Chiisaki yûsha-tachi: Gamera

I was able to catch one of the last showings of Gamera this week in Hachioji, Tokyo, and I can say that the experience was a good one.

In 2004, as many already know, Toho announced that the king of kaiju, Godzilla, will be taking an indefinite vacation. This of course has happened before, but in Godzilla's absence someone needs to take the reigns. So, like before, the torch was passed to Godzilla's younger brother/rival Gamera.

Gamera took the torch, and ran with it. Hard. Here are some of the good things about this movie:

-Characters: The main human is a young boy (as always, after all, Gamera IS the friend of children). His mother is dead, and he lives with his father on an island fishing community. Gamera has a history on the island, so when the boy finds a fast-growing baby turtle which flies, some eyes are opened immediately... Other characters include a female neighbor with heart problems, the boys' friends, his father, and some evil government people. All are likable (or hateable), and the acting as far as I could tell was spot-on.

-Story: Its there, so this is not just the full-on kaiju fightfest that characterizes many Godzilla and Gamera movies. But we do have full-on kaiju fighting...

-Full-on Kaiju Fighting: This is probably the reason most people will see this movie, and it doesn't disappoint. The enemy monster this time around is a man-eating dinosaur named Jidas, and while he is not as charismatic as some of Gamera's other foes, he exudes evil and you will be rooting for the big-eyed turtle the whole time. The special effects are absolutely top-notch, in fact I think Jidas is one of the most convincing dinosaur suitmations I have ever seen.

-Music: Powerful when it needs to be. Exactly what it should be in a kaiju movie: it aids the awe that someone should feel when watching 30-story monsters duke it out.

Why I didn't give it a ten: The only thing that disappointed me about this movie was the fact that they replaced Gamera's signature roar with a stock roar, which I believe has been previously used for various incarnations of King Kong. But, this is a very minor complaint. Go see this movie when you can!

I was looking forward to seeing movie and at long last have. After Shusuke Kaneko's Gamera trilogy, as well as the Shinsei or Millennium Godzilla films, one was left wondering where Gamera had once more gone. Then came this movie, and anyone who's seen Kaneko's Gamera movies knows there's a lot to live up to. 90s Gamera was dark, bloody and very nihilistic in its tone and this film kind of veers away that. Like the classic films, the movie's central characters are children, but unlike the terribly campy 70s Gamera the acting here is more than solid enough. The story is emotionally strong, despite being slow at times but I rather enjoy the journey.

And the special effects are just top notch thru out. In an era where CGI is over-taking everything, this movie blends the old wit the new quite well. The opening pays tribute to "Gamera 3: Awakening of Irys" quite nicely, while also paying tribute to the vintage kaiju era. The monster designs are quite awesome, myself loving the new monster Zedus, who himself was inspired by Barugon of that classic 1966 film "Gamera vs. Barugon". Gyaos appears briefly in the beginning, but looks pretty damn awesome. One of my few complaints is the removal of Gamera's trademark roar thru much of the movie in favor of the 1976 King Kong roar. To begin with, I do not really care for the 1976 King Kong starring Jeff Bridges, but that's a whole nother review in itself (which I have reviewed if you want to check it out).

Anyways, definitely check out "Gamera the Brave".

While the latest Gamera film is more "kid friendly" than the 90's trilogy, it still maintains enough death and destruction to be a watchable film for adults. I was also impressed with how well the special effects turned out. It is refreshing to see a film where CG isn't used as a catch all for effects. As good as CG has gotten, there is still a very tactile realism to model and make-up effects that can still look good when done well. As mentioned earlier, the story is aimed at children but it is taken seriously and doesn't spare the audience from the carnage that would happen when giant monsters fight or why a monster would be so bad that we would put up with Gamera's usual "bull in a china shop" style of heroics. The main character does get a bit annoying with his protectiveness of and failure to accept that his "Toto" is Gamera. The monster fights were done well enough to painfully leave me hungry for more. With as well as this one turned out, it really deserves a sequel.

Decades after watching Gamera sacrifice himself to destroy monsters threatening the world, a recently widowed man's son finds a strange glowing stone with an egg nestled in it, and when a baby turtles hatches he decides to secretly keep it as a pet. But the boy soon discovers that his cute but seemingly normal little turtle is anything but that as it learns to fly, breath fire and grows at an astonishing rate. Suspecting his pet is in fact a descendant of the legendary Gamera he begins to worry if it will ultimately meet the same fate, and when a vicious giant monster begins to attack Japan he is unable to stop his friend from rising to meet the challenge, however unprepared.

Very well written and endearing semi-reboot to the Gamera franchise is far from perfect, having plenty of plot holes and gets a little too silly towards the end, but for me being someone who grew up watching the original films in all their cheesy splendor it hits all the right cords.

I'd give it a 7.5 out of 10 though IMDb doesn't allow 1/2 votes so I gave it an 8, not for everyone but veterans of the originals will almost certainly appreciate it.

I was never a fan of this flying turtle in the old days. However, they have completely repurposed him for the 21st century and the results are stunning.

Silly effects are supported by a strong, but simple, story and a little depth of characterization. The visual style of the film is what really shines. The Director's skillful use of camera moves and angles and a strong sense of composition really raises this film.

I would love to see what this Director could do with Godzilla (if he ever returns).

For once, a film's title accurately describes the film's content.