En la década de 1920, en un hospital a las afueras de Los Ángeles, uno de los pacientes le cuenta a una niña la historia de cinco fantásticos héroes míticos.En la década de 1920, en un hospital a las afueras de Los Ángeles, uno de los pacientes le cuenta a una niña la historia de cinco fantásticos héroes míticos.En la década de 1920, en un hospital a las afueras de Los Ángeles, uno de los pacientes le cuenta a una niña la historia de cinco fantásticos héroes míticos.
- Dirección
- Guionistas
- Elenco
- Premios
- 4 premios ganados y 11 nominaciones en total
Opiniones destacadas
This has three things to recommend it. Any two would be remarkable. All three make it a must see.
The most striking aspect of course is how lush the thing is. We may never see another film like this, one that uses real locations and practical effects but which has all of the other benefits of technology. Just the scope in impress of the thing makes it a thrill. Not only do we skip from one profound space to another, but Singhhas selected what seems to be the very best location for the eye. Often these are Tarkovsky-like so that we can see some action in the foreground and with a pan other action in the background. I doubt his DP made these decisions, so the choices are more remarkable.
"The Cell" had some powerful images, but they were incoherent, as if they were designed by competing art departments. No such problem here. Not only do the imaginary sequences have the same color palette (as it changes) even though the locations are a bewildering variety, but all the other artistic values do as well. We could well have different continents mixed in the same few minutes without a situational shift. That alone is a rare and worthy experience.
A second striking aspect is the narrative folding. At first glance it is simple and ordinary: a nested story with blended elements. But overlain n this is a parallel nesting about stories and movies, being a movie about movie-making. And falls, deliberate and staged, with some deep ambiguity about which is which. And which are physical and which emotional. It isn't great art, but its head and shoulders above most.
And finally we have the little girl. Now, I usually revolt when these are used to elicit the standard response. I gagged at "Miss Sunshine," because it was a weak project supported by cuteness. But this is a wholly different thing. This girl is fantastic. There are parts of the script that are embarrassing, and the end is a travesty of a story setup. But she pulls it off and we hardly notice.
This has one of the most impressive title sequences I have ever seen. It alone deserves praise.
I would trade ten "Pan's Labyrinth"s for one of these.
Ted's Evaluation -- 3 of 3: Worth watching.
The most striking aspect of course is how lush the thing is. We may never see another film like this, one that uses real locations and practical effects but which has all of the other benefits of technology. Just the scope in impress of the thing makes it a thrill. Not only do we skip from one profound space to another, but Singhhas selected what seems to be the very best location for the eye. Often these are Tarkovsky-like so that we can see some action in the foreground and with a pan other action in the background. I doubt his DP made these decisions, so the choices are more remarkable.
"The Cell" had some powerful images, but they were incoherent, as if they were designed by competing art departments. No such problem here. Not only do the imaginary sequences have the same color palette (as it changes) even though the locations are a bewildering variety, but all the other artistic values do as well. We could well have different continents mixed in the same few minutes without a situational shift. That alone is a rare and worthy experience.
A second striking aspect is the narrative folding. At first glance it is simple and ordinary: a nested story with blended elements. But overlain n this is a parallel nesting about stories and movies, being a movie about movie-making. And falls, deliberate and staged, with some deep ambiguity about which is which. And which are physical and which emotional. It isn't great art, but its head and shoulders above most.
And finally we have the little girl. Now, I usually revolt when these are used to elicit the standard response. I gagged at "Miss Sunshine," because it was a weak project supported by cuteness. But this is a wholly different thing. This girl is fantastic. There are parts of the script that are embarrassing, and the end is a travesty of a story setup. But she pulls it off and we hardly notice.
This has one of the most impressive title sequences I have ever seen. It alone deserves praise.
I would trade ten "Pan's Labyrinth"s for one of these.
Ted's Evaluation -- 3 of 3: Worth watching.
Its been 5 days since i saw this film now, and I'm still thinking about it. It achieves an intense feeling of epic grandeur with its fantasy scenes, which are visually mesmerising. The casting was excellent, i thought the acting was very good, especially since all the actors/actresses are fairly unknown, especially the girl who plays Alexandria - an incredibly natural performance; this can probably be attributed to Tarsem's approach.
This film will make you laugh and cry simultaneously and has a profound effect on the viewer.
I actually found viewing it somewhat humbling, i just tried to appreciate it tot he best of my ability.
This film will make you laugh and cry simultaneously and has a profound effect on the viewer.
I actually found viewing it somewhat humbling, i just tried to appreciate it tot he best of my ability.
I was absolutely blown away. I absolutely had no idea really what this movie was about and I didn't do any research on it and met a friend to see this screening and I have to tell you THIS IS film MAKING!!! I loved every minute of it!!!! I don't know why it hasn't been released but this is one movie I have to have in my video library to watch and watch over again. Story telling at its ultimate highest. I was very impressed with Catinca Untaru "Alexandria", I would love to see more of her, very talented not to mention Lee Pace, you can tell they worked very well together. I can not wait to see this movie again. I felt the ending was closure. Dan Gilroy - you need to write more often-I just can't say enough about this film. The cinematography ....is just awesome. Please release this film, I wanna see it again.
If you have not seen, or in fact, heard, of this movie, let me be the first to tell you about it.
This was and is the sort of experience that first enraptured and astounded me as regards to the movies. A story told in such a way as to become a part of your awareness, a gentle reminder of the fantastic, mythical and magical components of what is best in humanity whilst not forgetting what it means to be human.
Breathtaking does not even begin to describe the cinematography. The colors, the framing, costumes, lighting, and the backdrops are gorgeous; like something out of a dream. If this was just a visually moving film, that would be enough but there is so much more.
Tarsem Singh's direction is possessed. He manages to capture a kaleidoscope of emotion as diverse and generous as the tones and colors that deliver this movable feast for the eyes. His motley casting of relatively unknown actors is inspiring and refreshing.
The acting is extraordinary. Both poignant and comical, this journey of heartbreak and revenge, of discovery and friendship is conveyed with joy, witticism, curiosity and a vulnerability that is so rare in life, never mind in movies, it left me humbled. Especially the young Romanian girl, Catinca Untaru, who, not only made her big screen debut in this movie but is the heart and soul of the film in a breakthrough performance that I am sure will garner rave reviews.
It is my sincerest hope that you find this movie as emotive, tender and touching as I.
This was and is the sort of experience that first enraptured and astounded me as regards to the movies. A story told in such a way as to become a part of your awareness, a gentle reminder of the fantastic, mythical and magical components of what is best in humanity whilst not forgetting what it means to be human.
Breathtaking does not even begin to describe the cinematography. The colors, the framing, costumes, lighting, and the backdrops are gorgeous; like something out of a dream. If this was just a visually moving film, that would be enough but there is so much more.
Tarsem Singh's direction is possessed. He manages to capture a kaleidoscope of emotion as diverse and generous as the tones and colors that deliver this movable feast for the eyes. His motley casting of relatively unknown actors is inspiring and refreshing.
The acting is extraordinary. Both poignant and comical, this journey of heartbreak and revenge, of discovery and friendship is conveyed with joy, witticism, curiosity and a vulnerability that is so rare in life, never mind in movies, it left me humbled. Especially the young Romanian girl, Catinca Untaru, who, not only made her big screen debut in this movie but is the heart and soul of the film in a breakthrough performance that I am sure will garner rave reviews.
It is my sincerest hope that you find this movie as emotive, tender and touching as I.
This movie needs a 4k UHD Blu ray release. I can't think of a movie that would shine in 4k more. Great movie and stunning visually
¿Sabías que…?
- TriviaThe film was shot in 28 countries, over the course of four years. According to the director no stages or sets were ever used, only existing locations.
- ErroresThough the hospital scenes take place in Los Angeles, they actually shot in South Africa, which drives on the left side of the road. All the cars in the shots on location at the hospital have steering wheels on the right side of the car, revealing that they are not actually in LA.
- Citas
Alexandria: Why are you killing everybody? Why are you making everybody die?
Roy Walker: It's my story.
Alexandria: Mine, too.
- Versiones alternativasFor the UK version, some changes were made to remove footage from the archive cinema clips that involved real cruelty to horses, as this contravenes the UK's Cinematograph Films (Animals) Act 1937.
- Bandas sonorasSymphony No. 7 Op. 92 II. Allegretto
Written by Ludwig van Beethoven
Performed by Bulgarian Symphony Orchestra-Sif 309, conducted by Deian Pavlov
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Detalles
Taquilla
- Presupuesto
- USD 30,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 2,581,421
- Fin de semana de estreno en EE. UU. y Canadá
- USD 79,611
- 11 may 2008
- Total a nivel mundial
- USD 3,984,551
- Tiempo de ejecución
- 1h 57min(117 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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