Dresden

This film, as you can guess from the title, is about the destruction of Dresden by the RAF (Royal Aircraft), but in reality this is only the background for the love story lived by a British pilot fighter whose plane was shot down and a German nurse in Dresden. Well, a dramatic story all down the line! When I went to the video store I found on the shelf a DVD called "Dresden - O Inferno" (the title in Portuguese) and my curiosity was raised when I discovered that it was a German film. I had no information at all about the director, actors etc, but I took my chances and rented the film. When I arrived home I discovered through IMDb that this was a television film. After this bit of information I was not expecting much of the film in spite of some good reviews. Well, I think that for those that don't care too much about logic, it's worth a watch.

What makes this film interesting is that you'll see the bombing of Dresden from the German point of view. As it is a television film "Dresden" was made for the big audience and not for intellectuals. How would the Germans describe the bombing of Dresden? How would they portray the allies? The film tries to be objective - it shows the gruesome details of the destruction of Dresden and shows as well the nazi terror dominant in Hitler's last days. It has a cast of British and German actors and doesn't try to demonize either side. It's much more concerned with the love story lived by the British pilot with the German nurse than with historical details and it's an appeal for peace and understanding. The plot is as full of holes as a swiss cheese, sometimes bordering on the incredible. But if you employ some suspension of disbelief "Dresden" will move you. There's good acting, good cinematography and the sweet Felicitas Woll.

I have no idea how historically accurate this movie is, but it gives a good idea of what the bombing of Dresden was like. Yes, there's all sorts of drama and even romance woven into the plot. To me that's expected, otherwise it would be a documentary and maybe even boring. It's really well done for a TV film. The acting is good. The storyline is believable. The effects are very realistic. I don't think this movie was made so that Germans can feel sorry for their suffering under Hitler. Instead, I think it's an acknowledgement of the suffering and it gives the current and future generations a view of the horror of the past. I wish there were stuff of this caliber made for American TV. I hope this gets released with English subtitles so that English speaking audiences get to see it.

James Cameron is to blame. In his 1997 hit "Titanic" he used, in a rather tasteless way, a real-life tragedy as backdrop for a larger-than-life love story. Now some stupid German TV producers wanted to do just the same and came up with something even more tasteless.

The first thing I noticed while watching this much anticipated "TV event" was, that all the British spoke German. I wondered why that British pilot in Dresden tried to avoid talking to Germans, because when he spoke, it was always in perfect German without any accent (I might add, that in the "Making-of" features which promoted the film beforehand, it was pointed out that only British actors were cast for the British parts, for greater authenticity). Have you people never heard of the concept of "subtitling"?

The story of this film comes straight out of our favorite handbook "How to write a screenplay for beginners", so everything is trite, obvious and corny, from the way our heroine meets her hero just as she is about to get engaged, to the point where she is miraculously re-united with her dying father so he can whisper "I'm sorry" before drawing his last breath... And as you might expect, the directing is as trite and unimaginative as is the story.

When it comes to the bombing, there is a lot of explosions and fire, which is not the least impressive, as we have seen better explosions and bigger fires in hundreds of Hollywood films. Of course they throw in some gore (but not too much, as this is supposed to be prime time material), so no one can blame them of not having shown the "real" horror of war.

Some thing I liked was the cast and the acting, especially that of some of the supporting actors, for example Wolfgang Stumph as a priest and Katharina Meinecke as Annas mother. I really liked Susanne Bormann as the heroine's sister. I'd rather have followed her through the film instead of Felicitas Woll's Anna, that annoying prig who never hesitates to dump her fiancé (without telling him, of course) in favour of a handsome Englishman she barely knows. Oh, how I hate this kind of women.

Just like Kleiner_Fuchs after watching this movie and other recent Teamworxx productions like "Sturmflut" I thought that, had Cameron not made "Titanic", these people would probably not rely so heavily on the ever repeated formula of a fictional doomed love with a hazardous historical background (though this is by no means a new concept). Contrary to my predecessor I think that in "Titanic" this worked out fine. But this may be mainly because a ship is a so much smaller microcosm than a city and the actual historical figures,though playing minor parts in the story pop up every few minutes.

It might have worked in "Dresden" as well, had not been the focus so strictly on the English pilot and the Mauth family (plus a few scenes with Annas co-worker and her Jewish partner). From what I have read and seen on TV and listened to I have learned that there are so many interesting and heartbreaking actual stories. I think the makers of the movie should have worked more of them in for it was obvious in the movie that the parts that were the most shocking were the ones that were based on real events - just sad, that they were so few of them.

Also, since the movie was so very focused on a love story that obviously not many people cared about, the structure of this mini-series was somehow awkward. Why make a two-parter about the bombing of Dresden if the bombers don't actually leave the ground until the last scene of part one and only reach the city halfway into part two? Had this been cut down by an hour and shown as one 2-hour TV-movie I believe it might have had a greater impact.

Still I give this movie 6 stars, because the final 45 minutes actually do work. Of course, the focus is mainly an Anna and the two men running around in the city with her but there are many touching and horrifying scenes in which we as viewers get a little insight into how terrible and traumatizing it must have been to be at this place in this night. Sure, the actual events were still much worse and to tell survivors after viewing this one understands what it was like in Dresden is insulting, but it is mostly in small scenes like the one where a group of people asks a young soldier to shoot them because nobody will survive this anyhow, that I felt a big lump in my throat and got a better understanding of the horror than in the (arguably well done for a TV production) scenes of the inferno.

Tha final scene in which the rebuilt Frauenkirche is re-inaugurated worked for me. I think I understood a lot better now, after watching this movie, how important the building was for the people of Dresden, and why for many of the survivors it was a symbol of their wounds slowly healing and coming to terms with these traumatizing events.

But as a whole, this movie is not about "Dresden", thus it should not have this title. It is just about a bunch of uninteresting poorly written, cliché-based cardboard characters that are, though being mostly played by very competent actors, so completely unappealing, that they ruin the movie.

A fictional love drama set on the background of Dresden at the end of World War II achieves to illuminate the complexity of human characters under the life-threatening terror of the Nazi-regime and the war.

The excellent cast with Felicitas Woll, John Light and Benjamin Sadler as main figures involve the viewer into a very personal drama. As the screenplay avoids black-and-white-painting, multi-layered characters invite the viewer to a differentiating point of view.

Realistic fire-scenes, carefully computer-animated flying-sequences and the participation of both British and German historians in pre-production contribute to a gripping movie about a sensitive point in German history.