Sukeban gerira

Well, it might not always make sense and it certainly does have far too much going on - but Girl Boss Guerilla is yet another excellent and extremely entertaining dose of Pinky Violence that is sure to delight anyone in love with this bizarre genre. The chief thing that makes this films so enjoyable is simply the fact that the focus is always on entertainment and while this is sometimes at the expense of coherency, that's really not too important. As usual, the film is peppered with various plot and sub-plots - some connected and some not - and writing out a complete plot summary for this film would take some time! The basic plot, however, focuses on an all-girl group of bikers that move into a new town and take on the local bike gang, eventually muscling in on their rackets and pinching their money. It's not long before the girls' actions catch the attention of the local (male) Yakuza and they're none too happy about having the biker girls in town! A war between the two is broken out, eventually leading to a bloody showdown.

The film is extremely violent as you would expect, but director Norifumi Suzuki clearly has a sense of humour also and some of the scenes in the film are delightfully funny. This does provide some entertainment, although it also means that the film can be a little hard to take seriously - for example, the lackadaisical nature of the Japanese Yakuza shown in this film doesn't exactly correspond with their reputation or actions. The film utilises the talents of two of the genres finest actresses in Miki Sugimoto and Reiko Ike. The two provide amicable and believable leads and do actually manage to cut imposing figures. One of the things I liked most about this film is the trademark of the girl biker gang - a tattoo over the left breast, which is just the sort of thing I'd like to come into fashion these days! The violence is all very comic book styled and way over the top, which is sure to please; although it's not actually quite as graphic as some of the other Pinky flicks. Overall, this is a great example of the genre - its fun and entertaining all the way through and never gets boring for a second - which is exactly what is needed from a film like this. HIGHLY recommended!

These films never tend to disappoint me - and GIRL BOSS GUERILLA is yet another enjoyable entry. Filled with tits, ass, violence, and sleazy/funny situations - this is definitely one for the exploit fans out there...

A rival girl gang takes over after a mini-battle against the local girl gang. The girls get on the bad-side of the local Yakuza gang when they start pulling jobs and cons in the Yakuza territory. Of course the girls ain't going' out like no suckaz...and the war is on!!!

Plenty more going on it GIRL BOSS than the above - too much to really get into in a short review. Tons of nekkidness (though of course no full-frontal - this is a Japanese film after all...) but it doesn't matter cuz this one is just so much fun. Not as "splattery" as some of the latter pinky entries - but plenty of hot Asian female flesh to feast your eyes on - along with an interesting and entertaining storyline. Some real classic scenes in this one (clap-train, anyone???) and will DEFINITELY appeal to the pinky and sleaze fans out there. Don't miss this one. 8.5/10

All out sexy, bloody, violent action plus girls on bikes fighting girls on bikes as well as sorting out the yakuza. This may not be the most subtle of movies, although there is a fair amount of character development, but what this excels at is in the thrill quotient. Almost non stop, just one little comedy/slapstick moment of dubious taste and then it's back on the road. Not always easy to follow who is the baddie and who the even badder but our girls do have those wonderful breast tattoos so you can't go too far wrong. Missing a big fight out at the end and instead we get an explosion preceded by some of the most brutal beating of bound women you are likely to see. Not family viewing then but certainly a wow for everyone else.

... because of the moments that are supposed to be funny, but just come off as juvenile instead. If those parts were taken out, this could be a great film. Stick with "Criminal Woman: Killing Melody" instead.

The idea of a Japanese biker gang comprised of females is a good one, but they don't do enough "criminal" activity to be believable, though their attempts at blackmailing are pretty fun to watch. The soundtrack is good (except for that song by that awful hippie singer), and the fashions are top notch, but that humor kills it. I'd expect that in some bland Hollywood comedy, but not from this genre.

If you do like this, you'll love "Criminal Woman: Killing Melody." That's almost a guarantee.

I'm really torn between this movie and Criminal Woman: Killing Melody, both of which are in the Pinky Violence box set. They're both really good, with the stories being similar (gangster girls go for revenge against the Yakuza who did them wrong) and they both have Miki Sugimoto and Reiko Ike. But I think this movie gets an edge, 'cause in this one the girls are part of a BIKER GANG. And the all have TATTOOS OVER THEIR LEFT BOOBS. Which is so effing cool.

Here we get Miki as the leader of a biker gang from Shinjuku who go to Kyoto and end up taking over the girl gangs there (the scene where the girls face off and do their gangster "who I am" speeches is really cool). Reiko Ike is running around as the sister of one of the local Yakuza and won't align herself with Miki and her crew but serves as kind of a "big sister"/authority figure to the girl gangs of Kyoto.

Eventually Miki and the girls get on the bad side of the local Yakuza boss and the girls hit the road to meet up with Miki's boyfriend, a boxer in training down the coast. He gets himself murdered by the Yakuza as a result and it becomes time for Miki and her crew to make up with Reiko and get down with some revenge.

What I really dig about these movies (as opposed to the "Battles Without Honor and Humanity" movies my boyfriend is always bringing home) is that the female leads have some dimension to them that you wouldn't normally expect in an "exploitation" film. I didn't really like Miki's character at first (she was bratty) but I actually felt it when her boyfriend got killed. Up till then she seemed kind of a like a one dimensional power junkie bitch with cool sunglasses, but watching her meet and fall for Michitaro Mizushimi and her grieving at his death filled her out and made her feel like an actual woman. You know, complicated and conflicted.

In fact, as an exception to "action" movies the one-dimensional characters in this film are all men. They're simply greedy or sadistic or horny. Which I'm not saying is a good thing. It's just a nice change of pace.

And did I mention the tough-ass tattoos?