10.5: Apocalypse

This certainly was better than I expected from Filmrise, and considering it is a TV miniseries, I expected it was designed to give excitement, danger and entertainment. And that is about all it was. It is full of cliches, as if they ran down a check list of what audiences might expect. They wrap it in pseudo-science terms, and naturally have a discredited scientist as the person who is the one who can explain what is happening. There currently are major film franchises that have action as far fetched as in this series, and they make a lot of money. Even when they were supposed to be witnessing actual locations, they failed. King's Peak in Utah is nothing like they pretended to show. And they laid on the drama by having some take risks that no sane person would ever do just to keep up the excitement for the audience. They threw in a lot of shouting and screaming in the third installment for good measure. In the trapped scene in the Las Vegas casino, when it was insisted they had to go up to get out, it reminded me of a certain movie about an overturned ocean liner.

Gets a couple of points for the laugh-at-it value.

It picks up a few minutes after the end of the first installment. A major earthquake has just annihilated part of southern California, clear out to Barstow, with millions of casualties. We see some guys in Vegas, only 150 miles from Barstow, who would have certainly felt such an immense quake; and witnessed news coverage of it. What are they doing? Preparing for a possible danger to Vegas? Mourning the victims of the disaster? No, they're playing poker. The father of the heroine in both movies is winning, so that must be why he's not concerned with his daughter's fate much.

That's only the beginning. We see President Bo Bridges, still looking like he's suffering stomach wall spasms (like in the first movie). The scientist girl goes to discover more seismic problems are coming. Then an inconsiderate quake interrupts her dad's poker game. This opens the obligatory Poseidon Adventure rip off sequence, complete with all the disaster movie trimmings: arguing, wrecked staircases, aftershocks at just the wrong moment, panicky person gets killed, one of the rescuers is related to one of the fleeing survivors, etc.

Then the scientists watch as a major fault cuts across the heartland. Good special effects here, but the story line remains ludicrous. What's right in the way of the fault? A nuke power plant, what else. And so it goes.

Outrageous, but fun.

This film makes a tremendous amateur blunder from from the very beginning: it assumes the audience has seen (what I understand to be) the first film. (I hadn't.) There is no build-up, no dramatic lead-in, no preparing the viewer for what is about to happen... no indication there even WAS a prior film. In the first 60 seconds this drops cataclysm right into our laps with no preparation, no explanation, no warning. BAM! Here's an earthquake. BAM! Here's a tidal wave! BAM! Here's a volcano blowing its top.

Same holds true for the characters. There are no references to the prior film, no flashbacks to explain the existing story, nothing to prepare the audience for characters that pop out of nowhere and we're just supposed to magically understand their backgrounds and issues and empathize with what's going on.

The result: I paused this turkey after 15 minutes of ridiculously bad directing, came to IMDB and read the reviews, then shut it off... glad that I didn't waste three hours on what I'd already figured to be a prime example of how not to make a movie. Thanks IMDB, for helping me not turn that loser 15 minutes into a total loser evening.

What is wrong with director John Lafia? Any chance of this film being any good was destroyed by the constant zoom in and zoom out. I have not seen many home movies filmed this bad. The constant zooming was so annoying that after an hour I had to turn it off. Of the hour I did watch the acting and dialog was unbearable. I really can't say if it got any better but the first hour was dreadful!

What is wrong with the directors in Hollywood now days? Why do they insist that all action scenes need to be filmed with a shaking camera or zooming all over the place (like MI:3)?

I liked the old days when good acting and action carried the scene not the blurred shaky camera work of today!

Actually, I think the special effects were done fairly well, considering the scope of what they were trying to portray.

I mean it wasn't of Star Wars caliber, but it was entertaining, and most frightening.

As with most TV disaster movies you are limited to the extent you are able to take the special effects.

I felt the actors portrayed to the best of their ability the feelings that one might encounter, if facing this type of terrible disaster.

After what happened in real life to New Orleans and other southern states, and what they face each year from Hurricanes and Tornadeos alone, nothing is beyond the realm of possibility.