Agrega una trama en tu idiomaAn all-singing, all-dancing, star-spangled musical leap around the biblical story of the Nativity, set in 1972. With a comic twist, this familiar story is brought to life through the eyes of... Leer todoAn all-singing, all-dancing, star-spangled musical leap around the biblical story of the Nativity, set in 1972. With a comic twist, this familiar story is brought to life through the eyes of the innkeeper. Despairing after a bad year, he contemplates suicide but his attempt is st... Leer todoAn all-singing, all-dancing, star-spangled musical leap around the biblical story of the Nativity, set in 1972. With a comic twist, this familiar story is brought to life through the eyes of the innkeeper. Despairing after a bad year, he contemplates suicide but his attempt is stalled by a voice from above who points out that King Herod is coming to town.
- Townsfolk
- (as David Lambert)
- Dirección
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Opiniones destacadas
Richard Ayoade in addition to writing and directing plays one of the most unhinged over the top roles of his career.
The whole production constantly lampoons Jesus Christ Superstar and 70's cheese in general.
A bit disappointed that Noel Fielding and Rich Fulcher are basically extras. But you get Matt Lucas as god and Julian Barrat as Tony Iscariot (a kind of Herod-like role).
On the downside, it's not very long and the overdubbed voices joke wears thin after ten minutes. But it's still essential for any fan of Boosh, IT Crowd or Snuff Box.
I was ready to believe that all the singers were dubbed by professional singers as they showed some interesting and entertaining vocal ranges yet this was not the case. Also the score was another interesting aspect of the film. There were some real 'groovey' sounds there that sort of made you sit back and think to yourself "man the 70s was so cool...Why was I not alive then!"
Although the nature of this work is almost 'taking the michael!' I feel that it could be a professional stage show. Even though it would only attract a small group of a particular type of audience I would love to see this performed live and perhaps even extended with more songs.
My only bad feeling towards this show was that it felt it was missing that big song which would make it a big success. It needed that 'Let Me Entertain You' song to get the audience or viewers I should say, going wild and dancing in their seats.
In conclusion I would strongly recommend for any other rock opera or musical theatre fans to watch this just because it is so funny and still a great piece of music theatre.
¿Sabías que…?
- TriviaLucy Montgomery's debut.
- Citas
Tony Iscariot: What am I doing? I'm looking at one of the most beautiful women in Bethlehem. That's what I'm doing. Top twenty, easily.
[laughs]
Tony Iscariot: Top ten. I imagine that innkeeper doesn't know how to treat a lady. Would you like something to drink? I bet you've never had champagne before. Try it! The bubbles tickle your nose. Make you randy! Seafood, do you like seafood?
[louder]
Tony Iscariot: I said, do you like seafood? We must satisfy our appetites. Build up our stamina. You know, it's quite interesting, I've recently returned from the Orient. In the east, they make love for twelve hours. Did you know that? No? Twelve hours. Solid.
[inhales]
Tony Iscariot: That's right. I once met a man who taught me how to sustain the art of pleasure from late at night to Shepard's delight. How's the champagne? Let me top off your flute.
[doorbell rings]
Tony Iscariot: What? I'm lovemaking!
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Detalles
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- AD/BC: Рок-опера
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