Juno. Crecer, correr y tropezar

Juno ID# 1677

I saw this movie at a special screening at UCLA, just as a last resort for something to do on a free Thursday night. I'm so glad I went, because it was amazing! I had no idea what the movie was about; I only knew Michael Cera (Superbad, Arrested Development) was in it, which was enough incentive for me to go.

I walked out literally skipping alongside my best friend, both humming to the tune of the great original songs from the movie. The theme of love existing in so many forms where you least expect to find it just lifted me right out of my doldrums, and made me look at life again from a different perspective. There's just too much to love about life, so many places you'll find it, and the only way to do it is just to live. Juno shows you reality, but it highlights the tiny details about love and life that you might start missing or forgetting about.

Excuse me for sounding so corny, but that's exactly what this movie did for me. To put it easily, it's a "feel-good" movie that leaves you FEELing GOOD. If you're down or just in the mood to be lifted up even higher, I recommend this movie for you.

Enjoy it :) and remember, love is always worth it.

When I first heard about this little film I wasn't particularly interested. Being a high school teacher, I wasn't impressed with the idea of seeing a movie concerning a teenage mother. Believe me, I know enough of them already! However, on a lark, I decided to finally watch the film--almost two years after it debuted. And, in hindsight, I should have just gone and seen the film when it came out, as unlike my ASSUMPTION, it was not really a glorification of teen pregnancy but a very complex film--a film with a lot of different messages and possible interpretations. This is definitely NOT a by-the-numbers (formulaic) film--there is a lot that is original and new. And, if you were worried that the film would be pro-teen pregnancy or abortion or whatever and it might offend you, don't think that way....the film is great for anyone, conservative or liberal alike. And, it might just be an excellent film for you to see with your teens. Excellent, simple and very effective.

I could say a lot more about the film, but considering the huge number of reviews already and the film came out some time back, I'll be brief and stop here.

Full disclosure, I would probably see Ellen Page and Jason Bateman in anything, I love them both so much. Page is of course in the starring role here, and delivers an outstanding performance as the quirky Juno, a high school who finds herself pregnant after spontaneous sex with her nerdy friend (Michael Cera). The film is very well made, with clever dialog and composed of countless little moments that are amusing, despite dealing with a serious subject. Juno resolves to give the baby up for adoption to a yuppie couple played by Jason Bateman and Jennifer Garner, but things get complicated with Bateman's character begins getting close to her because of their interests in rock music and slasher films, kindling long-standing desires on his part to do more in life before becoming a father.

This is a very well-cast movie from top to bottom. J.K. Simmons plays Juno's father who is generally kind and supportive, but expresses his disappointment by saying "I thought you were the kind of girl who knew when to say when". Page's facial reaction, followed by her response, "I don't really know what kind of girl I am" is priceless, and just one of many great scenes for her. Allison Janney plays her step-mom, and has a powerful moment telling off the ultrasound technician while sticking up for Juno, and then later quipping "doctors are sadists who like to play God and watch lesser people scream". Cera plays awkward teenage dorkiness naturally, and Olivia Thirlby turns in a solid performance as Juno's friend.

This is a 'teenage film' that is smart, and has so many positive messages; it's accepting of unorthodox kids and difficult situations, which everyone deals with as Juno does, with humor and head up high. It's an empowering film, and a love story. The scene of Cera and Page strumming guitars and singing 'Anyone Else But You' (by The Moldy Peaches) is a sweet ending and caps off a nice alternative/indie soundtrack. Page really established herself with this film, and is well worthy of the Academy Award nomination she received.

I saw this movie at a preview in St. Louis about ten days ago and can't stop thinking about it.

I had no expectations going in (as I was given three free passes) as I took my teenage daughter and her friend. Learning about the subject matter, I was quite anxious how it would be shown and frankly I thought it was done very well.

First of all everyone has gone to High School with a Juno. That smart alec independent tomboy, cute, refreshing & fun to be around but not cool to date or be seen with. And the further removed from high school you are, you look back and wonder why? The acting by Ellen Page was outstanding (I had no clue who Ellen Page was - I have since watched Hard Candy). I can't remember a film that I was so drawn in by the main character.

I've always told friends for me the mark of a good movie is the character actors and their performances. They all deliver in this movie. I'm not going to go overboard and say its the best movie this year but it is one that I would recommend. Its rare I go to a preview and actually want to go see it again. Count me in come Dec 14th.

Following all of the hype, it was impossible for me to not want to see Juno. Everyone has raved about it for months, and I waited patiently for it to be released somewhere nearby. And the wait definitely made it worthwhile.

Juno chronicles the story of the titular sixteen-year-old girl (played by Ellen Page), and the fallout of her accidental pregnancy. After deciding to not have an abortion, Juno decides that she will give the baby up for adoption to would-be parents Vanessa and Mark Loring (Jennifer Garner and Jason Bateman) after finding an ad in the local classified section of the newspaper.

It may not sound like a deep film, but right from moment one, the film draws you into Juno's bizarre world of teenage angst and wonderment. It progresses through the stages of her pregnancy (and the seasons that pass), and through the various problems and issues that arise as a result of the pregnancy.

This is aided almost exclusively by the commanding presence of Page. Her work here is simply astounding, and watching her mature as the film goes on is the stuff of movie magic. She plays Juno with a chip on her shoulder, and a keen sense of tongue in cheek. She is very in tune with the role, and even though it is not wholly original, she makes it her own and gives it a grand sense of earnestness (and pathos when needed). She plays it even better during the more hormonal aspects of the pregnancy, and she makes her undeniable mark on the movie-going public as she does. After seeing her intense, calculating and downright terrifying work in Hard Candy, I knew that she would be a presence to be reckoned with. And in seeing Juno, I now know that she truly will continue to grow into a great actress.

Supporting turns from just about everyone only further complement Page's terrific acting. Garner and Bateman, while not as well written as Page, do great as the would-be adoptive parents. While Bateman taps into his not so over-the-top side (which he used to his great advantage in scene-stealing roles in Smokin' Aces and The Ex), and gives a great character performance, Garner does even better as the over-domineering wife. She gives the role a slightly creepy tinge in a few cases, but for the most part, delivers one of her best performances. While not as commanding as he was in Superbad, Michael Cera, as the father of Juno's baby, gives his character a glossy sense of naivety as the film begins, but slowly falls into a grander sense of geeky goodness as the film goes on. His shy teenage chemistry with Page is astounding, and helps give the film its greatest moments of heartfelt drama. J.K. Simmons and Allison Janney round out the cast, lending the film some of its deeply funny and dramatic moments as Juno's parents, and relative newcomer Olivia Thirlby does very well as Juno's best friend.

But for how great the cast was, what I was really anticipating was the screenplay, by current sensation Diablo Cody. I was a little apprehensive at wanting to jump on the bandwagon of praising her, but the script is truly wonderful. While the start of the film feels a little forced with its witty and sarcastic banter, the film gradually progresses into a very fair balance of hilarity and drama. Its gradual depth does not go unnoticed, and as the film packs into its most dramatic scenes, it really becomes apparent that Cody has a great sense of how to write really well. First time screenwriters (or even screen writing hopefuls) can take notes in how well expressed the wording is here (and how obscure pop culture references can still be funny), and just how greatly written the film is. When dialogue comes so natural to some of these characters, it becomes very obvious that the writer knows what they are doing. If she keeps up like this, than I think she could truly be the prodigy that everyone is making her out to be (although Jennifer's Body really does not sound like a step in the right direction).

I think what only slows the film down is the near forced relationship between Page and Bateman that grows as the film goes on. I understand its importance to the film and understand why it is here, but I just think they play it a little too loosely and way too longish to make it feel as worthwhile as it needs to be. The two work off of each other well, yes (although not nearly as well as Page and Cera, or even Bateman and Garner), but the dialogue and scenes between them just sound like an afterthought, and do not seem in sync with the rest of the film. They have the humour, they have the references (maybe a few too many), but they just do not jive nearly as solidly as they should. Maybe a little less focus on these scenes, and more with the likes of Cera (who is not underused, but probably could have been used a bit more) or Simmons or Thrilby (who are not used nearly enough) could have helped make the movie even better than it already is.

Juno is not perfect, but it is heartwarming and bittersweet all the same. I laughed and almost got choked up by how exquisitely written and how superbly acted the film was. Page is marvellous in the lead role, and Cody just might be on the right path to be true greatness. If only all small Indies could be nearly as memorable or nearly as astonishing as this one is. An obvious candidate for being one of the best (and funniest) films of the year.

9/10.