Una aventura extraordinaria

By the time I got to see this film, the Oscars were long past and there already were a ton of reviews for "Life of Pi". On top of that, I have noticed that for big pictures which most everyone likes, I rarely have much to say. After all, I agree with the majority--"Life of Pi" is a very good film. So, my review will be brief.

THE reason to watch this film is pretty simple: You cannot say that the movie reminds you of anything you've ever seen before or since. Sure, you could try comparing "Life of Pi" to "Avatar"--but that is only because they both used gobs of CGI to create fantastic stories. But the story itself, is so original. In addition, the acting, direction and artistry of the movie is tops. While I would agree with the Oscar folks that "Argo" was a better film, it wasn't by much. Well worth your time.

Ang lee's life of pi is an adaptation of a 'Man booker prize winner' novel by the same name, written by Yann Martel. It's a story set in the late seventies of an Indian teenager (Pi Patel) who is stranded on a life boat in the pacific. What distinguishes this tale of survival from the rest is that the author dishes out a delicious slice of creativity in giving the castaway, a tiger for a companion. Yes, like the posters and trailers have you believe, there is a boat on which a man and a tiger have to live! This makes 'life of pi' not only a story of human struggle against nature but also a profound tale that questions 'what separates man from beast?'. More interestingly, 'when does man become a beast'?

But worry not, Ang Lee's movie does not force you think on these lines , instead it's a film that lets you enjoy it on so many levels. If you are just looking for a beautiful 3D movie to feast your eyes , Life of pi can be it. If you are in a mood for a thrilling adventure epic on weekend, this is the right ticket. If indeed, you want to experience something thoughtful, Life of pi never forces you on a particular thought, instead it whispers ever so slightly to think about matters of human disposition and finding comfort in convention while caressing your senses with fabulous visuals and background score.

Suraj Sharma debuts as pi with utter sincerity while Irfan Khan(as adult pi) and Tabu(as mother) do justice to their parts. The rest of the supporting cast blend in perfectly too. Ang lee helms the film with difficult source material with absolute grace and expertise. However there are two true heroes that make Life of Pi work. Firstly the studio and creative director behind the magnificent CGI. The Bengal tiger is perhaps the best animated animal ever created! The angry green eyes, richly textured orange –white striped skin and every hair on its fur look rich and full of life in 3D.And then when your hear the thunderous roar for the first time, you will realize this is as real as it can get! The rest of the animals (a Zebra, an orangutan) look great too. The lovely blue ocean and its resident creatures are the jewel in the crown. The other hero is the writer David Magee(screenplay) who adapts the novel with near perfection. One gripe the fans of the novel might have is the lack of all the gore descriptions and a particular chapter that deals with the surviving 'French cook'. The addition of these might have pleased the audience who sought for the philosophical undertones from the story but the film would have lost out on the large PG-13 crowd (a fair deal considering the enormous budget).

Life of Pi, is a rare masterpiece that stands as a prototype not only for a perfect book adaptation and a 3D movie( sorry avatar, you have just been replaced), but also for a movie based on intricacies of human nature . Now that is simply an impressive triumph of film-making!

When I heard that the film adaptation of LIFE OF PI was being released, I made sure to go and read the novel beforehand so I could compare it to the movie. I'm not a huge fan of Ang Lee and his overrated CROUCHING TIGER, HIDDEN DRAGON, so I wasn't quite sure what to expect with this. But I needn't have worried; this is a great movie, a film that fully explores the splendour of cinema and on-screen storytelling, and a film that's better than the book.

The early and, quite frankly, boring parts of the novel are summarised well so that the storytelling is always on the move. The focus is on the survival narrative, which is as it should be, and the relationship between Pi and Richard Parker is brought to vivid and moving life. Sure, there are the occasional mis-steps along the way, like an ill-advised and tacked-on romance, but for the most part they get it right. The CGI is wondrous, especially the animals and an eye-popping shipwreck, and the story is moving, tender in places and full of heart. I'm not ashamed to say I had tears in my eyes in parts, and it's all down to Richard Parker, who must go down as one of the great animal characters in cinema. A great example of filming the unfilmable.

''I had to tame him,'' (Pi) realizes. ''It was not a question of him or me, but of him and me. We were, literally and figuratively, in the same boat." From Life of Pi by Yann Martel.

You will see no more imaginative film this year than Life of Pi, whose conceit of a young Indian boy stranded with a Bengal Tiger in a lifeboat amid the Pacific Ocean is fantastical yet real in its metaphoric implications. While the framing device of a story told to a stranger uses the old flashback, the lonely lifeboat is as new as any story told in the last century.

The film begs interpretation from the multiplicity of religions to the place of mankind in a hostile, Darwinian world. Ultimately the benign brotherhood of beasts and humans is affirmed not so much by lofty philosophy but by the necessity of man and beast working together to survive.

The digital rendering of animals, especially the Bengal Tiger, is beautiful to behold. The opening scene in Pi's family zoo could be right out of Terence Malick's visionary camera, a montage of nature gorgeous in its simplicity. The several formalistic shots of the boat at night are worthy of the best lighting in the best aquariums in the world. Together with the impressive use of 3D, director Ang Lee has visually taken us from the opulence of Crouching Tiger and the minimalism of Brokeback Mountain into a fusion world of fancy and reality. The images are stunning.

In the end, Lee is interested in the individual's place in the universe as he struggles to harness nature and yet live in harmony with these elements. The conflict with the gross cook aboard the Japanese cargo ship taking Pi's family and animals to Canada is emblematic of the challenges facing the gifted with the groundlings. Pi's relationship with tiger "Richard Parker" represents all mankind's struggle to live in harmony with the forces it cannot control.

"Believing in everything is the same as believing in nothing," says Pi's father because Pi samples religions from Hinduism and Buddhism to Catholicism and Judaism and wants them all. Although it is not given to us to have them all, Pi's piety practically makes us believers in the universal brotherhood.

The Life of Pi is everyone's life; the film is one of the best of the year and, even remembering the greatness of The Old Man and the Sea, Moby Dick, and Billy Budd, the best you will ever see about a boy, a tiger, and a boat.

With his latest movie, "Life of Pi", Ang Lee further establishes himself as one of the greatest contemporary movie directors. Starting from his Taiwanese beginnings, and his highly enjoyable, family-harmonizing "Father Knows Best" trilogy (1992-1994), through his Academy Award winning works on gracefully choreographed, highly spiritualized Far East martial arts tour de force "Crouching Tiger, Hidden Dragon" (2000, best foreign-language film) and on an uncommon yet nostalgic portrayal of the Old West in "Brokeback Mountain" (2005, best director), to his other titles like "Sense and Sensibility" (1995), "The Ice Storm" (1997), and "Lust, Caution" (2007), quality and Kubrick-like versatility shown in his movies offer continuous attraction for wide audience of his admirers.

Lee's latest and, so far, easily, greatest movie, "Life of Pi" is based on a screenplay adapted from the acclaimed fictional adventure novel written by Canadian author Yann Martel.

Throughout his childhood, due to matching pronunciation of French word "piscine" (pool, swimming pool) and English word "pissing", Piscine Molitor Patel, named that way after later abandoned Parisian swimming pool, so predictably suffers from being nicknamed "Pissing Patel". In order to avoid it, once in high school he finally shortens his name to Pi Patel... Nowadays middle-aged Pi tells the story of his life to a visiting writer, apparently a book author Yan Martel's alter ego, who is seeking for the literal inspiration. Retrospectively, Pi divides his childhood and adolescence into three segments. In the first segment he gives shorter account of his life until the age of 16, describing his interaction with his family and schoolmates, in particular his relationship with his father and a girlfriend, concentrating on his exploits of God and spirituality, meandering between multitude of religious practices… while in the last one he briefs about his testimonial given to officials from the Japanese Ministry of Transport, investigating the reasons why the ship his family was relocating on from India to Canada sank. Most detailed, and therefore the longest, is recollection of his 227 days in a lifeboat, an extraordinary ordeal he went through after the ship has capsized and everybody else, crew and passengers, died…

…Well, everybody human, but not everybody living. Namely, a number of terrestrial animals from their discontinued family zoo, offered for sale and brought along with other family belongings, have survived, too. But, not for long, because, while confined in the most limited space as they were, surrounded by vastness of the ocean, the law of the "survival of the fittest" prevails, takes its tall, and pretty soon Pi finds himself in a company of a single one topping the food-chain, a Bengal tiger curiously named Richard Parker.

Not to reveal the story further, it is with greatest pleasure to inform that cinematic excellence has been achieved in several categories: in an engaging tale—whether allegory or depiction of realistic, believable events, filled with protagonist's rarely matched curiosity, imagination and his often reasonably unanswered doubts, encouraging the same in viewers—of an uncommon character, indeed, brought to on-screen life by outstanding performances from two contributing leads, remarkably presented via ubiquitous, yet inconspicuous animation, exceptional, CGI aided visuals and superb usage of 3D photography, all along complemented with an uplifting score. All these assets work seamlessly together in unfolding an intense relationship between Pi and Richard Parker, complex yet basic, difficult yet simple, initially charged with Pi's dreadful fear, swiftly shifting to respectful care, instantly boosting his never overbearing confidence and relentlessly improving his survival skills. Wholesome artistic experience reaches and maintains its pinnacle particularly in clever tactics and constructive survival techniques 16-year old Pi uses—amply benefiting from his instructive lifestyle of a zoo owner's attentive son, certainly well acquainted with animal psychology—to suppress the fear and convincingly impose himself as an equal to the one of the most elaborate "killing machines" among mammals, desperately striving for his own survival, nevertheless, generously, for survival of his seemingly sufficiently tamed companion, but still, initially and ultimately, magnificent adversary, Richard Parker, as well.

"Life of Pi" is, certainly, one of the most impressive movies of 2012, year that has just come to a close.