Héroes

I don't see why this movie has been turned down by so many people or why such a bad word has been spread about it.

Push is one of the better modern superhuman-themed movies you will find. It won't be your top five of the year and you won't watch it a million times, but you should really like it. It won't blow you away, but it won't disappoint you.

I give my opinion on this movie not as a fully fledged movie expert, fully up-to- date, premier-going, Oscar-loving critic - but as an artistically natured, deep- rooted film lover. And I say this movie is worth watching. It has a bit of everything that is to be desired in a good movie. While a lot could've been different, and you could've improved it in many ways, it's still fine just as it is.

The story in this movie is excellent. How it is portrayed and told is great. The actors all fulfill their role, some with splendor. And no matter what anyone might have told you; this movie is greatly artistical.

I believe Push is quite unique in many ways, foremost for its unusual lack of hierarchy of the powers you see in the film. You're used to see a lot of people possessing powers, but only one of them - Magneto for instance - being the one standing above all else. But in Push no one is the obvious stronger one.

Push uses a lot of twists, and not in the first-Saw-movie way which blows you out of your seat, but it still manages to keep the movie interesting, even tough the twists are all quite predictable.

Push is also, as I said, greatly artistical. It has a lot of fantastic colors and utilizes lighting very well, it's set in very beautiful environments, and there are a lot of other great cinematic techniques being used. I especially like the choice of soundtrack in this movie. It reminds me a lot of the way they choose to use music in The Dark Knight. Instead of some really catchy, noticeable soundtrack there's been a very diligent work done with a subtle yet powerful soundtrack that emerges only when necessary and gives an indescribable force to the movie.

All in all, Push is a quite non-mainstream, entertaining, good movie worth watching.

These days you can't throw a half-brick in the air without it landing on someone who can fly, or was bitten by a radioactive spider (and that's assuming that the 'half-brick' in question doesn't GIVE the person it lands on the power to fly or climb walls!). However, back in 2009, superhero movies (or those generally showing young, good-looking people with superpowers) weren't quite always guaranteed to make as much money as today's average Marvel Cinematic Universe film. Therefore, 'Push' sort of flew below radar at the time. I'd like to say that it's achieved a 'cult following' over time and it's a bit more of a 'sleeper hit,' however, it seems to have been completely forgotten. And, in my opinion, that's a shame - I really enjoyed it!

I guess to sum it up simply, it's a bit like the 'X-men.' There may not be a 'recognised' team of superheroes dedicated to saving the world here, but you do have a sub-group of human who are 'cursed' with special powers and so destined to either be hunted by shady Government agents before being studied in Top Secret laboratories , or simply working for the afore-mentioned shady Government agencies.

Chris Evans is one such 'person of power' - yes, THE Chris Evans who glossed over the 'Fantastic Four' to become one of the headliners of the Marvel universe, Captain America. However, rather than wielding a red, white and blue shield (or being able to burst into flames at will!) here he's a 'mover.' This is one of the many types of 'ability' these 'special' people exhibit and, in his case, basically means someone with telekinetic powers. He's currently on the run from the authorities in Hong Kong, but his life of hiding comes to a premature end when a young 'watcher' (someone who can see the future and played by Dakota Fanning) tracks him down in order to help her rescue more of their kind.

What follows is effectively a 'chase movie' where the 'gifted' youngsters are pursued by their evil equivalents. And, like I say, if you like superhero-type movies, it's all good sci-fi fun. The characters are likeable enough and there's good chemistry between the leads. Plus there's plenty of action and a few fight-scenes using special powers which are quite inventive and do stick in your mind once the credits have rolled.

If I had to mention a negative side (besides the kind of uninspiring title!) I'd say that the world which we find ourselves watching does need a lot of explaining so that you know all the rules of how it all works. Nowadays, we know what to expect in the Marvel Cinematic Universe, but, back then, there was quite a lot of 'exposition' supplied in lengthy voice-overs of segments of dialogue. I'm not sure whether 'Push' was based on a comic, or book, but it felt like you'd certainly pick it up quicker if you'd read a great deal of backstory surrounding what's going on. And, it's because of this lack of knowledge as to what powers people possess, that our heroes seem to bounce from one scene after the next meeting a new person with the exact superpower required to either get them out of their current predicament, or move the story along.

However, I can forgive that and simply enjoy it for what it is - a harmless piece of superhero fun. Even if it never got the recognition that I felt it at least deserved, it's still fun. And, if you can find it on any of the popular modern streaming services, I'd recommend you watch it - even if it's just to see what Chris Evans did before life in the MCU.

The fact I had heard next to nothing about this movie made my expectations low, but while it was light on characterisation and a back story it was an okay 'Super Power' movie. Chris Evans and Dakota Fanning were fine in the leads but I couldn't figure out whether Camilla Belle's performance was deliberate or an inability to act. I would say give the movie a try, it's better than 'Jumper'.

Push is a movie that shouldn't have been a movie. There are so many cool ideas and concepts here, a world I'd love to know more about and explore further but cramming it all into one movie was a mistake. This would work so much better as a (mini)series but we get what we get. As a movie, it's a mess of mixed ideas mashed together, characters rush through things and the world is a string of narration and clumsy storytelling. The acting and the cinematography are all a little off too leaving this feeling like it's got great potential but in reality it's a whiff on delivery.

I still feel like this is worth a background watch for science fiction fans, the ideas here are really interesting but the reality is that it's a clunky, awkward and underwhelming mess of a film.

This little bit of cinematic junk food is moderately entertaining if you're not looking to exercise any brain cells. It's about a bunch of people -- some good, some bad -- with special powers in pursuit of a suitcase that contains something that everybody wants. I could go into what the suitcase actually contains, and why it's important, and why everyone wants it, but I don't have the energy, and it doesn't matter much anyway, because the film is more interested in its style than it is in its plot, which isn't in this case a criticism.

The film reminded me of a jacked up version of one of those 1940s crime thrillers, where everyone speaks in a hard-boiled patter and what happens isn't nearly as important as how it all looks happening. So what if this film's plot seems needlessly complicated, and so what if there are way too many narrative threads that don't ever get completely developed, and so what if the whole thing is edited to within an inch of its life? It's still pretty fun if you're in the mood for it.

Chris Evans and Dakota Fanning are the nominal stars, and Djimon Hounsou makes an appearance, proving yet again that what he really needs more than anything is a better dialect coach.

The crazy color palettes and art direction in this film reminded me as I was watching it of "Lucky Number Slevin," another bit of entertaining B pulp. How funny then that I look at this film's director's (Paul McGuigan) resume only to find that it includes....you guessed it....."Lucky Number Slevin." If nothing else, his films certainly have a visual style in common.

Grade: B