CALIFICACIÓN DE IMDb
4.7/10
13 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaJoanna Mills, a traveling business woman, begins having nightmares of a murder that occurred 15 years ago. Soon she is drawn to an old farmhouse, where the murder took place.Joanna Mills, a traveling business woman, begins having nightmares of a murder that occurred 15 years ago. Soon she is drawn to an old farmhouse, where the murder took place.Joanna Mills, a traveling business woman, begins having nightmares of a murder that occurred 15 years ago. Soon she is drawn to an old farmhouse, where the murder took place.
Johnny Bartee
- Cattle Auction Cowboy
- (sin créditos)
Joe Basquez
- Mr. Marlin's Crony
- (sin créditos)
Michelle Brew
- Club Dancer
- (sin créditos)
Peter Cornwell
- Tavern Cowboy
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I was pleasantly surprised when I noticed Sarah Michelle Gellar. She delivers.
This is a mystery / drama. The thriller and horror portions are barely there.
I think I missed something in the plot, but the movie still seems like a smart art piece.
This is a mystery / drama. The thriller and horror portions are barely there.
I think I missed something in the plot, but the movie still seems like a smart art piece.
I got to see the advance screening of this movie too, way in advance though it wasn't a star studded screening.
About the movie, one thing must be said is that this movie is really interesting and mysterious though it cannot be compared to other movies like saw, mindhunters as this movie does not have gore at all.
It can be compared to the butterfly effect as it has that supernatural kind of story which is very well written and i will go on to say that to me this was better than the butterfly effect. Most importantly the acting is top of the line from all the actors specially Sarah's. The way this movie is directed is also very intriguing and i really have to admire Asif's direction.
Well if you want to watch an amazing, interesting and kind of a thriller movie you must watch this as it is certainly worth a watch.
7/10
About the movie, one thing must be said is that this movie is really interesting and mysterious though it cannot be compared to other movies like saw, mindhunters as this movie does not have gore at all.
It can be compared to the butterfly effect as it has that supernatural kind of story which is very well written and i will go on to say that to me this was better than the butterfly effect. Most importantly the acting is top of the line from all the actors specially Sarah's. The way this movie is directed is also very intriguing and i really have to admire Asif's direction.
Well if you want to watch an amazing, interesting and kind of a thriller movie you must watch this as it is certainly worth a watch.
7/10
OK. Well...The Return. Sarah Michelle Gellar's latest genre addition finds her running from a cowboy with a killer past. Asif Kapadia's sophomore effort, after 2001's The Warrior, will likely disappoint more than entertain. The story is convoluted and under developed, and aside from Gellar's Joanna, we really don't have any idea why any of the other characters are there. However, in stark comparison to the other filler thrillers we have seen for years, The Return boasts excellent camera work and even better art direction and cinematography. It is told in heavy visual style, which is a refreshing take on an old tale. Twitchy camera movement heightens the suspense and paranoia of the film while the bleak colors and atmosphere add themes of isolation and desolation. Gellar is exceptional as Joanna Mills, a successful midwesterner constantly on the road to elude some painful past, not to mention the hallucinations and creepy visions she keeps enduring. It is a solid transition from horror to... something else. And while we as an audience may not have any idea what Gellar is pulling, it's certain that she does, and is making some very interesting and risky role choices which adds to her versatility. (Keep your eyes peeled for her work in Southland Tales as a porn-star come reality-television conoisseur) I am not going to bore you with the details of the story, since every other review basically regurgitates the little material there is to work with. The plot isn't bad, it's just very minimalistic and sparse on character detail, which, for an atmosphere and mood-driven film like this one, is a fatal mistake. The suspense is good, it holds enough tension to keep you entertained enough to keep watching. The supporting cast are all pretty good, no Oscar contenders here but take it for what it is. The score is effective, using violins and chimes to purvey a sense of dread and malice. The visual style is very compelling, we feel like we're in Texas, seeing this happen through a series of well thought out, well lit shots that subtley take us deeper into Joanna's psychological state. The scene where she awakes in the field is one of the best, and proves that Kapadia's second feature may not be the greatest, but started out to be a very different, innovative project that got a little muddled in post-production. A good film, I'd wait for DVD, but the creepy soundbytes and ghostly whispers won't have the same effect as in the theatre. The Return is definitely misunderstood, but for those keen enough to see it through, you will get a glimpse of isolated, lonely people just looking to connect and get over the issues that have brought them together.
There are attractions to this film. One, it proceeds at its own pace specific to the revelations the main character achieves. Some would say it moves too slowly but, I think, this is only in contrast to recent genre films that rush to exploit thrills, sometimes fun, sometimes silly. The pace is more like that of classic mystery movies with a little film noir mixed in.
The atmosphere is somewhat reminiscent of recent Japanese horror films and remakes though the narrative is much more structured. This is emphasized by the "washed out" look of the photography even in direct sunlight. Of course, parts of Texas where much of this was shot appear a little washed out in reality. While this is not especially flattering to the actors, it underscores the uncertainty the characters must endure. (Congratulations to Ms. Gellar for acceding to this when most actresses are looking for every cinematographic advantage they can get!)
The film is more about character and the discovery of destiny than about complex plot or even surprises. As in many Hitchcock movies, the audience is supposed to know more about some things than the characters. Most horror and mystery fans will have a pretty good inkling of the answer the heroine is seeking well before all the loose ends are tied up. (As the "Robot Chicken" version of M. Night Shyamalan might say, "What a twist!")
Ms. Gellar must portray a repressed young woman suffering from more than one trauma from the past. She conveys effectively that her character is confused, haunted, resolute, scared, brave and smart enough to make her way in a good ole boy business world. She cannot accept help even from the few who are closest to her. Her premonitions (memories?) lead her to out of the way places and a man with a past as tormented as her own. There is solid support from the reliable Sam Shepard and from J.C. MacKenzie in a performance that is quite a departure from his usual roles.
The atmosphere is somewhat reminiscent of recent Japanese horror films and remakes though the narrative is much more structured. This is emphasized by the "washed out" look of the photography even in direct sunlight. Of course, parts of Texas where much of this was shot appear a little washed out in reality. While this is not especially flattering to the actors, it underscores the uncertainty the characters must endure. (Congratulations to Ms. Gellar for acceding to this when most actresses are looking for every cinematographic advantage they can get!)
The film is more about character and the discovery of destiny than about complex plot or even surprises. As in many Hitchcock movies, the audience is supposed to know more about some things than the characters. Most horror and mystery fans will have a pretty good inkling of the answer the heroine is seeking well before all the loose ends are tied up. (As the "Robot Chicken" version of M. Night Shyamalan might say, "What a twist!")
Ms. Gellar must portray a repressed young woman suffering from more than one trauma from the past. She conveys effectively that her character is confused, haunted, resolute, scared, brave and smart enough to make her way in a good ole boy business world. She cannot accept help even from the few who are closest to her. Her premonitions (memories?) lead her to out of the way places and a man with a past as tormented as her own. There is solid support from the reliable Sam Shepard and from J.C. MacKenzie in a performance that is quite a departure from his usual roles.
7rbrb
This is an intelligent, intense and dark spiritual movie which I certainly enjoyed. A superior production and direction and in my opinion appears to be well under rated by the voters of IMDb.
A young woman is tormented by her past and "returns" to her home to discover, if she can, the reasons for her haunting recollections and the questions raised include: is she mad? Or is her past or another's' being relived through her memories? The film is appropriately made in sombre autumnal colors in keeping with the ambiance of the story,and is an adult drama.
I was impressed with all the actors especially the attractive lead female who is charismatic, convincing and highly watchable.
Well done the film-makers, a sound, 7/10.
A young woman is tormented by her past and "returns" to her home to discover, if she can, the reasons for her haunting recollections and the questions raised include: is she mad? Or is her past or another's' being relived through her memories? The film is appropriately made in sombre autumnal colors in keeping with the ambiance of the story,and is an adult drama.
I was impressed with all the actors especially the attractive lead female who is charismatic, convincing and highly watchable.
Well done the film-makers, a sound, 7/10.
¿Sabías que…?
- TriviaWhen asked at the beginning of the project who she wanted to play her father, Sarah Michelle Gellar jokingly responded that she wanted Sam Shepard. Months later it was confirmed, to Gellar's disbelief, that Shepard agreed to take the role.
- ErroresWhen Joanna's truck goes off the road near the end of the film, the engine revs as if the drive wheels have left the road, but her pickup is a rear-wheel drive vehicle and the rear wheels were still on the bank.
- Citas
Joanna Mills: [talking to Terry] This farmhouse, you, the town, they're all connected to me somehow.
- Créditos curiososWhen the credits first start to roll, everyones name's turn and blur away to the next name which does the same. This represents the characters Joanna and Annie and how they co-existed in the same body.
- ConexionesFeatures Winchester 73 (1950)
- Bandas sonorasJolly Coppersmith
Traditional
Arranged and Performed by Patrick J. Donaghy & Louis Bilton
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- The Return
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 15,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 7,749,851
- Fin de semana de estreno en EE. UU. y Canadá
- USD 4,776,000
- 12 nov 2006
- Total a nivel mundial
- USD 11,994,195
- Tiempo de ejecución1 hora 25 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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