Love Soup

This is a very funny series and much cleverer than the standard so-called comedy fare we are force fed these days. It will appeal to anyone who actually thinks about things and the angst that accompanies this risky practice. This is a comedy very much about the good manners of the main characters and the lack of them in the people they come across (and their inability to see past their self-obsessed noses). This is all handled in a very understated manner and never patronises the viewer and actually treats us as adults (not even any canned laughter!). I think the people who didn't get this series possibly struggled because they are the people this terrific show is poking fun at. Perhaps they should watch again and you never know it might just help them to be nicer people.

Love Soup is a reflection of all of us. We all want to meet that particular person that just seems to be our Mr/Mrs Right. Most of us can't really define it, we just know it exists. Love Soup's opening gambit is really a suggestion that perhaps somewhere on this planet at this moment in time is a person who is absolutely perfect for you. You may live on the same street or they may be living at the other side of the world. Whatever scenario exists you may never ever meet.

Love Soup explores the lives of Alice and Gil in tandem. They don't know each other but live in the same part of Britain. It becomes apparent very quickly that both Alice and Gil are looking for the same things. They have similar ideologies and similar outlooks on life. They are both quirky eccentrically shy oddballs who look upon the world with innocently suspicious eyes. It is with this conflict that David Renwick explores both of the characters worlds with comedic marvel! Some of the jokes are superbly built into the storyline as to be absolutely crucial and some are just amazingly crafted to make you laugh out loud then laugh again when you see more and more meanings dangling off the same scene.

The tempo of the series is crafted perfectly. You are sucked in and after the first two episodes you are hooked. David Renwick was clever enough to increase the level of laughs perfectly as the series went on until he could afford to introduce the darker elements of the plot without detracting from the audiences enjoyment. The scripting is exceptionally clever on so many levels that it really makes you want to watch more. The ending came and was exactly what I hoped for. The message was quite clear through the series and ended as it should. Lots of roller coaster twists are added too! - it is all in there! I do hope that this will not be turned into another series because it will just become something it should never be. I am quite happy to think of Alice and Gil stumbling around the dating game with their embarrassed squints of pain when it all goes wrong. BRAVO David! Please write more television!

If you like droll and witty, you'll love this. If low brow, slutty, British sit com fare is your style, this is definitely not for you. First of all it's very smart stuff. Secondly the script is handled very deftly by almost everyone connected with it. Kudos to the director! Tamsin Grieg has a face built for comedy, a sort of sexier Lily Tomlin, and her timing is exquisite! The American (a real one, for a change) is excellent as well, if a tad too good looking for a lonely single.

The two play a couple, possibly (hopefully) destined to meet, but in the mean time they passively, reluctantly, pursue the dating game. Each episode is another disaster waiting to happen. Sometimes you can see it coming other times you can't, but you know it's coming. Just what will make this one a disaster?

My favorite scene, so far, is when the parents of Tamsin's ex boyfriend of some 10 years, show up to tell her he's passed away and to hand over tapes he made of him and Tamsin having sex. The old couple play it absolutely straight and innocently, and Tamsin's facial expressions show her skills as a comedian, who knows how to be subtle, instead of obvious.

My wife is impatient to have the two meet, but I want to wait and savor the moment, when (if) it comes.

There are so many forms of comedy that you can never call one real and discount the rest. I liked the style of this programme and its not completely obvious humour. I think there are a lot of people who would not enjoy this programme as perhaps they could, but those who did enjoy it are definitely sorry it didn't continue. This is probably more of a programme for girls. If only the fans had stood up and said something rather than just those who wanted to get rid of it. So I do recommend this to others and would say don't just look at the comedy aspect of the programme, look also at the story lines. I hope others enjoy it as much as I did.

I had looked forward to this based on loving both One Foot In The Grave and Tamsin Greig in Black Books, and I wasn't disappointed. The two main characters are, in many ways, younger, softer versions of Victor Meldrew and they suffer all the petty indignities that modern life can throw at us such as, and this had me laughing from the opening minutes until a good five minutes into the first episode, plastic ring-pulls on milk cartons which don't work. Cut to the next shot of Alice with a bandaged finger and you have the style of the programme right there- don't show the moment of agony, just let the audience work it out. The main actors are great but what I really enjoyed was how good the incidental characters were; the nurse with her low-key words of wisdom on finding a mate and marrying them was beautifully understated, and the estate-agent's comment that the living-room "is...15'3" because there are no other distinguishing features is just so subtle and so perfect: just like the rest of the show.