Flakes

Michael Lehmann tells a charming little story about an aspiring rocker, Neal Downs, and an aspiring artist, Pussy Katz. Neal feels obligated to work fulltime at a cereal diner, Flakes, but his girlfriend Pussy Katz wants him to pursue his dream in becoming a musician. She even offers to take over his job, without payment. However, Neal declines. Meanwhile, a rival diner sets up in front of Flakes and in order to teach Neal a lesson, Pussy Katz takes up a job at the new cereal bar.

'Flakes' is overall a fun movie. While the concept is very appealing, the screenplay and execution are splendid. Although the pro-capitalist vs anti-capitalist theme is underdeveloped and the ending felt a little rushed, the comedy mostly makes up for it. The clever humour works brilliantly. I liked the art direction. The colourful sets looked very inventive and authentic. The cinematography is good too and the soundtrack fits well with the atmosphere and flaky surroundings.

Aaron Stanford and Zooey Deschanel form a likable and believable pair. They have great chemistry. Standford is competent as the scruffy wannabe rocker who's afraid of the uncertainty of a musician's future. Lovely Deschanel is a delight to watch. Her natural performance stands out, Christopher Lloyd, Keir O'Donnell and Izabella Miko provide great support.

The jokes made me laugh out loud. This film has heart and brain Positively flaky, fun, energetic and delicious, 'Flakes' at the very least brings a smile to the face. I'll definitely be revisiting this one.

I thought this movie was pretty good. Yes, It may be trying a bit hard and the acting may not be top rate but at least it has some originality to it which is more than I can say for most movies out there. Yes it is cheezy and far fetched but it leaves you with a good feeling in the end. Who knows why someone would open up a cereal restaurant across the street from another but who knows why TV executives throw the best shows on at the same time or why there are 3 million Starbucks or 7-11s half of which are on the same block.

This is a fun movie, Not great but good all in all. I wish I could give it an extra star to combat the negative reviews but I can not. Solid 6, and in my opinion worth watching if you have nothing better to do.

Cheers, -=db=-

I really enjoyed this. It's a fun, quirky flick with a fun, quirky cast, and the music/set was very well done. The two leads, Aaron Stanford and Zooey Deschanel, had great chemistry and both carried their roles with style and skill; Deschanel is hilariously adorable as always, and Stanford gives his character, Neal, a lovable, believable charm. The concept itself is quite cool as well, I thought; what other movie is about competing *cereal bars*? While the "Franchises = BAD" message is sort of smacked in your face throughout the film, it's definitely worth the occasional eyeroll. Basically, if you're looking for a movie that will make you laugh out loud, have you rooting for a happy ending and leave you smiling when it's over, 'Flakes' is for you.

According to boxofficemojo.com, Michael Lehmann's "Flakes" raked in all of $778 in revenue when it was released in late 2007. And although one hates to kick a well-intentioned, low budget film when it's down, the truth is that "Flakes" is a cute idea that doesn't really amount to all that much in the long run. In fact, the film is so benign and innocuous that it seems to be evaporating even as you're watching it.

Neal Downs (Aaron Stanford) is a struggling musician who works as manager of a little New Orleans eatery called Flakes (owned by Christopher Lloyd) that serves nothing but cold cereal to its loyal clientele. When a rival franchise opens up across the street, Neal's girlfriend, the self-named Pussy Katz (Zooey Deschanel), applies for a job at the new establishment as a means of getting back at Neal for refusing to hire her at his own place.

The pro-capitalist vs. anti-capitalist theme that runs through the storyline is halfhearted and underdeveloped at best. Moreover, while the cast is engaging and appealing (especially Deschanel), the undernourished Chris Poche/Karey Kirkpatrick screenplay doesn't give the actors a whole lot of solid material to work with. And even the relatively fresh and novel New Orleans setting isn't exploited as much as it could be for its old-world atmosphere and charm.

Just saw this at the SXSW film festival and found it pretty damn fun. The dialog is kludgey in spots, and I'm not sure they sold the romantic relationship between the two leads well enough, but there are some funny, clever moments with the main story about the competing cereal bars, and the concept itself I thought was fun. Christopher Lloyd has a few nice moments here and there. Deschanel is a blast as always. A curious thing to note, but I liked the set design/art direction quite a bit. Gave the competing venues a real personality of their own. There's still no word on distribution, but I'm hopeful that a good reception at SXSW will give it some momentum in that direction.