Amazing Grace

I was well impressed with Amazing Grace; the period was superbly captured, and the interplay of the main action (the fight of William Wilberforce to abolish British slavery) with the other great events of his time (the American and French revolutions) was well presented. The film stirs the emotions but informs the mind. Ioan Gruffudd as Wilberforce is believable and depicts the tenacious Yorkshire MP with both his bodily weakness and great spirit well. Albert Finney as John Newton renders a moving portrayal of the ex-slave trader turned evangelical minister who influences Wilberforce's decision to remain in politics rather than entering the ministry of the church. Benedict Cumberbatch gives a strong representation of William Pitt, and the overall impression of the film is one whose history has been well researched. Well worth a viewing.

This is a lovely, moving and intelligent film. I did not detect any notably weak performances among a remarkable cast. The older actors though, Michael Gambon and Albert Finney, were shameless scene stealers, but one can hardly fault them for their excellence. There were many things to like about this film. It was gorgeous to look at, brilliantly capturing the look and sound of a sumptuous age. The pacing and editing were fine, though the device using flashbacks for most of the film occasionally led to a moments confusion about when a scene was supposed to be taking place. And the story itself is quite inspirational. A note for my Canadian readers and the Canadians who attended the TIFF screenings. The film mostly covered the struggle to outlaw slavery in Britain itself, though they did touch on Wilberforce's efforts to have it outlawed throughout the British Empire. This continued in the years after the conclusion of the film, and a Bill to do just that was passed in 1833, a month after Wilberforce died. So the film we watched was very much about our own history, and the story of the abolition of slavery in Britain directly affected the eventual abolition of slavery in Canada.

I saw Amazing Grace on Thursday at a private showing. The film has everything that I love about theater...passion, conflict, struggle, faith, redemption and grace. The story is true... making this film one of reality and substance. The struggle to rid the world of slavery has been a black mark against humanity. The British are to be applauded as the leaders in this journey to freedom. The actors' performances were incredible. Albert Finney's portrayal of John Newton is an Oscar possibility. The scenes were period and perfection. Even the dark mood of the times were reflected in the lighting and how the director portrayed the message of bondage. Go see this film...acquaint yourself with this powerful story and this man William Wilberforce. I rate it a 10!

Ioan Gruffudd in Amazing Grace, Michael Apted's new masterpiece - what can I say? The man delivered his usual brilliant performance. What made this one better than all the rest? Why do I think Oscar when I think of his part? Every moment he was on screen drew you deeper and deeper into identifying with William Wilberforce until at the end, when he finally achieves his life's work, you want to clap right along with the people applauding him on screen! When he suffers, you suffer right along with him. From the wry twist of his lips to the pain and devastation in his eyes to the fervent body language as he makes point after impassioned point, you are right there living Wilberforce's life.

The most charming parts were fodder provided by the fabulous screen writing and brought to electric life by Ioan Gruffudd as impassioned Wilberforce, Benedict Cumberpatch as driven and farseeing William Pitt, P.M., Romola Garai as Wilberforce's zesty and feisty wife Barbara and the surprisingly fantastic delivery by Jeremy Swift as Ioan's long-suffering wise butler. Jeremy has a way of delivering a comic line with a punch to your chest that bursts into laughter! Benedict and Ioan have clear chemistry as friends with a vision for the future. You can't help but believe these two would choose to be brothers if they could. But the best and most connected relationship was between Ioan as Wilberforce and Romola as his wife. You could feel the way they were already together even while their characters were still protesting on screen.

Michael Apted riveted the audience, bringing to life politics in a way that made you wish you could run out and find a cause of your own to champion. Again, I say Oscar. I have rarely attended a movie where the audience clapped to the point of hurting their fingers with the thunder they were creating for so bloody long! Entirely throughout the actor credits the audience applauded, only varying the volume for those performances they particularly appreciated. Ioan Gruffudd, Benedict Cumberpatch, Romola Garai, Jeremy Swift, Michael Gambon, and Albert Finney.

All in all, a tour de force movie that should impact everyone with the IMPORTANCE of trying to change that which is NOT RIGHT.

Congratulations to everyone who worked on Amazing Grace. Truly, wonder was on screen today.

What follows is the text of a letter I composed for my parish bulletin (I am a priest and pastor of a University Parish in Tucson) after having seen Amazing Grace. I often recommend movies to my parishioners, but seldom write a full-fledged review. This weekend I made an exception for an exceptional movie.

Dear Friends,

It is a movie-lovers' favorite weekend: Oscar weekend. So I beg your indulgence as I offer not just a movie recommendation, but an actual review of the remarkable movie I saw on Friday. I had been hearing about it for several weeks and looking forward to its opening in Tucson. "Amazing Grace" tells the story of William Wilberforce, a young American Revolution era British Parliamentarian who waged a three-decade legislative battle to end Great Britain's involvement in the African slave trade (Slavery was outlawed in England six decades before our civil war.) Among those who had influenced this remarkable Englishman was John Newton, the slave ship captain turned evangelical preacher, who penned the lyrics of arguably the best known sacred song in the world, which also lends its title to the movie. Newton had known Wilberforce as a child and, in the film, serves as his conscience when the task is unclear or proves daunting..

This is no schmaltzy feel-good biopic. Everything about it is compelling. It is beautifully written and directed. The cinematography and film-editing are superb. The costume and sets are exquisite. And the acting is top-notch. Ioan Gruffudd, the young Welchman best known for his excellent portrayal of C.S. Forester's seafaring hero, Horatio Hornblower, in eight made-for-A&E movies (1998-2003), brings great depth and passion to his portrayal of this complex hero of social justice. Gruffudd's star is on the rise. Award–winning actor, Albert Finney, graces this picture as an aged and eccentric Newton. The cast is rounded out by a gaggle of veteran British character actors who lend profundity to this compelling story. In addition to the cinematic elements that make this one of the few movies I have seen that I consider to be worth the $9 it costs to see a movie these days, it is first-rate storytelling! And Wilberforce is a hero whose story must be told. He grappled with one of my favorite issues: the place of faith in public life. As a young man, the rising political star began to rediscover an intense faith that had lain dormant for a time. His fire of conviction that something must be done about the slave trade was fueled by this reemerging faith. As he struggled with whether he should use his oratorical talents a politician or a preacher, he is convinced that he can use his popularity as an MP to do God's work by actively advocating for the voiceless slaves. The movie presents the story of a man who finds a perfect balance between his faith and his public life—each shaping the other in the face of a clear vocation. That his secular realm is that of politics and the time is one of great fear and institutionalized injustice gives this period movie much relevance in today's world. I hope every person of faith watches this movie. I especially think that it is pertinent for our student parishioners who may be struggling with the same issues as Wilburforce. (While I fear it would bore younger children, it would be good for older children and teens.) It opened on Friday at the El Con Cinema. I will be organizing a parish outing to see "Amazing Grace" in a couple of weeks. Whether you go then or another time, I recommend this movie as a great Lenten exercise. I loved it and consider it one of the most socially relevant films I've ever seen. "Amazing Grace" has long been one of my favorite sacred songs, but I will never hear it the same again.

Peace, Fr. Bart