Lo que acecha en las sombras

I didn't like it much. It's not nearly as clever or funny as it thinks it is, and the horror violence seems disturbing and mean-spirited instead of mocking and over-the-top. The dialogue really isn't that sharp at all, and the characters are either incredibly unlikeable or just plain bland. There's only a few minutes of side-splitting humour (the rocket/plane being the highlight), and there's some moments of sly comic brilliance (loved the three different stories told), but it just turns into the very thing it's trying to mock by the end. The villains are too real and too human to be properly made fun of, and thus any joke involving them just falls flat. It's not nearly funny enough to be labeled a hybrid, so instead it's just a horror with some black comedy elements. Shame.

I was a big fan of Chris Smith's previous film Creep and had heard this was even better so I had high expectations going in. They were completely surpassed by this superlative slice of hilarious horror action.

The way the film combines humour and horror is skilled and the script is smarter than average for the genre. The film works better as a comedy and there are some absolutely precious comedy moments that I won't detail here as I don't want to spoil any of them. Suffice to say that the audience were busily quoting them and some of the better of the fantastic lines of dialogue after the screening. I feel people will be quoting some of these lines for years!

On a more serious note, there are some seriously scary scenes in the picture and even a couple of deaths of some of the more sympathetic characters that are actually quite moving.

The cast is also perfect, none of them put a foot wrong. Laura Harris completely kicks ass as the heroine.

I sorta want to see a sequel but heaven knows where they'd go with it.

Overall, I loved the film - it's made by a writer and director who are genuine horror fans and it shows. They're also both very talented.

I went into this film expecting a zombie movie for some reason, but actually Severance is more like a British version of Eli Roth's successful 'Hostel', albeit with a bit more humour. There have been a few good British horror movies over the past few years, including most notably the likes of Dog Soldiers, Shaun of the Dead, Wilderness and The Descent. I wouldn't say this one really lives up to the best of them; but Severance is good comedic and bloodthirsty fun, and there's certainly enough about it to ensure that the film stands tall as another feather in the cap of modern British horror. The film starts off in a truly nightmarish fashion; we are introduced to a bunch of office workers going on a 'team building' trip in the middle of nowhere. The prospect of this alone is enough to make me not want to sleep tonight, but it gets (arguably) worse for these guys it when it turns out that they're not the only ones in the middle of nowhere - a bunch of bloodthirsty maniacs turn out to be doing a bit of team building too!

The film is pretty slow to start, with the first half of the film merely seeing us being introduced to the cast of snivelling office workers. However, once the violence starts, the film really hots up as we get treated to a whole load of grisly sequences that see things such as decapitations and limbs being lopped off. The location is put to good use as our cast of characters finds themselves in the middle of an Eastern European country and director Christopher Smith does an excellent job of ensuring the tone of the film is always hopeless. The cast isn't anything to write home about, although Danny Dyer, who you might remember from the very decent British gangster flick The Business, does a good job of holding the film together. The humour doesn't blend as well with the horror as the director obviously thought it would, and this is where the film falls down for me. Severance would have been a better movie if the director could have made his mind up about exactly where he wanted to take it. As it happens, Severance is an entertaining mix of gore and laughs; but it's not at the cutting edge of modern horror.

Gory, funny and frightening. The premise isn't that original, but the execution is mighty good and it succeeds in making you actually care for the characters. Well worth the watch!

Co-writer and director Christopher Smith puts a rather fresh and funny spin on the standard slasher formula with this irreverent horror comedy. The employees of a multinational weapons manufacturer named Palisade travel to the Eastern European woods for a "team building" retreat. They get on each others' nerves for a while, but this will not turn out to be their biggest worry. What happens is that a very stealthy and extremely sadistic killer is going to target them, and arrange for them to meet nasty ends.

Give Smith and his co-writer James Moran some credit for playing around with the conventions of slasher cinema without resorting to self-referential dialogue. The set-up is certainly a topical one, and the filmmakers do work in digs at corporate culture as well as this genre. The characters may grate on the nerves of some viewers. "Severance" does fall into that familiar trap of "dumb people doing dumb things", but at least not all of the characters are hopeless. Laura Harris plays Maggie as a resilient person who keeps a cool head in an emergency.

Genre lovers will be pleased with a respectable amount of splatter, and it must be said that these particular woods - "Severance" was filmed in Hungary and The Isle of Man - possess some decent atmosphere. The performances are generally capable. Danny Dyer is the principal supplier of comedy relief as the immature Steve. Toby Stephens is fun in the role of Harris. The filmmakers also work in a brief and very amusing way to contrive some nudity.

Ultimately, this is rather predictable and the ending isn't all that great, but this is still pretty enjoyable while it lasts.

Seven out of 10.