El superintendente de edificios Cleveland Heep rescata lo que él cree es una mujer de la piscina. Cuando descubre que es en realidad un personaje de un cuento que está tratando de hacer el v... Leer todoEl superintendente de edificios Cleveland Heep rescata lo que él cree es una mujer de la piscina. Cuando descubre que es en realidad un personaje de un cuento que está tratando de hacer el viaje de regreso a su casa, trabaja con sus inquilinos para proteger a su amiga de las cria... Leer todoEl superintendente de edificios Cleveland Heep rescata lo que él cree es una mujer de la piscina. Cuando descubre que es en realidad un personaje de un cuento que está tratando de hacer el viaje de regreso a su casa, trabaja con sus inquilinos para proteger a su amiga de las criaturas que quieren hacerle daño.
- Dirección
- Guionista
- Elenco
- Premios
- 10 premios ganados y 11 nominaciones en total
- Mrs. Choi
- (as June Kyoko Lu)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The theme of "finding your purpose" definitely is poignant in this day and age, I love all the self reflexive humor as far as story structure goes too.
SFX were decent, not awe inspiring but good for what was required. The film is really about the characters though and their arcs. I'd say the film is much more for the introspective crowd than the hardcore comic kids who want plenty of screams.
First of all, it's a good family film, with enough tense moments to keep you watching, and enough laugh-out-loud moments to calm you down. It was refreshing for once to see a film with good, clean humour. The dialogue was not necessarily hilarious, but the actors, especially Paul Giamatti (Cleveland) delivered the lines extremely well.
The acting was tremendously well done also. Paul Giamatti is always fantastic, and while Bryce Dallas Howard seemed to act in the same manner as she did in The Village, she was still convincing. The ensemble cast worked well together. Some might bash M. Night for casting himself in a not-so-cameo role, but he proved that he can actually act! No, his performance will not win him an Oscar, nor should it, but I think there is definite talent there. I hope to see him in bigger roles, in films not his own.
The plot had many twists, maybe too many, but no matter. I kept trying to guess what was going to happen, but it I was always wrong. It was quite interesting.
What most made this film a work of art was the directing. M. Night has a rare talent that will go completely under the radar for this film because no one will see it. The camera angles were inventive-that's right, inventive. I may be one of the few who actually cares about camera angles and how a scene looks, but it looked great. The final product was polished.
I truly believe this film is M. Night's best work. He made the story up himself, wrote a screenplay that made us laugh, smile, cringe, and jump just a little, and directed a great ensemble cast including himself. Quite a feat.
So before everyone starts ranting about how stupid the storyline is or how "so-not-scary" the film is, just appreciate the uniqueness of the film, and remember what makes this film good. Forget the crazy story. It's everything else!
So here's what I think: Direction Shyamalan has made movies before featuring ostensible everyman types, but this time he has moved away from Hollywood-everyman to a genuine everyman by casting Paul Giamatti as a sad sack building super. Giamatti is likable and quite funny, and the movie starts off with a breezy humor that instantly made me like it.
There are problems when the plot kicks in with the appearance of a young woman named Story. It turns out she might be a creature called a narf from a Chinese fairytale, so the first problem is, narf isn't remotely Chinese-sounding.
Still, I liked the way the movie builds, as Giamatti tries to help her and discovers neighborliness and credulity aren't dead. I enjoy the movie's optimism about people even if I don't share in it, and I like the way he spreads his typical revelations throughout instead of sticking them all at the end.
While people have claimed the story is slow, I thought it was well paced. And while I can admit to many of the criticized plot holes, I just don't care; it had the feel of a little fairy tale of the modern age, which I found quite charming. And the movie is frequently amusing, which counts for a lot with me.
My main criticism is that Lady in the Water would be a much better film with two minutes taken out. Shyamalan decided to savage movie critics, apparently stung by the deserved panning of The Village (which inexplicably received more positive criticism than this film). That's fine in itself, but in one scene Shyamalan simply steps outside of the movie to make fun of the critic. In itself it's a rather amusing scene, but you don't carefully create an atmosphere and encourage a suspension of disbelief and then just shock the audience into the real world in a petty act of vengeance. Shyamalan ignores one of the fundamental rules of film making; if any scene, even if it's the best scene in the film, takes away from the whole, you cut it. I'm very disappointed in Shamalyan for allowing his bitterness to trump his common sense.
It's a small thing, and I won't say it ruined the movie, but it was jarring. And perhaps that's part of why the reviews are so bad, because that scene made people drifting along on the movie's logic snap awake and start thinking about everything that was wrong. Although that's just a theory. Anyway, cut out that two minutes and it would be a considerable improvement.
As for people complaining the movie isn't that scary, well, I don't think it was trying to be that scary. I do think the director's intent is more important than what he's done in other movies. Just because he usually tries to scare us doesn't mean he is this time; I think he was just going for some mild suspense.
Anyway, while others are saying Shyamalan has lost it, but for me he's been consistent; one good movie, one bad one. Sixth Sense (great), Unbreakable (tedious, but interesting ending), Signs (good movie, tremendous ending), The Village (wretched) and Lady in the Water (funny and charming).
So I don't have high hopes for the next one, but this one was quite enjoyable.
One thing I liked about the film is the simple story, or more accurately, the atmosphere. M. Night has always been better at creating a mood than fleshing out a story, but the premise of Lady in the Water works for me: It about people reacting to a fairy tale happening in real life. This concept probably put a lot of people off, the fact of the matter is this concept hasn't been used a lot (but it has been done before, i.e. Peter Weir's "The Last Wave", a deeper and more philosophical film), and people aren't used to it. Like I said, I liked it, but most of my friends thought it was stupid.
The main thing that people hated was M. Night's own acting in the film, and on this I agree. He was without a doubt the worst thing in the film. It was a disgusting example of self-indulgence and self-importance, and more than that, he's just a terrible actor and he should stop.
The one thing that I really had a hard time stomaching was the extended sequences with the party band, Silvertide. They were so awful I wanted to walk out of the movie. Picture a blonde version of The Black Crows with even less talent ripping through and f*(^king up a version of Dylan's "Maggie's farm".
Those few things aside, the rest of the cast was great, I thought the story was simple and decent enough, the "film critic" part with Bob Balaban was funny, but M. Night was asking for it with that one, and the movie as a whole was entertaining.
M. Night started out as the new golden boy of Hollywood with "The Sixth Sense", but many have felt he's lost his touch. The truth is he hasn't lost his touch, he just hasn't grown as a director. With "The 6th Sense", "Unbreakable", "Signs", "The Village", and now "The Happening", he keep tilling the same field. it's getting old. "The 6th Sense" was great, mostly because it was fresh, "Unbreakable" was entertaining for me at least due to the comic book references, but "Signs", "The Happening", and especially "The Village" were just plain terrible. "Lady In The Water" was a nice diversion from his formula, but it's getting tired. Perhaps M. Night would benefit from directing a script written by someone else, and not built around some moronic "twist" at the end, and most definitely not acting in it.
¿Sabías que…?
- TriviaThe reason for the film's $70 million production budget, despite being set in one location, was because the apartment complex and the pool were built for the film. Some of this film was shot in Levittown, Pennsylvania at a Jacobson logistics warehouse site (director M. Night Shyamalan had committed to using filming locations in Pennsylvania). The set, built on the warehouse site, includes the apartment complex and a half city block of row houses. Occasional footage was shot inside the overflow area of the warehouse. Most of the filming was completed after Jacobson work hours.
- Errores(at around 32 mins) When he sees Vick's book "The Cookbook," Cleveland Heep says to himself, "This is s-s-s-s-silly." Stutterers often do not have a stammer when talking to themselves; they stutter primarily when talking to other people. However, Cleveland's stutter is a symptom of Post-traumatic Stress, in which case the stutter typically remains constant regardless of social situation until the stress is dealt with.
- Citas
Story: [holding Cleveland's journal] Your thoughts are very sad. Most are of one night. A night a man entered your home when you were not there. He stole many things and killed your wife and children. That is when you stopped being happy. You were a doctor. I am very sorry for you. You believe you have no purpose. You help all that live here.
Cleveland Heep: Anybody can do this job, Story.
Story: You have a purpose. All beings have a purpose.
- Créditos curiososAfter the movie has ended, and all of the credits have scrolled, there appears the following dedication from M. Night Shyamalan: "To my daughters, I'll tell you this story one more time. But then go to bed."
- ConexionesFeatured in HBO First Look: Lady in the Water (2006)
- Bandas sonorasEl Cayuco
Written by Tito Puente
Performed by Mambo All-Stars
Courtesy of Peer-Southern Productions, Inc.
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Lady in the Water
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 70,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 42,285,169
- Fin de semana de estreno en EE. UU. y Canadá
- USD 18,044,396
- 23 jul 2006
- Total a nivel mundial
- USD 72,785,169
- Tiempo de ejecución1 hora 50 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1