Hatsujô kateikyôshi: Sensei no aijiru

violence and sex burning high in a dizzy flash that projects the built icon of our contemporary world, America and her leader.

you can put yourself through many intriguing ideas throughout this movie. do Japanese love urban America lifestyle? are they just addicted to the glamour fantasy like on a cheap drug? or do they seriously take it as a joke upon themselves that ultimately hits back to the source?

giving in to the senses will melt preconceptions and make it so more real... but don't just take it for the lust it brings upon you. if you do give in try to keep yourself cool

• it's like a bullet in the head!

Exploring other genres is fun. I have never heard of Japanese "Pink" before. Of course, I never heard of nunsploitation either, but I am having fun exploring that.

The premise of this film is just too weird. A prostitute gets shot in the head and, instead of dying, becomes a genius. She's also carrying George Bush's finger. How strange can a movie get? Now, you just have to imagine soft-core porn while discussing Nietzsche and Kirkegaard, et. al. Of course, it is the discussion of the neocons that make it interesting, the the "Bush Technique" that will have you in stitches.

Netflixers will certainly want to explore this film. How often does your porn come with philosophical or political messages? The only thing that spoils this otherwise Tromaesque offering is the gratuitous rape scene.

Well what ever can one say!? If ever a country is awarded a trophy for making the most jaw dropping films, that country will undoubtedly be Japan. Partly it is a cultural difference and the fact that until fairly recently the Japanese hardly stepped outside their own country or partook of another peoples cultures, to then find an American presence within their nation after World War 2, has created some fascinating contradictions. This colourful extravaganza is part erotic, part silly, part funny and also attempting a heady mix of politics and philosophy. Not always successful (possibly because of budgetary restraints) this is never less than great fun and the good/bad girl at the centre, played by adult video star, Emi Kuroda is absolutely tremendous. Her looks and her performance that is. References to the Iraq war and the stuff with President bush's finger are maybe pushing things but this is still well worth a look, even if only because it certainly is that little bit different.

I found this movie to be surprisingly enjoyable. Its a pinku film due to the nudity and sex scenes but even with her clothes on the actress was quite good. The movie seems to be a farcical lark on those thriller "there is a WMD on the loose" scenarios. The humour (intended or not, Im not sure) was pretty good. Some of the sequences makes no sense but again I don't think this movie is meant to be taken seriously. I think when watching the movie you have to understand that it is essentially a B movie and not compare to it big budget thrillers (or even low budget art-house movies). With that in mind you will actually find the movie quite enjoyable.

A lot of soft-core sex, yes... after about the fifth sex scene they become not only gratuitous, but untitillating and annoying. In fact, some of the sex just blatantly screams "fanservice" (anime term).

The politics are heavy-handed and sledgehammer style. Yes, W.'s there, playing a demonic presence - but somehow it's less insulting to him than, say, a European movie would've been.

Great bizarre surreal stuff in the first 45 minutes. Kind of liked where it was going.

There's a lot of it that reminded me of manga mixed with 60's Italian surreal trippy movies. But then the last 1/2 of the movie just seems like they ran out of money and ideas.

After it hits the hour mark, you start to feel the momentum running down... some of the best ideas that you expect to be going somewhere just unravel. Characters are used up and disposed of, or sometimes just disposed of. A whole scene plays out in a cave that I thought would never ever ever end. I don't mind that they didn't spoon-feed the essential message of the film but... What WAS the message ? No clue. If any Amer/Euro etc. movie started dropping philosophy-bombs like this in an attempt to prove how smart it is, it'd be laughed off the street. But since they're spouted by a kawaii Japanese girl, well, then, bless her heart.

A strange title sequence at the end of the end credits, too.

Some budgetary constraints are very apparent - sound effects, many editing points, and one (I hesitate to even call it) shootout was hilariously awful. Some very cheap makeup jobs.

I compare this to Kiyoshi Kurosawa's "Cure" - they're different kinds of movie but "Cure" also has a surreal sense - the characters feel like real people and it's terrifying. "Sachiko" just leaves me... pfft. nah. Good enough.