect.

I know that having made that comment, it is obviously difficult for me to then expect you to read this. But bear with me here. This really is an excellent film and I went to see it having seen a very good trailer for it. The problem is that for the first half of the film I was wondering how we got to the bit I'd seen in the trailer (it's also in promotional stills and the poster). Although this is natural and happens with many films, it is not such a key element of the plot usually as it is in this film. From a very mundane beginning this film develops into the 'thriller' which it is billed as. But the true strength of this film lies in following the journey of the lead character who doesn't know what is going until it is too late. To get the full effect of this film you really ought to see it 'blind'. Even if you know something about it I'd still definitely recommend it. Filmed in black and white and focused very much on the lead character it tells a chilling story very well indeed.

How can one define a troublesome film like 13 Tzameti ? Can it be called an existential revelation of our modern times or is it simply a quick paced high intensity thriller ? Whatever one says,it is sure that 13 Tzameti is a rare film which makes sure that fiction comes close to reality.There is a reason for that as its director Gela Babluani learned the art of cinema from his father Temur Babluani whose film "The son of the wakeful" bagged silver bear prize for an outstanding artistic contribution at the 1993 Berlin International Film Festival.Both of them come from Georgia,a land which has given birth to such prolific film directors as Tengiz Abuladze,Temur Babluani,Goderdzi Chokheli,Georgi Daneliya,Nana Djordjadze,Lana Gogoberidze,Otar Iosseliani,Mikhail Kalatozov and Marlen Khutsiev.13 Tzameti is not for the weak hearted people as there is an excessive usage of guns in it.It is normal for us to associate guns for mutual destruction but this film shows us that they are also used to conduct wild games which can prove out to be fatal.There is a degree of authenticity as the events depicted might be taking place in an undisclosed location of an unknown country.13 Tzameti succeeds on a social level too as its success has ensured that the stigma attached to number 13 needs to be erased from people's minds.