La capacidad analítica de Red Metcalfe se pone al límite cuando intenta desentrañar el funcionamiento de la mente de un asesino decidido a crear su propio Infierno.La capacidad analítica de Red Metcalfe se pone al límite cuando intenta desentrañar el funcionamiento de la mente de un asesino decidido a crear su propio Infierno.La capacidad analítica de Red Metcalfe se pone al límite cuando intenta desentrañar el funcionamiento de la mente de un asesino decidido a crear su propio Infierno.
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Plus point - The excellent storyline, although not exactly original, keeps you in suspense the whole way through (not surprising given that it's a thriller after all) and it's highly unlikely you'll guess the ending until it arrives. Minus points - the ending is somewhat of an anti-climax and appears rushed. Ken Scott, while generally excellent as the lead character, does have a tendency to over-do it on a couple of occasions. This is the first Messiah I've seen and all-in-all, not a bad way to wind down in the evening, but unless you're a keen fan (the sort who reviews a mini-series before the last episode say), I wouldn't make a big effort to catch a repeat.
I have been a fan of the Messiah series since its beginning way back. The first story was a masterclass in the crime genre being influenced by some of the great cinematic thrillers (namely Se7en). The next two were somewhat of a disappointment (although never being THAT bad) as they never quite reached the dizzy heights of the first Messiah. And now we get to Messiah IV: The Harrowing.
This is a return to form for Red and his team. Gone are the sub plots concerning his wife or the rest of the squad (although one of his squad are linked to one of the deaths that kicks off the story). This allows for a tighter story that keeps the Police/Killer relationship central to the narrative.
Without going into detail the killer in this instance is offing people in the manner that sinners are punished in Dante's Inferno. This literary reference lifts this thriller into something out of the ordinary.
Cracking acting from all (especially Ken Stott whom I hope continues to make these ad infinitum) and some great directing ensures an excellent 3 hours worth of television.
My only problem is with the writer who seems to have shamelessly ripped off Matthew Pearl's superb novel 'The Dante Club'. If this is not the case then I would like to be proved wrong.
Above all: a return to form for my favourite BBC drama.
This is a return to form for Red and his team. Gone are the sub plots concerning his wife or the rest of the squad (although one of his squad are linked to one of the deaths that kicks off the story). This allows for a tighter story that keeps the Police/Killer relationship central to the narrative.
Without going into detail the killer in this instance is offing people in the manner that sinners are punished in Dante's Inferno. This literary reference lifts this thriller into something out of the ordinary.
Cracking acting from all (especially Ken Stott whom I hope continues to make these ad infinitum) and some great directing ensures an excellent 3 hours worth of television.
My only problem is with the writer who seems to have shamelessly ripped off Matthew Pearl's superb novel 'The Dante Club'. If this is not the case then I would like to be proved wrong.
Above all: a return to form for my favourite BBC drama.
The first episode of this three-part thriller (fourth in the series) was definitely tip-top in my opinion. It offered all the gore and mystery that kept us glued to our seats during the first Messiah instalment (maybe the other two as well, but not all would agree).
However, the pace and development of the story seemed to be lacking once the Dante connection to the murders was found. While still thrilling and gruesome, the plot became a little complicated to decipher. Personally, I love murder mystery thrillers to be spell-ed out to me, so that I leave happy in the knowledge that I know everything, and I have no unanswered questions.
Still hoping that all would become clear, I watched the final episode intently. Again, it was definitely worth watching, but be warned - if you're lazy like me and want everything to be made very clear, or not clever enough to latch on to what's going on, you may be left a little unsatisfied.
If you're new to the Messiah series, I would definitely recommend the first one, at least as a starting point. This one is still worth a look, though.
However, the pace and development of the story seemed to be lacking once the Dante connection to the murders was found. While still thrilling and gruesome, the plot became a little complicated to decipher. Personally, I love murder mystery thrillers to be spell-ed out to me, so that I leave happy in the knowledge that I know everything, and I have no unanswered questions.
Still hoping that all would become clear, I watched the final episode intently. Again, it was definitely worth watching, but be warned - if you're lazy like me and want everything to be made very clear, or not clever enough to latch on to what's going on, you may be left a little unsatisfied.
If you're new to the Messiah series, I would definitely recommend the first one, at least as a starting point. This one is still worth a look, though.
Messiah, The Harrowing remains one of the best dramas I've seen. The story is compelling, suspenseful and intensely intriguing. The story unfolds so neatly, with the killer always one step ahead of Red and co. The Dante element adds an intriguing darkness throughout, resulting in some particularly grizzly crimes.
Apart from being one of the best scripted crime dramas I can recall, it's also one of the best acted I can think of too. Maxine Peake is excellent as Vickie, I prefer her to Frances Grey's Kate. I always enjoy watching Hugo Speer, and this ranks as one of his best outings, he's emotionally charged and totally sincere. Standout performance comes from the diminutive Helen McCrory, it's no wonder she's so much in demand, I think it's fair to say she is the standout in this, she is sensational, the emotion, anger and intensity she delivers is incredible. To this day I think the rooftop scene with Red and Rachel is one of the best acted scenes I've witnessed.
If I had one criticism, it would be the exclusion of Michelle Forbes, Red's scenes with Susan always added something extra, the character's exclusion was never explained either.
Such a shame we didn't get more episodes, this deserved to run for longer, a first rate drama. 10/10
Apart from being one of the best scripted crime dramas I can recall, it's also one of the best acted I can think of too. Maxine Peake is excellent as Vickie, I prefer her to Frances Grey's Kate. I always enjoy watching Hugo Speer, and this ranks as one of his best outings, he's emotionally charged and totally sincere. Standout performance comes from the diminutive Helen McCrory, it's no wonder she's so much in demand, I think it's fair to say she is the standout in this, she is sensational, the emotion, anger and intensity she delivers is incredible. To this day I think the rooftop scene with Red and Rachel is one of the best acted scenes I've witnessed.
If I had one criticism, it would be the exclusion of Michelle Forbes, Red's scenes with Susan always added something extra, the character's exclusion was never explained either.
Such a shame we didn't get more episodes, this deserved to run for longer, a first rate drama. 10/10
10ross_bib
if you love series like prime suspect, you will love this smart offering from the BBC. For the three nights it was on I was glued to the screen. Everyone in the cast has out done past work on messiah and other programmes they have done in the past. It was good strong drama for the bank holiday weekend, the story develops with each murder and you find yourself playing detective along with "red" and his team. Messiah does not spoon feed you like some dramas tend to do but makes you work as hard as the characters do in trying to figure out what is going on. Each Character has dimensions and layers and as the case gets more harrowing you learn more about them. The stars of Messiah may not be Brad and Morgan but they can hold their own in this. England is free of rain in this drama on a bank holiday weekend for once. This series should be on more often. the only thing left to say is: watch it, watch it!
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- ErroresTodas las entradas contienen spoilers
- Citas
DS Vickie Clarke: A man said he saw a woman in a red coat hurrying away from the flat. His description of the woman was "she was angry".
DI Duncan Warren: Well that's got to narrow it down. An angry woman
- Versiones alternativasIn Germany the three original episodes were edited by the German broadcasting station ZDF into two movies, both 85 minutes long.
- ConexionesFollowed by Messiah: The Rapture (2008)
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By what name was Messiah: The Harrowing (2005) officially released in Canada in English?
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