Khosla Ka Ghosla!

After Lageraho Munnabhai...Bollywood could not have got any better than...THIS. All along these years, we've been watching films that crawl without any story or soul...only effort going into them being a good make up in terms of ostentatious song and dance routines only to make it more sale-able. and all these years, even I've been watching all this. Appreciating some...sulking at others, craving for the movies as they were in times of Hrishikesh Mukherjee and Sai Paranjape. Khosla Ka Ghosla comes straight out of that genre and sweeps you like gust of fresh air. Since most of you must be knowing the story, and for those who don't, they must be going and watching this at all cost, Khosla Ka Ghosla is one of the finest examples of storytelling in recent times. Every character is sketched out so immaculately that for even a second you can't say that you don't know this person in real life.

An absolutely brilliant background score makes this movie a thorough joyride with the highs and troughs dealt with extreme intelligence.

As for the performances, we know what Anupam Kher is capable of and Boman Irani is definitely a class apart. Navin Nischol, in spite of his personal troubles, makes a very impressive comeback. Kiron Juneja is very good. Parvin Dabas and Tara Sharma give perfectly restrained and energetic performances respectively.

But the one who takes the cake away for my money is the support cast lead by Ranvir Shorey... Every time he opens his mouth, he leaves you in splits....and mind you...no slapstick there...everything very common...very everyday like... but brilliantly delivered. His chemistry with Vibnay Pathak in The Great Indian Comedy Show seems to have rubbed off onto KKG too and both give absolutely mesmerizing performances along with the rest of the cast.

Every scene, every dialog...gives you a great sense of happiness...which you might not identify then and there itself in the theater, as in the case of Lageraho Munnabhai, but you'll definitely ponder over it and a smile will cross your face even after you've come out of the theater and it will stay with you for a long long time.

Brilliant piece of Cinema...Go watch it!!!!

Nine and a half on Ten!!!

Last night I woke up at 8.30 in the night after sleeping for like 6 years at a stretch after the overnight stay me and my friends had. 9 PM. On air is "Khosla Ka Ghosla". Now I really wanted to watch that movie when it was released but just didn't had the time to and right now, I wasn't in the mood for it but since nothing else on TV was worth a watch, I decided to see the film.

After a while I realized that 40 minutes had gone by and not for one moment did I feel that KKG had a scene so far which was boring or unnecessary. KKG is truly gripping. It sucks you into it and you'll start getting concerned about Kamal Kishore Khosla (Anupam Kher). Khosla is a very innocent middle-class service man who gets a plot of land from Kishan Khurana (Boman Irani) out of his life-savings, a lump amount of 30 lacs but things get terrible when Khurana doesn't exactly let Khosla get the land until Khosla would pay Khurana another 10-15 lacs.

As much as I would love to say that Khosla Ka Ghosla was a movie which belonged to Anupam Kher and Boman Irani, I cannot deny that it belonged to the other artists as well. What I like so much about Khosla Ka Ghosla is that it does not star big mainstream artists in it except Boman Irani & Anupam Kher and if it did, maybe it would have lost its simplicity. Anupam Kher has been doing really lesser number of roles as compared to what he used to in the 90s but after Maine Gandhi Ko Nahin Maara, Kya Kool Hain Hum and Rang De Basanti, Kher almost steals the show again. Khosla Ka Ghosla is very very realistic and that is its USP. Of course there are a few little flaws in the script but that does not stop KKG from becoming an entertaining ride without moving away from the realistic world. The brand of humour used in the movie is simple and enjoyable and one thing which I liked very much about this film is its characterization, I cannot deny that I liked every character present in the movie and it felt that they were straight out of someone's lives. Although Khurana and his assistant reminded me of Lucky Singh & Kuku in Lage Raho Munnabhai bit, basically because of the role they played.

Boman and Anupam of course do play the parts beautifully but one performance which I liked a lot was that was Bappu's (Navin Nischol). Now what Bappu is doing in the film, I cannot say because I feel that would give out a part of the story. Ranvir Shorey and Vinay Pathak come together again after they did once in Jism. Ranvir as Anupam's elder son and Vinay as the guy whom Boman had betrayed play their parts with ease and rock it. Tara Sharma's accent is weird but I liked her here and the director gets credit for that. Parween Dabas too... actually its not the actors that are there but the characters. Such is the magic of débutante director Dibakar Banerjee and writer Jaideep Sahani. Full marks to the director who's earned my respect.

The music by composers Bapi, Tutul and Dhruv too is great. "Chakk De Phadde" sung by Kailesh Kher which is also the OST of the movie is nice and totally in mood of the film. The other tracks too offer great help in carrying the story forward.

When Anupam Kher had said that this is a tribute to Hrishikesh Mukherjee's film-making style, I'm sure he truly meant it. Khosla Ka Ghosla is simple, innocent, realistic and entertaining. Go watch it if you want to see a quality film. Much better than the Karan Johar or Rakesh Roshan flicks which are recognised by Filmfare, not for their creativity but commercial success. Khosla Ka Ghosla made my mood. Three cheers to the movie! 7.5/10 from http://muviegeek.blogspot.com

When I first heard about the movie "Khosla Ka Ghosla", I thought it is yet another nonsensical comedy. But now after seeing the movie I feel that the makers of the movie could have done even better had they not used the current title. I don't say that the title is not apt for the movie but at first instance it gives a totally different impression of what the movie is going to be like than it actually is.

Kamal Kishore Khosla (Anupam Kher) is just another head of a middle-class family who spends his entire life's earning to buy a plot in Delhi. He wants to build a new house for his family that has his wife (Kiran Juneja), his elder son Balwant(Ranveer Shourie), his second son Chirounjilal (Parvin Dabas) and his daughter. Chirounjilal works for an MNC and is trying hard to get out of the country and his elder brother Balwant is just another unemployed big-on-plans self-proclaimed genius.

Boman Irani(Khurana) is a rich businessman who illegally takes possession of the plot of land that Khosla had bought for building his dream house. The estate agent who sold the plot to Khosla is a member of Khurana's team. The offer the agent makes on behalf of Khurana to Khosla is buying the plot at half the market value (the amount Khosla had already paid).

The movie is very close to reality. Many such incidents take place in Delhi NCR. I myself have heard about many such cases which were common when Gurgaon was not as developed as it is now.

Getting back to the movie, the rest of it shows how The Khoslas try to get back possession of their plot leaving no stone unturned and turn out to be successful too.

All the actors starting from Anupam Kher and Boman Irani to Navin Nishchol and Parvin Dabas have performed very well. And not to forget the quick-witted one-liners by Ranveer Shourie that compel you to giggle even in a movie like this.

Indian film industry is the most prolific in the world and yet very few of our movies make their mark on the global scale and I am not talking about the financial aspect of this industry but the lack of imagination and finesse. Hence the Indian masses cannot be blamed for their taste in cinema simply because they have rarely been exposed to truly magnificent cinema.

This is partly because most of the commercial movies are profit-centric as they ought to be but these movies revolve around a nucleus of a few 'stars' and the producers bank on these 'brand-ambassadors' to make the movie click; plus the profit from the sales from the movie soundtrack is a very crucial part in the success of a movie and this incumbency on songs is unparalleled which leads to so many abrupt speed breakers in the narration of a story so that these songs can be accommodated. And it works sometimes but the calamity is that every movie is focused around the same philosophy.

This movie stands apart because it does not fall prey to any of the above. There is no 'brand ambassador' for this movie. The forte of this movie lies in its simplicity, sincerity and substance and much of that credit goes to the director Divakar Banerjee.

At the crust of the movie are two of the finest actors in the country today; Anupam Kher as the ordinary middle class fifty six year old man (Khosla)in Delhi whose only drive in life is to build a new house for his family that has his wife (Kiran Juneja), his elder son Balwant(Ranveer Shourie), his second son Chirounjilal aka Cherry (Parvin Dabas) and his daughter. Balwant is a jobless waster and Cherry works for an MNC but wants to leave the country for a better job in America.Navin Nishcol (Bapu) and Vinay Pathak (Asif Iqbal) are also assets to this movie.

Boman Irani(Khurana) is a very wealthy and sly business man who captures the plot of land that Khosla had bought for building his dream house. Now if Khosla wants the plot of land that belongs to him he must buy it from Khurana, the problem though is that he doesn't have the money as he spent his life's savings to buy that plot of land. This movie is about how an ordinary middle class old man tries to reclaim his stolen (robbed) dream back from the powerful clasps of this crooked property dealer.

The film looks real. Actors don't wear designer costumes, there are no exquisite locations but what it does have is ingenuity and a sense of realm. The movie does not focus on a couple of 'brand ambassadors' but does justice to characters and all the actors have done a commendable job in keeping it real. The characterization is superb. The dialogues are witty and have a subtle Indian flavour in them. It also has a hint of dark sense of humour. The opening scene is funny but is inconspicuously and heavily sarcastic which is excellent dark comedy material. You will see many of those in the movie. I would agree that Jaane Bhi Do Yaaron is an excellent reference point.

The movie does not exaggerate and neither does it take itself lightly. There are many scenes in the movie that manifest the problems of the common man who lives a mundane life and is helpless. Those who watch movies are these common men and they would love to see something that they can relate to.

The best Hindi movie that I've seen since Lagaan. Will remember it for is originality, sarcasm and its intrinsic common man appeal.

How many times have you come across a film that makes you smile while you have a lump in your throat at the same time? Such are the dwellers of this nest that you feel sorry for them for the trouble they land themselves into but such is the treatment of the film that rather than being a compulsive tearjerker it has that feel good effect on you (without being overtly mushy either).

Never since the times of Sai Paranjpe or Basu Chatterjee has one come across as authentic portrayal of the middle-class in films as you get to see here. Khosla Ka Ghosla talks about a family in Delhi headed by Mr. Khosla (Anupam Kher) who invests all his life's savings to buy a plot on which he dreams of building his own bungalow. But after buying the plot he finds the land being encroached by a builder Khurana (Boman Irani). He uses paisa, pehalwan and politics to get his land back but is too diminutive in front of the mammoth Khurana. Finally the straightforward family attempts devious ways to get back their land.

Despite the film being delayed for long, the narrative still comes out as fresh and original. An average audience can so much relate to the characters of the film since none of them play the conventional larger-than-life Bollywood hero but a common man. Where else can you find the male lead of the film (Parvin Dabas) with a name that goes as Chiraunjilal? Kiran Juneja playing Khosla's wife, in her minuscule bit, is such a refreshing change from the sugar sweet Farida Jalal or the melodramatic Reema Lagoo kind of on screen mothers. Or for that matter Ranvir Shorey as the elder brother isn't the usual dominating or over-protective type clichéd character.

The scenes that unfold come out so much out of real life situations. The only inspiration that the film derives is from real life. The semi-autobiographical script by Jaideep Sahni is original, amazing and entertaining. Debutante director Dibakar Bannerjee extracts fine performances from every member of the cast and never lets anybody go overboard or under-act. The comic timing of the characters is simply flawless. The theme of the film might be a serious issue but the treatment is very light-hearted. Songs are restricted just to the background and Kailash Kher's 'Chak De Phatte' gels perfect with the proceedings. The background score attributed to Boman Irani's character, every time he enters the scene, needs a special mention.

Post Maine Gandhi Ko Nahi Maara, this is Anupam Kher's best performance. He has performed such common man characters before and plays his part effortlessly even here. From Munnabhai MBBS, Being Cyrus to Khosla Ka Ghosla, Boman Irani perhaps is the only villain who can successfully add a natural comic effect to negative characters. Parvin Dabbas, Vinay Pathak, Navin Nischol and Kiran Juneja are apt in their roles. Ranvir Shorey plays the most hilarious comic characters to have come out in recent times without being goofy at any time. The actor is simply amazing.

Khosla Ka Ghosla is an appetizing pure vegetarian thali in the age of non-veg junkies. Go relish it!