Free Zone

I enjoyed this movie, and Im not just saying that because Im Jewish. But things that really really ticked me off was his editing technique, especially the overlapping just made me nauseous. I need to watch this movie again because I didn't understand a lot of the things. I didn't like the ending, it kind of just put me off. Overall it was a fine movie. But can someone please explain why she ran away in the last scene, like out of no where too. The credits were messed too, with the 2 women yelling at each other, it was just pointless. If this movie had better explanation of what in the world is going on, I would had enjoyed it more. I have to compliment the acting though, it was well done. Also, some of the scenes were just way to extended. This movie is worth watching. Great morality and has deep meaning, but it still could have been done a lot better, especially when your showing tragedy in the middle east.

This is more of a response to the latest post by "Mrnaturalsez". I guess we are expected to take your word on a movie instead of the Cannes Film Festival and the Toronto Film Festival, which incidentally gave this move high praise. The film was an interesting, raw look at Jerusalem and Jordan as one would see it as a traveller. Plot has nothing to do with appreciating this movie, so I think you missed the mark. The story was used as a reason to explore the middle eastern culture. It was also interesting seeing Natalie Portman speak in her native Hebrew language. The film drew upon Portman's real life, as she was born in Isreal and had a Jewish father and American mother. Some films are watched for action, others for art, but I guess one will believe what one wants. There's my 2 cents.

My 7 vote was for the filming, direction, and plot. For the informative value of the film, I would give it a 9. It was a bravely balanced portrayal and helped personalize my understanding of the how the structure of the conflict militates against the urge to empathize when face-to-face. It is heartrending watching antipathy being replaced with empathy and mutual assistance even while the regional conflicts continually compel opposing sides toward distrust and attack. Seeing the way the many groups are living in constant fear of lethal attacks has become the norm is heartbreaking. Each side continuing to live with a hollow hope for resolution and peace is awesome and somewhat offsets the massive human tragedy. While typical of human social psychology, it is still sad to see that even clashes within affiliates can lead to incendiary outbursts. The final scene is a terrific metaphor for the complex, dire configuration of the plight of the individual people, the American, Israeli, Palestinian, and all others in the region. Portman is to be commended for her taking the role of Rebecca in a movie that was sure to receive little acclaim.

It would be easy to misunderstand or even miss the whole point of this movie. But if you can get past the endless opening scene of a sobbing Natalie Portman, by the end Gitai has explored three characters (with great acting performances), three women from different cultures, and three countries. I don't want to give away the end, but Gitai has managed to make a point about Israelis, Palestinians and, after some thought about his set-up of the character, especially Americans. This makes some of the slower, strained parts of the movie better, even makes them seem to fit together nicely. My grade might be a tad high, but it's rare when any movie maker pulls off character, acting, politics, and characters that well represent their different societies. For that, this movie gets a lot of credit.

The confused American Rebecca (Natalie Portman) has left USA to live in Jordan. After breaking her engagement with her Israeli boyfriend, she asks the Israeli taxi driver Hanna (Hana Lazlo) to take her anywhere but the place where she is. Hanna tells her that she needs to go Jordan's Free Zone, a place surrounded by Syria, Iraq and South Arabia, to receive US$ 30,000.00 that the Palestinian partner of her husband called "The American" owes to him. When they arrive in the location, they do not find the "The American" but a Palestinian woman called Leila (Hiam Abbass). Hanna forces Leila to take her to meet "The American" in his Oasis, but when they arrive there, she is informed that his son has burnt the place, stolen the money and crossed the border.

"Free Zone" is a movie with great acting leaded by the adorable Natalie Portman, Hana Lazlo and Hiam Abbass. The road trip through the locations in Jordan and the soundtrack are other attractions. However, the screenplay is simply awful. Following the "Dogma 95" style, with a free handy cam, no lighting, many improvisation etc., the director and writer Amos Gitai makes a confused and inconclusive story with one of the worst opening scene I have ever seen, with Natalie Portman crying without explanation and a boring song for almost ten minutes. My vote is six.

Title (Brazil): "Free Zone"