Almost Normal

40-year-old gay teacher has a car accident and dreams he's back in high school again--only this time, gay is 'normal' and he's attracted to a comely female student. Silly, low-budget, under-populated comedy-drama is more ambitious than its thin production or straight-seeming cast can handle. The script is stuck in a revolving closet--the teacher has to come out all over again--and it's never clear to whom the picture is meant to appeal, straight or gay audiences. The filmmakers' idea of a novel twist is to have the homosexuals be the unyielding bashers, but is the movie preaching tolerance and acceptance or is it a treatise for heterosexuals in need of reassurance? (after all, their side wins). A less 'colorful' take on this material might have made for a funnier and perhaps thought-provoking comedy, but "Almost Normal" doesn't even scratch the surface of those possibilities. * from ****

Premise? Brad, a 40 year old college professor, gets propelled back in time to his high school years (paging Peggy Sue). The time machine of choice is an automobile (paging Doc Brown). The twist here is that his past is now a world where same sex relations are the norm and being a 'breeder' is considered 'queer'. Unfortunately, ALMOST NORMAL suffers a bit from adhering to it's 'concept' - showing us a world every gay person has dreamt of, where being gay is the acceptable norm. Some of the character and plot energy is diverted to this noble experiment and thankfully, it eventually pays off. Although an indy in spirit, ALMOST NORMAL looks and sounds pretty slick and manages to be quite winning, despite some apparent flaws. The scenes where Brad and his boyfriend go on an 'ice cream' date and where the hunky boyf eventually proposes marriage are genuinely moving and refreshingly real. The convention of having Brad remain 'different' even in his new world is the film's toughest trick and I'm glad to say it works. The performances are capable and except for a few of the smaller roles, the acting is uniformly pretty good. The score and photography are above the norm for this type of endeavor, generally on a par with a Hollywood effort. The direction is a bit uneven, with a few scenes a bit too farcical and others veering toward the too sentimental. But for the most part ALMOST NORMAL is almost as clever and unique a film as Doc Brown could possibly confabulate.

Marc Moody has written and directed a film that is so earnest and reaches so high for making a significant statement that it is difficult not to admire the result. ALMOST NORMAL is so obviously a gay version of 'Back to the Future' by its own admission that it becomes a bit tedious and silly, and when accompanied by low budget and tenuous production values it is a little squeaky in achieving its self-imposed high standards, it comes very close to being a forgettable effort. So why is it so popular? It has spirit! Brad (J. Andrew Keitch in a fine film debut) is a 40-year-old closeted gay college professor in Nebraska who lives in fear of derision and is frustrated he is unable to live his life in a happy relationship. His good friend Julie (Joan Lauckner) is supportive and encourages Brad to return home for his parent's wedding anniversary. Brad does so reluctantly, finds the usual homophobic atmosphere and in a moment of weakness, drinks too much and has an auto accident. Miraculously, when he awakens, he has the appearance of a handsome high school kid and when he wanders into the world he discovers that there has been a major reversal: now it is normal to be gay and grossly distasteful to be a straight breeder. Even his parents are gay with breeder hosts for procreation purposes. Brad sees reverse discrimination now, is sought after by the high school jock Roland (Tim Hammer), enjoys the freedom of being openly gay, but meets the now new Julie and is strangely attracted to her, having to hide his new 'straight alliance' in a new closet. And the resolution of this new dilemma is the message of the film.

Everything about the idea of the film makes the viewer want to love it, and it is a sweet little diversion of a film with some thinking material about prejudices. It is rough and hampered by many technical and casting and scripted errors, but it does give newcomer Marc Moody a strong grounding for making further films about gay life that seem to appear like seeds of ideas throughout this film. It needs polish but it is a good time and offers a wide audience a better perspective on what it feels like to live a life as an outsider. Grady Harp

Right! I felt a bit angry half way through the movie. I admitted I forwarded and rewind a few scenes I thought there were funny. But the idea of a gay person going to a future where you can be gay and it is acceptable as "normal" and the same character decided that he is "straight" did not make any sense to me. However I think this movie is about being an "Outsider" rather than an "Insider" (as the main character says at the end "sometimes what I want it is not what I need"). I agreed with previous comments, you don't really know what audience this movie target, but I have to say it is an interesting concept the director brings to the screen, isn't perfect but a good effort.

The concept is potentially interesting. It is openly attempting to use the Back to the Future idea to take a gay college professor back to his high school days in a world where what's considered "normal" and "abnormal" is reversed. Unfortunately the potential is never realized.

The actor playing the central character, Brad, is likable enough. He and the actors who play students do turn in reasonably good performances given the rather lame situations and dialogue they are forced to cope with. Conversely most of the actors playing adult characters seem to suffer from major aren't-we-being-too-silly over-acting syndrome and often sound like they're reading their lines from a teleprompter that isn't keeping up.

The story blurb states that Brad "is tired of being different because he is gay" and that when he is transported back in time he becomes "almost normal." Obviously that's not what happens at all. Taking that view would seem to imply that being straight will forever be the preferred norm in any context.

In the present day he, and many others, consider him to be different because he is gay. When he goes back to his high school days he becomes straight in a fantasy world where gay is normal. Once again he's different and regarded as "disgusting" & perverted and is the object of the same sort of bullying from his peers and negative reactions from adults that he experienced in the real world.

It might have been a more interesting premise if he had retained his sexual orientation and found himself in a world where he was a normal gay kid and the victimized minority in his school were the heterosexuals. Finding himself in the majority and not having to deal with all the guilt and grief dumped on him could have been a genuine role-reversal with real implications as he decided whether the fantasy experience or his real life was preferable.

In the end it's still mainly a mediocre high school coming-of-age drama. It's still the same normal kids and the same prejudiced community standards making life miserable for the minority, even if what defines normal and abnormal has changed.