Paheli

We always talk about the great Indian treasure we have in the form of literature but when it comes to adapting them for films for mass consumption, everybody for some strange reason adopted a ridiculous view that this cannot be commercially viable proposition. Paheli, here not only comes as a whiff of fresh air by being original but also as a tight slap on the face of all such advocates of escapist, masala cinema. Also its not an easy cake-walk for those "Hollywood (now even other world cinema) DVDs-inspired fools". Three cheers to Shahrukh for he took a great leap by lending his hands to this film by not just acting in it but also producing it. (Never mind if he is competing with fellow actor Aamir who produced "Lagaan'). Based on book by Vijay Dan Detha, (it was adapted way back in 1973 by Director Mani Kaul for his film-Duvidha) it has captured everything with grandeur. Is it superfluous or sumptuous? May be to an extent but definitely it did not look like a patch as in cases of our Devdases and Blacks. The mind blowing Art Direction (Munish Sappel), Exotic Locations, Costumes (Shalini Sarna), Jewellery (Tanishq), everything falls seamlessly into place. Cinematography (Ravi K. Chandran) and Visual Efx (Eagle Video Films-Prime Focus) is first rate. The sequence where a ghost morphs into a Crow and then to a Squirrel, followed by a bird and finally a Man is mesmerizing. Rani Mukherji and Mr. Bachchan (in Cameo) are competent as usual. Amol Palekar, the director always delivers, never disappoints and same is the case here in his Ninth Film To top it not only he crafted an aesthetic, wonderful fairy-tale looking folklore but also manages his lead actor to perform wisely within the periphery of character, without going over the top. Look at the different number of expressions Shahrukh has given every time while mumbling same line-"Phal..Phool Gulabjal". No doubt a rare achievement. . It has some minus points too; the camel race is not shot well. May be it is difficult to capture and is also redundant. Sequence could have been shorter. Rajpal Yadav's Character is completely unnecessary and could have been avoided. Also can somebody please tell him not to play to the gallery for 'N'th time? Sub plot of Juhi Chawla and Suneil Shetty also has nothing to contribute to the narrative. Songs are too many and mostly out of situation. Also the drama quotient in climax is low, it could have been treated with more impact. Narrative of whole film would be more interesting if they played on subtle humor throughout the film. Nevertheless, all these come across as minor flaws. A word of advice for Shahrukh, stick to such cinema rather than doing those mindless NRI romances, as you will gradually find a rather larger audience never mind if it takes another 2-3 attempts. All in all, in one word the whole viewing experience can be described as "Phenomenal".

Paheli is an unusual film on the subject of women's rights disguised as a love story. It is basically the story of a young woman, Lachchi (Rani Mukherjee) who is abandoned by her husband Kishan (Shah Rukh Khan) the day after their wedding. A spirit who falls in love with Lachchi on her way home comes to find out that the husband will be away for 5 years and so he takes the form of Kishan and lives with Lachchi for the next four years. Eventually, of course, the husband returns and Lachchi must choose between the two. How the story is resolved answers the 'paheli' (riddle) of the film.

The film works well for several reasons: acting on the parts of all principal players is quite good, the visuals and cinematography is breathtaking and the theme is quite unusual, especially for a Bollywood film. It does have its drawbacks, though: there are at least two too many songs, and the film ultimately becomes the ghost's story when it should have been Lachchi's.

Shah Rukh Khan delivers his most restrained, understated and likable performance in years; it is because of this performance that he still qualifies as one of India's quality actors. Rani Mukherjee is also sufficiently restrained (unlike her overacted performance in the overblown 'Black' or the overstretched attempts at humor in 'Bunty Aur Bubli'). She gives Lachchi a likable innocence without overdoing the vulnerability part. It is the kind of part one would expect an actress of Tabu's calibre to play.

Anupam Kher and Rajpal Yadav play their parts with gusto. Amitabh Bachchan as the wandering shepherd milks his 5 minute cameo for all it's worth. Sunil Shetty, with all of two lines, is utterly wasted.

It is Juhi Chawla, however, who delivers the most dignified and poignant portrayal in 'Paheli': even in moments when she has very little or no dialogue, her silently suffering Gajrobai speaks volumes through wary visages and a body language that speaks of years of defeat. I kept hoping to see more of her throughout the film, and though she is definitely there, it's not enough. Her story is far more heartbreaking than Lachchi's and deserved more attention. Juhi has become a perfectionist as an actress: the forbidding longing on her face as she watches Lachchi leave for ritual prayers, or her sheer disbelief at the return of the husband who abandoned her is award-worthy acting. Everyone's favorite giggling heroine has emerged into a tour de force dramatic talent. Believe it or not, she *is* the new Shabana Azmi. If Bollywood has any sense at all, films will be made just so she can act in them.

Paheli is a likable, unusual film. Watch it for Shah Rukh (who is mercifully restrained), watch it for the story (which is unusual and relevant), but most of all watch it for the few fleeting moments of Juhi Chawla's revelatory brilliance.

A fairy tale set in a time long ago, with ghosts, apparitions, camel races, vibrant and often clashing colors, divine music, innocence and love - what is to not like? Rani is the young innocent bride Lachchi who gets married and starts on a journey to her new home. Shah Rukh is the accounts obsessed ever obedient groom (Kisen) who has to leave right after marriage to go for business to another town far away. The ghost is a bird, a squirrel, an apparition who falls in love with the bride and eventually takes the form of the groom upon his departure. All is well with the new bride and "groom" until the real guy starts to miss his new bride and decides to come home. Confusion reigns, and the riddle as to who is the real Kisen is solved by a shepherd (Amitabh in an understandably over the top acted cameo).

The good - Rani is divine, looks and acts the part with a deftness and light hand. She makes unconventional choices that perhaps account for why the Indian public did not much like Paheli - I cannot give away more. Aadhi Raat jab chand dhale - amazingly performed.

Shah Rukh - times 2 and well done in both forms. One wonders if we take our 5 senses for granted and what it would be like to not have experienced them at all or not in a long time. See the SRK as ghost apparition with the wonder on his face at the first touch from a mother, at the look at the beautiful house, the joy in playing with the children (brothers sisters nephews), to find out. SRK as Kisen who finally realizes that he is missing his wife very much - the most understated sadness ever seen from him.

The costumes are amazing - much has been made of the costumes in Devdas - but this is authentic Rajasthan at its very best and most colorful, the jewelry will make any woman drool! The music is divine - Aaadhi Raat, Dheere Jalna are outstanding numbers.

The bad - well very little in my opinion. Maybe the dance when they find water could be cut, but the movie was pretty short anyway. The camel race was a little over the top, but perhaps okay if you keep the fairy tale genre in mind. Logical flaws - come on, its a fairy tale after all!! Like there is any logic in ghosts and fairies..

I was transported back to my childhood with the story, enchanted by the colors and music and very much enjoyed the portrayals of the ghost/Kisen and Lachchi. Anupam Kher was good as the avaricious father. And of course there was the sublime Juhi - better than I have ever seen her in a cameo as the sad aunt, few words were said, she did it all with her eyes. Please come back Juhi, we miss you!

I must give Shahrukh credit for daring to do such an unconventional movie with so many risk factors--it's a fantasy film; the lead actor is a ghost; it is narrated by animated puppets; etc. SRK, unsurprisingly, gave a great performance. Rani and Juhi were also great. Amitabh was fantastic in his brief appearance. Visuals were absolutely stunning! From the bright costumes to the breathtaking sand dunes, every detail of the frame was given lots of attention to bring out the vibrant colors of Rajasthan. Songs were nice and even better were their videos, especially the one during the end credits.

The story is very unconventional, and different audiences will react differently to it. Some may find it humorous, some may find it inappropriate, while others may find it to be just plain weird. What I saw in the film was that the ghost "person"ified a woman's desire, while Rani represented every woman. In the rather traditional and conservative culture of rural and historic Rajasthan, the woman lives in a suffocating atmosphere serving her husband and in-laws. The ghost gave Rani love, respect, passion, devotion, honesty, and commitment in contrast to the real SRK who was working on his accounts and not talking on his nuptial night, only to desert his wife for five years. I thought the fact the lover is a ghost only goes to show that these passionate desires are just dreams that couldn't come true (in that time and place).

A man submits himself completely rules laid down by his forefathers. His accounts are important to him than looking at his beautiful bride. His father's suggestions and warnings are his foremost considerations; his wife's desires are secondary. His money-earning prospects are his main essentials compared to spend some time with his wife.

A woman has no choice other than that chosen by either her elders or her husband. She cannot stop herself from dreaming: dreams of colourful bangles, dreams of new dresses, dreams of her husband and dreams of a sweet love. That, dreams come true, is just a hope. And where dreams can come true is a fictitious tale.

The tale creates an invincible character, a ghost that fills the void in the woman's life: the void of love left by her man. This ghost is an epitome of all what a woman expects from a man.