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Rosie (Michelle Pfeiffer) is divorced mother of Izzie (Saoirse Ronan) and a producer of a silly high school TV show. She falls for new actor Adam (Paul Rudd), but the age difference is driving her crazy. I like Michelle Pfeiffer and Paul Rudd as a lovely couple. That is certainly a huge chunk of the movie, and is a lot of fun. But there are two things that are constantly annoying me in this movie.

First, writer/director Amy Heckerling wants this to be The Graduate with a different ending. Only Michelle Pfeiffer looks way too hot for the Anne Bancroft role. And Paul Rudd look older than 29. It makes the age difference look insignificant, and takes away much of the drama. Second, I couldn't stand Mother Nature (Tracey Ullman). She causes every scene to get off the narrative. It's very distracting. She's part of a whole series of overwritten jokey setups.

In the end, I like the leads. Saoirse is cute as the kid. That's enough to recommend this movie marginally.

My wife and I happen to be one of those Ashton/Demi couples and have been together before it became popular and acceptable. I never had much of a problem with it but my wife did initially. The film did a remarkably accurate job of portraying what goes on in the head of the older female. It had us ROTFL as we had gone through similar situations ourselves when we were dating.

Paul Rudd is very funny much funnier than I remember him from Friends and Michelle Pfeiffer is perfect as the sexy, and somewhat insecure love interest. The daughter/mother relationship was also really well done - the daughter being smart, just precocious and innocent enough without being too artificially sweet which was very hard to pull off. The dialog in the film is clever and witty but light and self-parodying along the lines of Clueless.

Overall, a very sweet and funny movie - I haven't enjoyed a romantic comedy this much since Annie Hall or Sleepless in Seattle.

Yes, Michelle Pfeiffer is who i am referring to. She looks absolutely amazing at 49 and when i was a kid i could only wish all my mates mums looked this fine.

I am a massive fan of romantic comedy, i hear you all say but you are a bloke whats wrong with you !!! Who can forget Love Actually which basically has some of the all time funniest moments in cinema. I could never be your woman unfortunately does not hit these highs but you will laugh and the characters have a certain warmth.

The film really focuses on the relationship between Pfeiffer and her daughter which is unusual in the fact the most of the good comedy moments arise from the daughters relationship with her mother and her mothers personal life. You have to love Jon Lovitz, the guy is a genius. He is barely in the movie but his dead pan matter of fact character is a perfect foil to Pfieffers Character.

On the whole i would say watch this, probably wait for DVD but its certainly worth a rental. The film had the potential to be both funnier and also some pointless Scenes especially with Mother Nature.

On a final note i know this is only a film and it was 90 minutes long but if i have children in the future i would like to be a parent like Pfieffers Character. Honest, open with a great relationship with her daughter.

Probably the best reason to see this film is to see a young Saoirse Ronan doing devastating parodies of some pop songs. She's also great fun also. Pfeiffer is always at least agreeable, Paul Rudd here is totally Paul Rudd, Tracey Ullman as Mother Nature is a nice touch. But really there isn't much meat here, comic or not. The little intrigue there is is weak and the central romance proceeds pretty much because, well, it has to, not because it is especially motivated. I'm really not sure when it actually begins. There is some fun parody of the TV business along the way. If you're not watching it too hard, you might not mind you're watching it at all.

Considering the talent involved - writer/director Amy Heckerling and actors Michelle Pfeiffer and Paul Rudd - I Could Never Be Your Woman could contend for the most high-profile motion picture yet to take the direct-to-DVD route. This wasn't intended to be the path traveled by this motion picture; had all gone well, it would have been on multiplex screens a year or two ago. Financial mismanagement and bad decisions made the movie unreleasable and it languished until The Weinstein Company executed their home video rights. The result is a mixed blessing for Heckerling - her movie gets to see the light of day but it does so with the unenviable "direct-to-DVD" label. It's good enough to warrant better than the curt dismissal it is likely to receive in some corners.