Jason Bourne esquiva a un implacable agente de la CIA y sus agentes mientras investiga su propia historia.Jason Bourne esquiva a un implacable agente de la CIA y sus agentes mientras investiga su propia historia.Jason Bourne esquiva a un implacable agente de la CIA y sus agentes mientras investiga su propia historia.
- Dirección
- Guionistas
- Elenco
- Ganó 3 premios Óscar
- 29 premios ganados y 42 nominaciones en total
Edgar Ramírez
- Paz
- (as Edgar Ramirez)
Opiniones destacadas
90U
The best one of the original trilogy it's non stop thrills and twists and amazing gripping story only gets better with every scene, Matt Damon was great again, Maybe in my opinion there could of been more action but that's just me but apart from that it's a very intelligent gripping film and should not be missed.
Here we have one of those rare franchises that constantly gets better and better. The great thing about it is that Director Paul Greengrass is back and better than ever. He brings more realism and technique in this sequel than he did in the last film.
Matt Damon has gotten older and into the character more perfectly to where he seems to be living the role and realistically the character. I can't really picture anyone else in the role at this point. David Starthairn is just magnificent and Julia Stiles was surprisingly quite excellent.
The chases sequences are some of the best, and the like it or hate the shaky cinematography – it does exactly what is necessary and right on point. The intent is to be agitated as you watch the film, which is exactly the point. The intent is to feel and experience what Jason Bourne is experiencing and feeling. The cinematography technique works brilliantly.
I have always felt that one of the possible issues for people, as it was for me, was that my expectations were extremely high. This is by far the best of the trilogy, and one great thriller. I loved the fact that the film was not over the top and is so grounded like a documentary.
Matt Damon has gotten older and into the character more perfectly to where he seems to be living the role and realistically the character. I can't really picture anyone else in the role at this point. David Starthairn is just magnificent and Julia Stiles was surprisingly quite excellent.
The chases sequences are some of the best, and the like it or hate the shaky cinematography – it does exactly what is necessary and right on point. The intent is to be agitated as you watch the film, which is exactly the point. The intent is to feel and experience what Jason Bourne is experiencing and feeling. The cinematography technique works brilliantly.
I have always felt that one of the possible issues for people, as it was for me, was that my expectations were extremely high. This is by far the best of the trilogy, and one great thriller. I loved the fact that the film was not over the top and is so grounded like a documentary.
"The Bourne Ultimatum" begins recklessly mid-chase and in pulse-pounding fashion explodes from there as Jason Bourne (Matt Damon, absolutely superb) tracks down the masterminds behind the CIA black-ops that turned him into the perfect killer in a final attempt to learn his true identity. A devastatingly icy David Strathairn as the "man behind the curtain" is added to the returning cast of regulars including Joan Allen (excellent) and Julia Stiles (non-existent).
Like the second entry in the series, I wished Paul Greengrass' shaky hand-held camera would go static at least for the few minutes of downtime. However, that being said, it's a perfect way to capture the tense, claustrophobic feel of the intimate hand-to-hand-combat scenes and works equally well in the chase scenes which are mostly on foot and across rooftops with the occasional big car pile-up. Part of the fun of the Bourne series is the constant globe-hopping and manipulation of technology and communications that seem to defy the laws of physics and current capabilities. The Bourne films seem to exist in some sort of gritty hyper-reality that is full of technological-based magic. It makes no sense that everyone seems to be just in the right place at the right time, but I'll be damned if it isn't a blast to watch them get there.
With the absence of the emotive and involving Franka Potente, the writers attempt to create some emotional connection between Damon and Stiles, but she is so blank-faced an actress it never really leads to anything. Still, this can be forgiven, for unlike the "Identity" and the "Supremacy", this "Ultimatum" reveals all and we finally learn the truth about Bourne's past. It's an entertaining and satisfying conclusion to the series, and if they have any good sense, and Damon gets his wish, this will be the perfect end to it.
Like the second entry in the series, I wished Paul Greengrass' shaky hand-held camera would go static at least for the few minutes of downtime. However, that being said, it's a perfect way to capture the tense, claustrophobic feel of the intimate hand-to-hand-combat scenes and works equally well in the chase scenes which are mostly on foot and across rooftops with the occasional big car pile-up. Part of the fun of the Bourne series is the constant globe-hopping and manipulation of technology and communications that seem to defy the laws of physics and current capabilities. The Bourne films seem to exist in some sort of gritty hyper-reality that is full of technological-based magic. It makes no sense that everyone seems to be just in the right place at the right time, but I'll be damned if it isn't a blast to watch them get there.
With the absence of the emotive and involving Franka Potente, the writers attempt to create some emotional connection between Damon and Stiles, but she is so blank-faced an actress it never really leads to anything. Still, this can be forgiven, for unlike the "Identity" and the "Supremacy", this "Ultimatum" reveals all and we finally learn the truth about Bourne's past. It's an entertaining and satisfying conclusion to the series, and if they have any good sense, and Damon gets his wish, this will be the perfect end to it.
In order to fully appreciate 'The Bourne Ultimatum', one must have to have seen 'The Bourne Identity' and 'The Bourne Supremacy'. Like it's prequel's, it is slick, action packed, suspenseful and has an engaging screenplay. I particularly loved the chase scenes shot in Tangier. Director Greengrass just keeps the right pace without making it boring or too fast to follow. A fine ending to a trilogy, I preferred it over the overrated 'Lord of the Rings: The Return of The King' and the abysmal 'X-Men: The Last Stand'. 'The Bourne Ultimatum' has done justice to the first two films. Cinematography deserves special mention, whether it's the shaky camera or the zoom-lens, it certainly adds to the 'fun' of the ride supported by brilliant background score. The dialogues and characters are very well written. This is especially a plus because character development seems to be lacking in action films of today. Damon again looks the part and his acting is fantastic as he completely owns the role. Supporting cast that boasts of talented names like Joan Allen, Paddy Considine, Albert Finney and David Straitharn all stand out. A brilliant conclusion, it makes the whole trilogy stand out. Filmmakers (especially that guy who made 'X-Men: The Last stand') should learn how to make a trilogy interesting and intelligent. 'The Bourne Ultimatum' is an intelligent, slick, well-paced action film that respects the trilogy.
I don't hand out ten star ratings easily. A movie really has to impress me, and The Bourne Ultimatum has gone far beyond that. Furthermore, this trilogy has come together so nicely, that I believe it to be one of the greatest motion picture trilogies of our time. Though all three films could not be any more different from the Ludlum novels, they still stand as a powerful landmark in cinematic achievement. The Bourne Ultimatum made me want to cry that the series was complete, yet I could not even attempt to stop smiling for hours.
From the moment that the opening title appeared, I knew we were in for a ride. Paul Greengrass has done it again. Everything we love from the previous Bourne films is here once again: the action, the dialogue, and of course the shaky camera. However for me, that last one was never a problem. I think it adds to the suspense.
I will be back to see this film several times before it is released on DVD, simply because it is genius. It is a perfectly satisfying conclusion, and should stand the test of time as a fantastic movie, and altogether, an unforgettable trilogy.
From the moment that the opening title appeared, I knew we were in for a ride. Paul Greengrass has done it again. Everything we love from the previous Bourne films is here once again: the action, the dialogue, and of course the shaky camera. However for me, that last one was never a problem. I think it adds to the suspense.
I will be back to see this film several times before it is released on DVD, simply because it is genius. It is a perfectly satisfying conclusion, and should stand the test of time as a fantastic movie, and altogether, an unforgettable trilogy.
¿Sabías que…?
- TriviaThis is the only Bourne film to win an Academy Award. It won three, in all the categories for which it was nominated, while the other Bourne movies weren't even nominated.
- ErroresWhen Bourne follows Desh on the scooters in Tangier, Desh receives a phone call. He handles the cell phone with his right hand which controls the throttle on the scooter. By taking his right hand off the throttle, the scooter would suddenly have slowed down.
- Citas
Noah Vosen: [in car, on cell phone] Perhaps we can arrange a meet.
Jason Bourne: Where are you now?
Noah Vosen: I'm sitting in my office.
Jason Bourne: I doubt that.
Noah Vosen: Why would you doubt that?
Jason Bourne: If you were in your office right now we'd be having this conversation face-to-face.
[Bourne hangs up]
- ConexionesEdited from Identidad desconocida (2002)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- The Bourne Ultimatum
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 110,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 227,471,070
- Fin de semana de estreno en EE. UU. y Canadá
- USD 69,283,690
- 5 ago 2007
- Total a nivel mundial
- USD 442,824,138
- Tiempo de ejecución
- 1h 55min(115 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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