Civic Duty

Honestly I started up this movie and though "ah man, my wife got another crappy movie from Netflix." I am surprised to say that, although this movie does have a lot of kinks in it as far as believability is concerned, it does manage to get the viewer wondering what will happen next...I guess. I usually don't have any patience for movies, so if you also have a short fuse when it comes to watching one, you'd better steer clear of this one. It might not grab your attention or make you care soon enough, if at all. I definitely wasn't extremely thrilled with it until the ending which really wasn't too bad. Definitely a good movie to watch if there's just nothing on TV. Did this review sound mediocre? Well, that's kind of how the movie was. Just not a lot to say about it I guess. It was a low budget film and this was a very low budget review.

"Civic Duty" is like "Rear Window" for the post-9/11 age. Terry Allen is a recently laid-off accountant who, thanks in large part to an ubiquitous, sensation-seeking news media, has become increasingly obsessed with the "terrorist threat" plaguing the Western world. When a young Middle Eastern man moves into an apartment across the way, Terry immediately goes into surveillance mode, spying on his every move, following him around town, breaking into his home, and even reporting him to what Terry quickly learns, much to his dismay, is a decidedly uninterested and unconcerned FBI. Soon, his life and marriage are falling apart as he plunges ever deeper into his paranoia-driven madness.

"Civic Duty" starts off as a reasonably compelling psychological thriller, but the longer the movie goes on the more far-fetched and heavy-handed it becomes. Peter Krause, who was so subtle and effective as the star of "Six Feet Under," is forced to go so over-the-top in his performance here that we begin to fear he'll burst a blood vessel long before the movie is over. The underlining doesn't stop there, however, for Jeff Renfroe"s direction is filled with any number of hokey touches, including panning wildly or having the camera do virtual somersaults anytime anything even remotely sinister or suspenseful is about to take place.

The movie first points out how the media, obsessed with profits and ratings, finds it necessary to bombard us with a steady stream of potential terror threats, both real and manufactured, on an around-the-clock basis - and then questions what kind of effect such sensory overload might have on an already unstable personality. And, beyond that, might the media and the political class it serves be turning all of us, to some degree or another, into raging paranoiacs, ready to pry into our neighbors' private business in the cause of national security? Unfortunately, this provocative theme gets buried under a truckload of paranoid-thriller clichés.

Kari Matchett, Khaled Abol Naga and Richard Schiff ("The West Wing") do well in their various roles, but the movie, well intentioned though it is, falls far short of its potential.

After having read some of the negative reviews on the IMDb message board, I must say I was pleasantly surprised when I watched this movie. One of the great things about this was that it didn't immediately jump into the media's coverage of the terrorist plots in the post 9-11 world, but rather gives the viewer an insight into the mindset of the lead character (Peter Krause). This makes his obsessional behavior and the build-up of the paranoia he has against his neighbor very believable, because you start to understand that his dissatisfaction is caused by more just the 9-11 bombing. The actors were extremely convincing in their portrayal of these difficult characters. And although you might only sympathize with Khaled Abol Naga's character, you get a feeling of understanding for Peter Krause's character as well. All in all, an excellent and suspenseful thriller with surprising twists and great content.

This movie was one hell of a roller-coaster ride! I caught the final Tribeca Film Festival screening on the Upper West Side. People were waiting outside on the waiting list line for hours, offering three times the amount for tickets. It was crazy. I planned ahead and although tempted to make a quick buck and sell my tix I went in (my wife loves Peter Krause).

The movie is a slow gradual buildup and like an old fashioned roller-coaster, you feel an undercurrent of tension building as the plot builds and builds as you ascend into world of Terry Allen (Krause) and than... JUST LIKE THAT.. you are dropped for the ride of a lifetime with twists and turns, loops that all comes to an immediate stop.

Peter Krause delivers the performance of a lifetime. If you thought he could sell coffins, you'll become addicted to his knockout performance compounded by the paranoia we all felt after 9/11. You actually feel like you are in his head throughout the entire movie. This boy has acting chops.

Richard Schiff was flawless in his portrayal of the FBI agent who is over-extended with phone call after phone call of "the terrorist next door" situations which is a drain on his once "dignified" job.

Khaled Abol Naga was a tremendous surprise. In the Q&A following the movie, I was surprised to learn English was his second language. His look, delivery of his dialouge and looks he gives Peter Krause's character throughout the movie earn our sympathy and never lets you off your guard as to "is he or isn't he" the terrorist next door.

An excellent movie with the perfect cast that had the potential to collapse in the last scene. But it didn't' let down (a masterful manipulation that I will not spoil for you).

The roller-coaster came to a stop and like a little boy I wanted to run outside get on line again and go for another spin.

But, it was the last screening...

A great film!

The topic is very interesting, and somewhat important in the face of the post-9/11 terrorist attack, resulting in a backlash of suspicion by many US citizens toward people of middle-eastern descent or culture.

This paranoid-episode focuses on a down and out man, and the suspicions he experiences when a new neighbor of apparent middle-eastern background moves into a nearby apartment. Various pre-existing marital tensions in his marriage contribute to fuel his determination.

All of the acting is well-done. Most everything is well-done. But it's just plain depressing and down-mood, from beginning to end, so don't plan on watching it for weekend escape-entertainment.

If you were hoping for action, there's almost none of it here. Even on suspense, there's very little. It's more of a drama with a slight edge at a few points in the latter third of the movie. The last minute or two of the movie's ending left me unclear on what had happened and what was implied. I felt that it could be interpreted at least two different ways.

Overall, it's a worthwhile movie with food for thought. But I wouldn't think of it as invigorating or thought-provoking-- it was more frustrating, from my point of view.