Asesino a sangre fría

I saw this film in the Sitges film festival. I like very much. It's a very realistic and visceral drama in the same style of David Cronenberg's a history of violence, Clint Eastwood Mystic River or Sam Peckinpah Strays dogs. The direction & the actors are amazing. The dramatic a violence scenes are excellent & the music that accompanies to them it's great & ideal. The edition of this film are amazing, totally moved away of the video-clip style. The photography is in the same quality of the edition of this movie. The character & the acting of Marc Senter is amazing ... it's in the same style of Christian Bale's Patrick Bateman. Great adaptation of the Jack Ketchum book & excellent American drama.

Caught a special screening of The Lost this past weekend at Horrorfind Weekend in Hunt Valley, Maryland where author Jack Ketchum was in attendance. Ketchum introduced the film by saying how impressed he was with the end result. An opinion I share whole heartedly. First of all, the cast is a top notch mix of veteran character actors and relative novices, all of whom are very good at what they do. This is something one doesn't often see in such a low budget project. Many familiar faces grace the screen and talented ones at that. It is the presence of such a cast that sets the film apart from the crowd right at the start. The Lost also has a great look to it. Aesthetically speaking, the film doesn't appear to be as low budget as it actually is. That's an element which can really hold a film back and one which I was afraid might be an issue here. Fortunately the film looks wonderful. As I mentioned, The Lost is a very faithful adaptation of Ketchum's book. This isn't to say that a few liberties aren't taken. Nothing that should offend fans of the book though.

In all, The Lost is a very satisfying film which Ketchum fans should enjoy. Hopefully the film will be shown the appreciation it truly deserves.

The Lost is a film that had a lot of potential, some great directing, a good cast, and a decent script. The problem is that it goes on forever.

The movie starts with a bang, and then kind of slows down, and the audience is given a group of characters to follow around. It is during this part of the film that all structure falls away, and things just kind of float. There is no real movement. Now, The Lost is based off of a novel, and the scenes in the novel probably had a bit more power because the reader can get into the character's head. It is much harder to do that in film, and because of that the importance of some of the scenes is unclear. Whole scenes could have been excised, and nothing would have been taken away from the story.

Then we get to the ending. I'm not going to say what happens, but I will say that it is very easy to see when things are starting to pick up and get back on track, and once they do, all bets are off. The ending of this film is one of the most disturbing and painful things I have ever watched in my life. The thing is, the audience knows that this is coming, but still, it is hard to brace yourself for the intense cruelty that you'll witness.

This is a film that gets an A for effort, but a C+ for execution. While the beginning and the end are tight, the middle of the film seems to lack direction and focus. Nothing happens, and very little is gained. So, this one is a rental.

First off, some people just can't get into low-budget films. And I agree many are unwatchable. However I've also found some decent films among the crap. Bottom line, if you have a problem sitting through indie films. Then this movie probably won't change your mind. However if you're a fan of Jack Ketchum (who wrote the novel it was based on) then you'll probably enjoy it. It manages to stay pretty close to the book, other then the book being set in the late 60's. At first I thought this was going to be a problem, but as the movie goes on it kind of takes on a timeless feel. And being a low-budget movie, setting it in another era would have been too costly. The acting was pretty good for an indie, the actor who plays Ray Pye pretty much nailed the look and essence of the character.

I caught this movie at the Rue Morgue convention where there was a Q&A with Jack Ketchum afterwards. Which was pretty interesting, he explained how low-budget films allow the director to follow his sometimes grisly story lines more accurately. That's OK with me, I don't mind low-budget movies, especially when they're based on such powerful writing.

Finally, Horror gets some balls again. Horror should freak you out, make you cringe and leave you with a nasty taste in your mouth- which is what this film does. This film crosses the line of Horror though, it offers a main character that really captures your attention every time he is on the screen. Senter as Ray Pye is a break out actor in the making and at some points you actually feel for this freak and his dead end life, although most of the time you want him dead.

The supporting cast does a great job which makes this a character driven horror that is ugly and thought provoking. I wondered the whole movie when Ray would finally crack under the pressure and who was going to buy the farm. No FX or CGI needed.