Novia por compromiso

I really enjoyed The Valet. It's a sweet little film that had me grinning the whole way through. My smiles were only interrupted now and then by bursts of laughter.

Gad Elmaleh plays a valet who through pure chance is photographed with a billionaire (the always wonderful Daniel Auteuil) and his mistress, a famous supermodel. When the photo turns up in the tabloids the billionaire must convince his wife that the supermodel is really with the valet, so he gets them to live together while his wife has them shadowed by private investigators. The plan backfires on the billionaire when he finds himself consumed with jealousy at the thought of his mistress spending the night with another man, so he also sends private investigators to watch them. Meanwhile the Valet has romantic problems of his own that are complicated by the fact that all of a sudden he finds himself shacking up with the most beautiful woman in France. It's a cute and funny little romantic comedy.

Nothing new under the sun:wives,lovers,girlfriends,mistaken identities...But why deny yourself a good thing,an entertaining unpretentious funny little comedy?You should be wrong.

An excellent cast,male and female,gives this trite story substance.Daniel Auteuil,as the villain,a smug mean bourgeois who thinks that money can buy everything,Kristin Scott-Thomas ,as his cheated wife who threatens to ask for a divorce (and it is her who owns the dough),Alice Taglioni as the gorgeous but sensitive top model (definitely not a bimbo),Gad Elmaleh as the clumsy shy prole,Virginie Ledoyen ,one of the most promising French actresses,as a sentimental bookseller and Richard Berry as Auteuil's lawyer.

A few nods to "rear window" .And a very funny (and moral) ending.

see this one! THE VALET is hilarious! I haven't laughed so loudly and enjoyed a French farce so much since LA CAGE AUX FOLLES in 1980. No doubt there will be a terrible USA remake (hello Nicholas Cage, Nic, pick up the phone, it's Disney remakes on the line) which will blunt the silliness and sharpness of this Gallic comedy. Another comment on this site said it is a sure successor to Billy Wilder comedies and that is probably as close to the mark, generating the audience goodwill before they buy at ticket. And you should too; THE VALET like Wilder's ONE TWO THREE or KISS ME STUPID, is intelligent ridiculousness, all glossy with flowers and puzzled faces, retorts and door slamming, bumbling and embarrassments. If Blake Edwards was still making films this would his perfect project as a remake in the US; sadly I expect it to be handled by some MTV hack who will turn it into gravy with a few punches. But, see it first as THE VALET. Laugh. What a delight to see Kristin Scott-Thomas too. What a sly role for her. Yum.

I'm 50/50 on foreign films as subtitles often give me tired-head. Having said that, this film is surprisingly witty, well-paced and in the spirit of La Cage Aux Folles or Victor/Victoria - without musical numbers.

If you've seen and enjoyed the original or foreign versions of The Monster, Night on Earth or the aforementioned La Cage Aux Folles or Victor/Victoria you shouldn't be disappointed. Like most recent releases it's long on closeups and two-shots yet lacks intimacy - which is OK for comedies of the ilk. And in the final analysis, the spirit of wacky comedy is clearly presented in a way that only the French conceive.

While not the pinnacle of Veber's cinematic achievements, it's certainly no bust. By comparison, the American master of this genre, Blake Edwards, has had his fair share of hits and misses and I could easily see him directing the American version.

In a nutshell, it's a nice little date rental - cute romance with a touch of culture and a lot of humor.

This film is hilarious. The set up is a bit unbelievable, but the actors make it work - and mostly believably. The model in the film is refreshingly genuinely nice and not a caricature of a "supermodel." The depth of the main unwitting character, the valet himself, is a bit lacking - but hey, he is charming, as is the rest of the cast. Besides, since he is lovesick, perhaps his lack of depth is at least understandable. The feel of the movie is also quite uplifting - the bad guy loses in the end, and the good guys win. The ride is just fun, and filled with twists and turns, most of which the audience gets to be in on. The only character that was TOO shallow was the valet's girlfriend - she just didn't seem to be worth all the fuss, to me. I don't understand the PG-13 rating - it is not vulgar nor is there any nudity.