De un día para otro

Gosh.. Just saw it this week-end. And this guy is teaching directing in the SO-CALLED best and most efficient cinema school in France (and Europe basically..) !

I'm glad i missed the admission.

'Happiness is heavy when you're not used to it' C'mon! 80 minutes of non-screenplay, non-directing, non-acting (I LOVE Poelvoorde but he can't do anything about the impoverished style of the the whole shebang)

If you want a good laugh, 2 scenes are on the top of the most pathetic sequences of all time :

The first one when his wife is meeting him (at the bank, in his office) and realizing that his future ex-husband is finally very attractive and perhaps deserve a new chance.. Slow motions and cheesy music - lousy violons sounds -

The second one. The musical sequence.

nuf said.

Pauvre France.

I like the Merriam-Webster definition of disappointing: failing to meet expectations, a disappointing meal, for instance. We change our seats to see the new Jennifer Aniston's flick because the seats were to close to the screen and we choose a French comedy instead, expecting some French comedy time. The comedy was not present. The story is non existent and has a lack of imagination that surprises for a French director. The main character is disappointing, Benoît Poelvoorde tries to give some sense to the character and in some moments he manages to do that, but the storyline is dull. But Constance Dollé is showily brilliant, beautiful and sexy, She is the best of the whole story. Disappointing French comedy. Fatalist a little bit like Le Diable Probablement, but without the genius insight of Robert Bresson.