The Murder Room

Dame P.D. James is one of the most respected and revered mystery writers of our times. At ripe age of89 she still writes marvelous books. I saw the other TV adaptations of her novels made on BBC, and they were done with great flair and creativity. Unfortunately, this TV movie wasn't done with the same flawless style as the previous installments. The script was very disjointed and hard to decipher. The editing was jerky and illogical. All in all a puzzling experience. Luckily, the saving grace was as usual a great cast of brilliant British actors. Martin Shaw is a good actor, but like most of the other fans I prefer Roy Marsden.

Famed mystery writer P.D. James spins an intricate tale of deception and murder in this classic style whodunit story, converted to TV movie, set at a spooky old museum in England. Three wealthy siblings in charge of the Dupayne Museum are at odds over its future. One wants to close it down for financial reasons; the other two want to keep it open, presumably for posterity. One of its rooms is dedicated to infamous murders that occurred between WWI and WWII. When a murder occurs at the museum, the MO closely resembles a murder described in the murder room.

The plot contains ample red herrings, and just the right number of suspects. There's some good spine-tingling suspense, especially toward the film's end, when the murderer dressed in black and concealed by darkness prowls around in the building at night. The story reminds me, in some ways, of Agatha Christie's novel "Cat Among The Pigeons"; indeed, in "The Murder Room" an old tomcat figures into the story's conclusion.

As with the best whodunits, the plot leads viewers down the garden path; what seems important is not; what's seemingly irrelevant may be very important. If there's a theme to the story, it's spoken by one of the suspects: "The past isn't so easily shaken off; old sins return".

As engaging as the film is, it's not perfect. I did not care at all for the romantic subplot of the lead detective. With a runtime of three hours, this subplot not only unnecessarily prolongs the movie, but it also intrudes into the whodunit puzzle. In addition, the film's editing at the beginning is too frantic. Viewers must endure a barrage of too many new characters and too many flashbacks. As a result, the first thirty minutes present a chaotic jumble of confusing images. All these images make sense on a repeat viewing; but I almost gave up on the film, at first. Finally, the film's ending, as regards the explanation of the killer's motive, seems rushed. A couple of key questions are never answered.

"The Murder Room" is made to order for viewers who like classic whodunit puzzles. There's plenty of time to sink your teeth into the story and get to know the suspects and their potential for being the killer. Casting and acting are quite good. And for a TV movie, production design and sets are surprisingly detailed and lavish. The only real weaknesses are an unnecessary subplot, and an intimidating thirty-minute intro. Given those constraints, this film offers some terrific whodunit entertainment.

"The Murder Room," from a novel by P.D. James, is an excellent whodunit starring Martin Shaw as Adam Dalgliesh, and that's the problem right there. Though a fine actor, he just isn't Dalgliesh for me. I remember the old series starring Roy Marsden as being more exciting.

The story concerns a lease about to expire on a family museum, and there is one holdout, Neville Dupayne, who does not want to re-sign. The museum features a Murder Room, which displays information on notorious murders that took place between World War I and World War II. Neville, a doctor, thinks the money could be put to medical use.

When Neville dies in what appears to be a copycat murder of a display in the Murder Room, Commander Dalgleish is brought in. He has a lot of suspects to choose from -- the victim's brother and sister, museum employees who stood to lose their jobs, his secretary who is also his ex-mistress, and others. The solution, however, won't be found by investigating only the present day.

Though a good mystery and well-done, it was too long, in part because a subplot dealt with Dalgleish's love life, which I, for one, couldn't have cared less about. I didn't even understand why this woman was so interested in him, as the character was emotionally very uptight and a workaholic.

I found Dalgleish's relationship with his associates unpleasant, and both of them uninteresting.

I can only ask, where's Roy Marsden when you need him. He's only four years older than Shaw.

As an avid P.D. James fan and reader, I find myself critical of "The Murder Room" and Martin Shaw's performance in it. Unlike other comments, I feel that the movie must at least be true to the writer's creation of the character's personality. "Judge Deed" is NOT "Adam Dagliesh", but the portrayal by Shaw is similar. Adam Dagliesh is a classy, private, remote, creative intelligent, sensitive character, not the "Bull In a China Shop" personality that Martin Shaw portrays in Murder Room. Don't get me wrong, I love "Judge Deed" and Shaw's portrayal of him, but his performance simply doesn't fit as James's "Dagliesh" character. Let's dredge Mr. Roy Marsden out of his theater environment for these wonderful new productions of P.D. James excellent novels and enjoy his accurate and creative interpretation of the Dagliesh character. In closing I must say that the film itself was well written, well directed, and true to the novel.

40 minutes in....all characters present but not one of them likeable. all "self obsessed" with themselves and with little concern for anything else but "me". Dalgleish is completely uninteresting and this needed a Roy Marsden without which, simply find something else to do