Pyare Mohan

Pyare Mohan can be safely included in the blacklist of one of the worst-ever films made by mankind. The film, one of the many handicapped-people flicks that arose after the phenomenal success of Black is makes a mockery of the handicapped fraternity. Vivek Oberoi and Fardeen Khan are mere caricatures of handicapped people. While Black portrayed the poignancy and emotions of a handicapped woman and gave us a glimpse of her world, Pyare Mohan shows two desperado-like monkeys who have no qualms about being handicapped and bash up half of the world to protect their love interests. Anu Malik's music is fair enough. Vivek Oberoi who made a promising start with Saathiya is sadly losing his balls quickly in Hindi cinema. Fardeen Khan was never an acceptable actor and deserves to be banned from the film industry. Amrita Rao and Esha Deol are just pretty damsels in distress having nightmarish times in Thialnd with no one to save them - except for the afore-mentioned desperados. Boman Irani, as the villainous Don Toni, is somewhat acceptable. Avoid the film if possible.

Many moments in the first-half between the deaf hero (Oberoi) and the blind hero (Khan) have a warmth of shared camaraderie especially when they share their girlfriend woes or try to see the lighter side of their handicaps.

But then you've seen Ralph Fiennes play a blind man in "The White Countess" at the same time as Fardeen's blind act. And you wonder how long we must continue to bear the atmosphere of mediocrity that prevails in a particular style of mainstream Hindi cinema. However, keep in mind that this is Bollywood and not a Hollywood flick.

To his credit, Indra Kumar tries to be stylish in the songs. The songs are good. Especially, "Rabba de de Jawani" The dialogues are occasionally crisp. Most of the deaf hero's mis-read lip movements are funny. The actors did their bit to enhance the mood of satire.

The noisy 'cool' song sequences have been done to a cliché. Except the fact that the film makes a pitch for the handicapped to have a normal even fun-filled life, "Pyare Mohan" has nothing to offer that would qualify as novel or engaging. How many movies will make such a statement.

The second half is completely botched with the near mid-air crash experience of passengers reaching a nadir of mediocrity in film-making.

Indra Kumar goes for a toned-down funny beginning that finally ends with the characters running helter-skelter in Bangkok - a beautiful city, here reduced to looking like the crowded traffic-choked highways of Mumbai.

The search for the two lady loves (Esha Deol and Amrita Rao) in the hustle bustle of Bangkok is done in a revved-up hysterical slapstick style that Indra Kumar patented decades ago.

The climax with villain Boman Irani hurling empty bottles at the two heroines is straight out of a Chinese Kung Fu movie.

A queer mix of the mirthful and the monstrous, "Pyare Mohan" has many moments that keep us smiling and laughing.

I watched this movie in 2024, almost 20 years after it was made. Back in 2006 movies that liked like this were doing well, so I can see why everyone was jumping on that bandwagon, however if you are expecting something like golmaal or garam masala, forget it. The plot line is weak, the acting is bad. The girls are in typical flower pot roles and their characters don't have much depth, as expected. I will say though that in the song that esha and Amrita do together (rabbi de de jawaani), you can definitely see the tension and they try very hard to one up each other...there is no friendly sisterly vibes there!! Vivek forgets he is deaf throughout, fardeen looks bored and confused. Nothing really else to say about this one other than don't waste your time unless you are really into movies circa 2005-2011.

absolutely wicked movie, i rented it from the video shop but didn't have enough time to watch it so i made a back up of it the excitement is beyond speech and the movie is just wah bhai wah if u got the chance then watch it right now, otherwise you are going to miss out on a huge action/comedy/emotional flick the beginning is a comedy caper and tends to make u laugh your head off but, the emotions tend to make you stop and think. although it is about love, it doesn't put u off and makes u think it of as another old Indian movie i don't know y i didn't watch it before but, now i feel like watching it again and again and oh yeah dis is going in my top 100.

Seems like these days everyone in Bollywood has a disability (mute-Teesri Aankh; deaf/blind/mute-Black; blind-Humko Tumse Pyaar Hai; mute/deaf/blind-Tom, Dick, and Harry) and now deaf/blind with Pyare Mohan. Thank goodness, though, that this time it's a comedy! Vivek Oberoi is deaf, and Fardeen Khan plays blind. Being a comedy, their acting is not meant to be realistic at all, but just funny, which it definitely is! Vivek and Fardeen's scenes are absolutely hilarious. I'd say this is one of the best comedies of 2006. Boman Irani's acting is as always impeccable. It doesn't matter that the story is very predictable--the comedy keeps you going! However, the climax just stretches it too far and doesn't go along with the rest of the film. Nonetheless, Pyare Mohan is enjoyable. Vivek gives a great performance after a long time (since Saathiya), and Fardeen is good too. Esha is good and looks great. Amrita's decent. Songs are not too bad. All in all, Pyare Mohan's a light-hearted, be it a bit over-the top, fun-filled comedy!