Rescue Dawn

In 1965, while bombing Laos in a classified mission, the plane of the German-American pilot Dieter Dengler (Christian Bale) is hit and crashes in the jungle. Dieter is arrested by the peasants, tortured and sent to a prisoner camp, where he meets five other mentally ill prisoners. He becomes close to Duane (Steve Zahn) and organizes an escape plan; however, the unstable Gene (Jeremy Davies) opposes to Dieter's plan. When they discover that there is no more food due to the constant American bombings in the area and their guards intend to kill them, Dieter sets his plan in motion. However, an unexpected betrayal split the group and Dieter and Duane find that the jungle is their actual prison.

"Rescue Dawn" is a good drama of war, with great performances of Christian Bale and Steve Zahn. Jeremy Davies has his customary role of an insecure and unstable guy. The story shows the spirit of a soldier and his struggle for surviving in a totally hostile environment. The poor and suffered peasants that had their lands, homes and families bombed are naive and do not have military training; therefore the storyline of Dieter's amazing escape is credible. My vote is eight.

Title (Brazil): "O Sobrevivente" ("The Survivor")

Rescue Dawn is an excellent Vietnam War POW drama directed by Werner Herzog. Christian Bale gives one of his finest and most grueling performances as German/American pilot who is shot down on a secret bombing raid in Laos. Bale and the rest of his POW costars were totally dedicated to their roles losing an unhealthy amount of weight for absolute authenticity and realism. Rescue Dawn is a harrowing and totally realistic trip to Hell, via the humid, scorching jungle and his sadistic captors. Rescue Dawn is a riveting tale of survival and perseverance that is raw and gritty. The cinematography is excellent and the score is powerful, but subtle. For the most part, the politics of the war are not much of a factor in this film and is mostly about what Dieter Dengler(Christian Bale) and his fellow POW's had to endure. Rescue Dawn is a very good film that in my opinion is very underrated.

Writer-director Werner Herzog, whose films have always been marked by a rapport with the natural world, takes this trademark to Laos in "Rescue Dawn," a compelling, intimate account of the Vietnam conflict. Based on the real-life tale of Dieter Dengler (Christian Bale), a German-born/American-bred fighter pilot with a cocky, cowboy-like demeanor, the film goes for realism and largely succeeds. The setting is a microscopic POW camp where Dengler and a half-dozen prisoners, including Dwight (Steve Zahn, playing well against type) and Gene (Jeremy Davies--"Saving Private Ryan") plot an escape. Interestingly, the extensive Vietnamese spoken in the film is not subtitled, which actually adds to the strong sense of isolation incurred from the POWs' position. Herzog also paints "Rescue Dawn" as a timely meditation on the Iraq War--while Dieter's John Wayne persona (that takes a drastically different turn in the second half) could be read as an endorsement of American militarism, we see the emaciated, defeated prisoners almost as symbols of a war that's been "lost" from the beginning; even later in the film, the Vietnamese captors begin to show the same signs of fatigue and desperation. The whole concept of "escape" is essential to making an entertaining, suspenseful film (which "Rescue Dawn" certainly is), but also reflective of a current foreign-policy mess that should have been curtailed before it even began. But Herzog is subtle in his politics, and lets the jungle do most of the talking--once Dieter and his fellow prisoners escape, the road to a "happy ending" is anything but "cut and dry." The director often puts us in the midst of torture and terror, but also milks moments of surprising humor to great effect, and gets excellent performances from the entire cast (while Bale is top-billed, Zahn and Davies are the real standouts). My only real complaint about the film is a conclusion that comes off as contrived and unnecessary, stretching the credibility of the harrowing realism that came before. Otherwise, "Rescue Dawn" is one of 2007's standout features.

I saw this at the world premiere last night, and it was really great. Not my favorite Herzog movie, but overall his most well rounded one and definitely his most mainstream. It has a chance of doing quite well at the box office. The acting is all around terrific, and the camera work beautiful.

Most Herzog movies seem like these flawed masterpieces; movies that are worth watching for several moments of intense brilliance. Rescue Dawn had these moments of brilliance, and the rest seemed like a very well made thriller / action movie. However, it didn't quite pack the same punch as the best moments of Fitzcarraldo or Aguirre. Still, I gave it 5/5 on my voting ballot.

For me, Werner Herzog will always be remembered for his haunting 1979 remake of "Nosferatu." Next to the silent-era original, it's probably the greatest artistic statement ever put to film on the myth of the vampire. Apart from that, he's been one of those fascinatingly enigmatic European infant-terrible directors, brazenly going against the studio system and doing whatever he damn well pleases, be it documentaries or bizarre art films. "Rescue Dawn" comes as a huge surprise, and proving that he still does whatever he pleases, is a dramatized version of the true story of Vietnam POW Dieter Dengler that Herzog previously filmed as a documentary in 1997 entitled "Little Dieter Needs to Fly." Masterfully realized, "Rescue Dawn" emerges as Herzog's most accessible film. After over 30 years of film-making, he's gone "Hollywood" but has done it on his own terms.

"Rescue Dawn" features classical and feverishly transcendent direction from Herzog, breathtaking cinematography of Laos and Vietnam from Peter Zeitlinger, a triumphant and evocative music score from Klaus Bedelt, and Oscar-worthy performances from an amazing cast. In the lead role of Dieter, Christian Bale once again puts his whole body into the character (as he did in "The Machinist"). Bale has become one of those rare actors whose every role seems to be the performance of his career. Also noteworthy are Jeremy Davies ("Saving Private Ryan," and "Ravenous") as Eugene from Eugene, Oregon, who seems to always get cast as the most emotionally unstable soldier, and a shockingly good and sympathetic Steve Zahn as Duane. Herzog puts the cast through the ringer in artistically rendered depictions of torture, horror, and survival in the harshest of conditions. Even in some of the most cringe-worthy scenes, Herzog turns what could've been wallowing on its head--witness the fantastic transition from Bale eating live worms and one crawling in his beard to a beautiful caterpillar leisurely making its way across a leaf in the peaceful jungle.

Essentially what we have here is the war-movie version of Milos Foreman's "One Flew over the Cuckoo's Nest" as Herzog depicts a group of average men who were slightly crazy already becoming increasingly more mad through involuntary imprisonment. While Bale's character refuses to be held down and is constantly trying to keep his brain and skills sharp through plotting an escape, some of his fellow prisoners are rendered hopeless as they have turned their own minds into the most impenetrable walls. Herzog does a great job of depicting tiny bits of humanity and dignity shining through in the most inhumane conditions, and how the will to survive can triumph over death. He's somehow crafted a movie that is both boldly anti-establishment and unapologetically pro-soldier and patriotism. Being based on a true story where the ending is known to the viewer doesn't take away from the white-knuckle suspense and human drama. Unlike Foreman's classic from the 1970's, where Jack Nicholson (mirrored here by Bale) flew over the cuckoo's nest and disappeared into his own insanity, Herzog gives up hope. One flew over the bamboo hut...and he made it.