Black Irish

I attended the World Premiere of "Black Irish" at the Hamptons International Film Festival. Initially, the blurb in the program guide suggested a fairly formulaic coming-of-age drama. But looks can be deceiving, and the synopsis just barely scratches the surface of what is, in reality, one of the most complex, rich, and heartwarming stories I've seen in quite some time. Remember those drawings in art class? The ones where the page is covered with black crayon and as you scrape off the outer layer you find multicolored wonders underneath? That's the most apt description that can be applied to "Black Irish." Because, as you'll discover, nothing is at it seems. And that is the singular achievement of Brad Gann, directing from his own script, with an ensemble cast that lends such passion to the material that I left the theater shaking my head in awe.

Webster's defines "hero" as, "one that shows great courage, an object of extreme admiration and devotion." It's hard to grow up without one, especially as a teenager in hardscrabble South Boston. Often the father possesses the traits a boy needs to survive those difficult years and prepare for the world he's about to enter. An older brother will usually suffice in cases where Dad is absent or unable or unwilling to fit the bill. Many coming-of-age stories place a teacher or clergyman in this position. But someone always appears, the boy grows up, he moves on, and they all live happily ever after. But what if all fail or don't show up to the table? "Black Irish" poses that question, and more. So much more.

Meet the McKays. Brendan Gleeson is Desmond, the father who doesn't quite qualify as hero due to years of heavy drinking and wallowing in self-pity, a legend in his own mind but not to his family. Tom Guiry is Terry, the older brother who's headed down a path of violence and self-destruction not unlike his father, giving up the hero role in the process. Sister Kathleen (Emily Van Camp), pregnant, wants little to do with the chaos around her. Amidst all this, Melissa Leo is Margaret, the mother who tries to hold it all together at the risk of losing her own somewhat sane self along the way. And our protagonist, 16 year-old Cole, is stunningly portrayed by Michael Angarano, as the boy who yearns for that moral compass that he needs to help guide the way into adulthood.

"Black Irish" takes us along on young Cole's search, and as we emotionally invest ourselves in his quest, we are at turns confused and occasionally amused, as is he, but mostly we hurt. To say that we feel his pain does not do justice to a story that is, at its heart, real life. And this is the true surprise of this film. These characters are far from one dimensional, the reality far from the clichéd impression even the paragraph above might suggest. There were audible gasps at the numerous twists and turns that Gann has infused into this shockingly brilliant script, no less than 12 years in the making and 30 rewrites along the way, as he indicated in the Q&A following the screening. And just when you think you know these people, just as you relax when the film seems to enter territory in which we feel comfortable, something happens. We discover that those we thought were cold and distant have a heart, a vulnerability and tenderness conveyed by Gleeson and Guiry that left me dumbfounded. Those we thought were soft and sweet, innocent and vulnerable, have a soft, fuzzy animal inside ready to turn vicious when backed into a corner, as Leo, VanCamp, and Angarano all exhibit along the way.

In the Q&A, Gann mentioned VanCamp's long-running portrayal of Amy on TV's "Everwood" as the inspiration for her being cast in this role. Fans will not be disappointed, and those unfamiliar with this actor's ability to bring nuance to what could otherwise be a stock performance will be wowed. Guiry lends the film some of the most heart wrenching surprises, as his ability to turn moods on a dime is unparalleled. Leo carves out new territory, again, in a role that could have been tired and worn in the hands of a lesser actor. She truly shines. And Gleeson does a star turn in a magnificent performance that, and I rarely use this term, is Oscar-worthy. Finally, Angarano is perfectly cast in the role of the quintessential underdog, in what I believe is the performance of his career. No young actor today has the ability to say so much with his eyes and facial expressions, and as the boy who becomes father to the man he sets a new standard for others who follow to live up to.

"Black Irish" carves a new benchmark in the coming-of-age genre. Because it is so much more than that. The audience cheered at the end of the screening here. It was a response I've not heard at any of the 70+ films I've seen at 7 festivals this year. It is deserving of your time, and will truly touch your heart as it did mine.

What makes "Black Irish" specially valuable is the quality of the protagonist, Cole McKay. He embodies a wonderfully believable, realistic, and valuable example of virtue.

Popular psychomythology tells us that all teenagers are a mess; as even Anna Freud claimed: "to be normal during the adolescent period is by itself abnormal". The wholly credible figure of Cole McKay put the lie to this claim. He's a person with solid common sense who respects his family and community, who knows the difference between right and wrong -- and is willing to back up his knowledge up with hard, mature decisions.

Studies show that 80% of American adolescents experience "generally positive moods and harmonious relations with their parents and peers" (see: D. Offer et alii, "Adolescent and Family Health" 2003). That's fact. That's Cole McKay who's factually & intelligently willing to fight for and to try to keep constructing this harmony with tough love for his messed-up, bad-seed brother, respect for his ambiguous mother, insightful care for his kind sister and, specially, for his wounded, Vietnam-veteran dad. Who's almost lost the best things he's ever achieved in his life. But not his son. Who binds the family with a love that releases, harmonizes, and illuminates those nearest and dearest to him.

The poetry of baseball is the key to Cole's strength. Why? The game's coherence anchors his moral values; as Bill Veek once said: "Baseball is an island of surety in a changing world." And, for Cole, it provides that energy of decency which love of the game can still provide.

This Boston Irish-American flavored coming-of-age film is extremely typical of any other film of it's type complete with alcoholic father, doting over-bearing mother, fighting siblings, a family in disarray, and so on and so forth. You've likely seen something like it in some variation a million times before. What sets it a tad above films of the same ilk is very commendable performances by Micheal Angarano as Cole and especially Brendan Gleeson as his father, Desmond (the latter is simply riveting) Will this film revolutionize coming of age flicks in any way? no, not at all, but it's a well enough told tale well acted enough to be worth a watch.

My Grade: C+

Region 1 DVD Extras: audio Commentary; a 36 minute behind the scenes featurette; and trailers for "Razor Eaters" & "Antonia"

This is a spectacularly well-paced and original drama with some incredible acting on both Angarano's and Guiry's parts. Some interesting cinematic techniques from time to time enhance the remarkable story-telling in this dark coming of age story. The bits of humor also help pull you in to a surprisingly authentic South Boston scenario. With a terrific and spirited cameo by Kevin O'Donnell, alongside a refreshing cast, the characters really outshine the stereotypes right down to the shrimp-stealing busboy. Great sets, a solid and occasionally edgy soundtrack, but what's most impressive is the strong story, which rescues you from the brink of a cliché' time and again. I happened to rent this just on word-of-mouth and can't stop reflecting on some of those haunting scenes. Think of this as a gritty Good Will Hunting with a lot more 'street cred'...and heart.

Problems are hurled at the McKay family as if they were in a batting cage with an endless supply of quarters and no bat. This South Boston Irish-Catholic family deals with the rock bottom side of life they best way they know how. Baseball quietly emerges as a rallying dynamic for the seemingly-defeated male McKays in this coming of age story. It has a lot of heart, and there's a lot to like here. My criticism is that there's too much misfortune for one 95 minute story - as if every stereotype in play today had to be included. It moved me nevertheless. I recommend it. It seems to have gone directly to DVD but should have enjoyed a stint in the theater first.