The Headsman

I got this movie to watch without any preconceived ideas at all, no reviews to consider, but a good IMDb rating.

The intro scene caught my attention and helped set the mood and character of the two leading roles for further into the movie.

I liked the level of detail and griminess that would have been appropriate at that time and the overall setting both inside and outside the town. I'd say this was perhaps more realistic and less Hollywood than other similar period movies, such as perhaps Braveheart.

Particularly, the feeling of social exclusion for a looked down upon yet 'approved' role was quite interesting, especially in comparison to the punishable 'unapproved' yet socially acceptable roles.

Overall, this movie is one that I'd recommend and will likely watch again.

How make a rare movie on low budge and receiving a best reviews from the best critics, this picture means all that, set place on dark ages when the evil spanish inquisition were the latest word to decide without mercy the people's fate over own point of view, blasphemers, witchcraft were their target, the Catholic church rules under heavy hand mainly by spanish radical wing and how everywhere such power were dreaded, the story is told by eyes's a former warrior who falling in love with a daughter of the headman, after that he has to replace him by right after his sudden death, Mongs's monastery, City's mayor and Archbishop trembled when a spanish inquisitor was sent to solve by power the insurgents by any means, a true near masterpiece over such gloomy period of our past!!

Resume:

First watch: 2012 / How many: 2 / Source: DVD / Rating: 8.5

I love historical films, even the bad ones. But this movie is one of the best. It hits the dark and depressing atmosphere in the shadow of the all-mighty catholic church well. The acting is on a high level by all actors, especially Coaster-Waldau and McDonald. Coaster-Waldau seems to be getting more and more to a main actor in movies. After seeing him alongside Bettany (another shooting star) in Wimbledon and Firewall, I was expecting a lot. And I was not disappointed. But I was most surprised by McDonald, never heard of him before, and his acting as a troubled prior torn between his duty and friendship.

So if you want to see a great movie set in the middle-ages, buy or rent both "The Reckoning" and "The Headsman".

This movie gave me whiplash. It started off with about a History Channel Reenactment quality, then got pretty good through the middle, and then ended like an average B-Movie. I feel like the main issue was editing, there were moments where I laughed out loud. Like when the dude's life flashed before his eyes and they threw in a clip of the sex scene from earlier in the movie (a "we're definitely using that again" moment). I was expecting a movie more sympathetic to the church, but I liked the angle they took instead. Berkoff was doing some Star Trek bad guy acting, Coaster-Waldau was pretty good, and Eddie Marsen is always a pleasure.

The Headsman is a much better film than most of the IMDb ratings and reviews here. One problem is that people want to be entertained in a medieval film and having swordplay, gore, special effects, a princess and a hero all help. This film doesn't have that. One reviewer compared it with The Name of the Rose and it definitely falls into that category.

There really isn't much intrigue, however, and that would have made it a better film. It is more about the honor of Martin (Nikolaj Coaster-Waldau) who has a childhood friendship with Georg (Peter McDonald), marries an outcast (Anna played by Anastasia Griffith) and chooses an untouchable professional as an executioner. It is about human nature: betrayal, love, ambition, greed, honor, and the dilemmas that come when forces beyond one's control affects one's life and one is faced with undesirable choices.

Forces of good and evil are at battle as mistrust, superstition, crudeness and naivety dominate the Inquisition period. Not everything is within control but Martin lives honorable and his friend Georg does too but at times is torn by his conscience and what the town leaders and Inquisition ask him to do.

Unfortunately, Martin is unaware that Georg is willing to help but his hands are tied. Sadly no one questions the despicable, filthy Fabio (Eddie Marsan) about the truth although it certainly would made sense. But perhaps that makes heroes in the film, an outcome not preferred. And in those times, witches and heretics were hanged, executed or burned. Reason wasn't the norm but fear and superstition ruled. No heroes, things beyond our control, love and suffering. Even being the daughter of the emperor or son of the archbishop doesn't save anyone. For comparison, the Black Death nor Inquisition spared no one of title.

In the historical context, it's a graphically accurate film, not a Hollywood-type film (e.g, Braveheart). The set and acting were excellent. Cinematography and atmosphere were good, although I would have preferred sharper camera work and use of the landscape. But perhaps being low-budgeted, the filming was limited. Script was reasonable but could be stronger. Since reality isn't as dramatic as fantasy, this movie won't excite many unless you like a thoughtful period drama.