Choking Man

A simple story of an Ecuadorian young man earning a living as a dishwasher at a diner in Queens, New York. Above the dishwashing station, a standard poster on how to deal with a choking person. The young man sees that everyday and it becomes clear that this will have a part to play somewhere.

Among other characters, an American cook and an oriental waitress complete a sort of potential love triangle. Much of the film is spent around the trio and life at the diner. Near the end, if feels a tad too long, but be patient. What's cute about the plot is that the ending is amusingly anti-climatic. You'll have to see for yourself.

A true American indie. Done with a US$400K budget.

Independent, low budget movies are my favorites. Movies about characters more than what they do are my favorites. Gritty movies set in gritty locations are my favorites. Movies in which almost nothing happens are my favorites. Movies filmed in New York are my favorites because New York is my home and my favorite place on earth. So I had great expectations for Choking Man, because it looked like it had nearly everything I love most in a movie. Man, was I disappointed!

This is a phony, manipulative and unrelentingly annoying movie. It's as phony, manipulative and unrelentingly annoying as a 1980s sitcom with a too-loud laugh track. Every character is a caricature: the dumb immigrant is EXTREMELY dumb; the old, brassy, heart-of-gold waitress is EXTREMELY brassy and gold-hearted; the gruff diner owner with a heart of gold is EXTREMELY gruff and gold-hearted; the obnoxious Irish bully is EXTREMELY obnoxious; the sweet Chinese girl is so sweet she made my teeth hurt. There is not one believable human being in the whole cast. I hated this movie.

People who go on and on about how great this movie is must love American television, because that's exactly where this movie belongs, as a TV movie on the Hallmark Channel or Lifeline or even on NBC or ABC or Fox. It takes all the things that can make a movie great and cheapens and twists them into a revolting, irritating glob of phony, rigged, forced emotionalism. This is no quirky, gritty, unconventional independent masterpiece. It is as predictable and conventional and crummy and corny and irritating as an episode of The Waltons.

I really think this film is some kid of masterwork. Really I do. The Festival described the film in its catalog much better than I can: "If you think you know Steve Barron from his music videos ("Billie Jean," "Money for Nothing," "Take on Me"), think again. The director best known for his seminal work on MTV in the early 1980's (not to mention the glitzy 1984 feature Electric Dreams) brings an entirely new aesthetic to bear on Choking Man, an intense blend of psychological drama and magical realism that speaks eloquently of the contemporary immigrant experience in America. Jorgé (Octavio Gómez Berríos) is a morbidly shy Ecuadorian dishwasher toiling away in a shabby Jamaica, Queens diner run by Rick (a Greek-accented Mandy Patinkin). Tormented on the job by his coworker Jerry (Aaron Paul) and controlled at home by his older, domineering male "roommate," Jorgé gropes mutely for a bond with Amy, a newly hired Korean waitress (Mail Order Wife's Eugenia Yuan). She tries to reciprocate, but the gulf that separates them may be too large. Interstitial fantasy sequences featuring an animated rabbit gives us the impressions of life from Jorgé's point of view, while a poster instructing diner patrons on how to perform the Heimlich Maneuver looms over and ultimately catalyzes the action. Shot over 18 days in Harlem and at Queens' Olympia Diner, Choking Man effectively portrays the polyglot milieu of the area around John F. Kennedy Airport, capturing the feeling of claustrophobia and almost literal asphyxiation newcomers to America experience as they struggle to find a place and a purpose in this strange land.

• Elliot Larkfield"

I would say this is a must see film.

I just saw this film at the Miami International Film Festival and felt compelled to recommend it. The story revolves around an unconventional protagonist in the form of a diner dishwasher that struggles with debilitating shyness. It's a poignant piece that wonderfully highlights a complexity and depth of character in unlikely lead roles that might otherwise be considered too simple to be subjects of a feature film. The film does this while avoiding any temptation of showing its characters as blissfully simple and idyllic which conveys a realism that is appreciated and, for me, made the film a pleasure to enjoy. The characters have strengths and weaknesses and they share the same emotional influences that make us all both heroes and villains in one mind and body.

I understand the premise, the characters, the gritty realism, but what I don't understand what this movie is about. During the film, I kept thinking about how "In Between Days", also released this year, was a far superior film about the immigrant experience. That film's overall "alone in the world" sense was conveyed much better. I liked the character of Amy, played by Ms. Yuan, but I don't feel enough was done for her. The character of Jorge, while I understand his pathological shyness, is annoying. I've been told this actor is good, and he probably is, but this role does nothing for me. And, Mandy Patinkin, usually so good, is completely wasted in his role. He is clearly a one note performer in the role of the diner owner. I like that the film was shot on location in Queens, applaud the effort the writer/director/producer made, understand all the characters, but do not like the film. I will, however, look for the films the two main characters have been in. They have potential, but this film shouldn't be the one they're most proud of.