Terror en la niebla

I was so disappointed about this. When I first heard they were remaking it, I was worried, but gave it every chance to actually be good. It wasn't. Everything that was good in the original was ruined in this one. There was no "atmosphere" to it, it was just a bunch of overly-beautiful WB-age stars thinly acting out a poor script. The whole purpose of the lighthouse and Stevie Wayne was to present this feeling of isolation and loneliness...in the new one, they seem to rarely use the lighthouse at all. There are extra points in the plot that are unnecessary and... and, I can just go on and on. It was just horrible.

Then, I tried looking at it not as a "remake" but just as a regular movie, as though I was seeing the story for the first time. But, you know what: it still sucks. It doesn't capture you. There are a few good scenes and shots, but overall I just kept wondering when it would be over. So much potential with a story and it just didn't work.

Unfortunately, that's Hollywood today. Horror films can be well made at the same time. Maybe they should stop relying so much on picture-perfect actors and corny digital special effects and start focusing more on the story, the characters, the music (Lord, the original score added so much), and just making it entertaining! 3 out of 10.

This is a film that's not concerned with characters, not concerned with story, not concerned with atmosphere, and I'd even go so far as to say it's not concerned with even formula. It's focus is one thing, and one thing alone: spectacle. After all, this isn't the small independently financed ghost story from 1980 – oh no, it can afford explosions, flashy CG effects, and bodies flying through windows every chance it gets. It wants to show you the flashy screen distractions it purchased with its larger budget.

Yes, this is the Mission Impossible of cinematic horror remakes. But apparently the new Fog could not afford the "horror" as in "horror movie" as in "why am I watching this counterintuitive genre film?" Early in the film, the fog first appears out of nowhere overtaking a small fishing ship where two guys and two girls would be doing something naughty except for the tiny detail that they live in a PG13 film. So, instead, the girls are dancing and the black guy has a video camera. Right. Not that I have anything against PG13 horror (the 3 good ones), but when every inch of the celluloid is screaming for an R rating, don't water it down.

Moving on: after the fog mysteriously materializes out of nowhere, making all the boat's equipment go haywire, the party's over. The girls are inside the ship's bridge, the guys are out on deck where an old sailing vessel came out of the fog and vanished. The fog gets the girls first and, are you ready for this, throws their bodies through a window. Ghosts in the fog go through the trouble of throwing bodies through windows.

It's a thing called subtlety. This film does not have it.

Wait, I'm not through – it's not enough for a man to burn to death. Oh no, his smoldering skeleton has to fly through a door, across an entire room, and crash into equipment. And the film's climax? Lots of shattered glass. Flying CG glass. An old man thrown through yet another window, magically pushed across a street, and into a cemetery. Not to mention more fire.

Did it occur to anyone on this film that "hey, maybe we should pull back a tad before this reaches ridiculous levels?" Or, I dunno, "Maybe our effects shouldn't be exponentially more developed than every other aspect of this film." Yes, the effects are the Fog's strong point. I'll skip the story criticism out of pity, and simply say that the Fog brings nothing new to the overused flashback device. It's not bad, just mediocre. And sadly, juxtapose to the two leading performances in the film, I wanted to stick with the flashbacks and forget about the characters in the current time line. The acting, wow, to quote Colonel Kurtz, "the horror, the horror." Tom Welling and Maggie Grace, our leads, demonstrate their knowledge about acting, and curiously made me question whether or not they actually know how to act (I'll reserve my judgment for now.) They know to look left, to look up, to look sad, to look happy, to make eye contact, and yet they never emote. Through the entire film the audience never sees the characters Nick Castle and Elizabeth Williams. We see Tom Welling and Maggie Grace making semi-appropriate faces and gestures to match the mood and scenarios they find themselves in. And I use the phrase "semi-appropriate" deliberately because throughout the performances both actors are clearly suppressing smiles even in their most horror strickened, soul tearing, depressing moments. You know, like the type of acting you'd expect from TV commercial actors? Like Jason Ritter from Freddy Vs Jason.

Maybe they didn't care. Maybe they didn't try. Considering the roles handed to them (and everyone else on the film) I can't say I'd blame them were that the case. Nick is supposed to be something of a renegade stoic youth, his own man with his own business, unbound by the history books or silly traditions. Elizabeth is supposed to be the girlfriend looking for the answer to her nightmares, looking for her place in the world. Spooner is the goofy token black guy. Stop me when this sounds familiar.

Truthfully, I found myself longing for the film to explore the role of the torn alcoholic Father Malone (one of the background character) than spend any more time with Nick and Elizabeth. Or perhaps even his dad, city official Tom Malone. Unlike the two lead characters, these men showcase a few hints at psychological depth – even if those hints were nothing more than an overused writing device. At the very least the actors playing them display a conviction in their parts.

Perhaps the most intriguing character in the film, also the most underused, comes in the form of Stevie Wayne played by Selma Blair. Who, interestingly, plays the character of a jaded disc jockey. Yes, an actress playing an unenthused woman is the highlight, the inspiration, and arguably the most vibrant performance in the entire movie simply because there within lies an actual character.

Because when Selma Blair looks up from behind her mic and sighs, the audience actually gets the sensation that that's what the character, Stevie Wayne, would do. Tom Welling and Maggie Grace, they look up at a cued time because that's what the director has told them to do. They are actors acting, but Stevie Wayne is real.

One of the few genuine characters in the film.

I tried; I REALLY tried to act like I had never seen the John Carpenter masterful ghost story.

I tried to look for any bright spots in this remake. Really.

*Here there May Be Spoilers*

It tried...once. To expand on the original story of the Ill-fated ELIZABETH DANE, the clipper ship of lepers that was trying to establish an isolated community on some prime Oregon (originally California) Real Estate. We got about ten minutes of sporadic flashbacks to Captain Blake and his doomed maritime colony...gratuitous flashes of potentially leprous individuals...many absurd off-camera killings. In short, it COULD have shown, using the technology Carpenter didn't have, leprous-ghosts seeking revenge; a flashback story behind Captain Blake, his wife and colony and the greedy, frightened '4' ancestors... But it didn't. And what in the heck was with the ending???

What it did do, was take what was originally a well-fleshed story, with characters in peril...and turn it into a diseased, pustulant, rotting corpse that didn't even have the nerve to bombard us with gore, FX, or nudity to camouflage the dung-heap it was. I saw it on a Free Cinemax Preview...and still wanted my money back.

Allow me to save you $8 by offering something you can do at home that is just as entertaining as watching this movie. Go get a load of whites and throw it in your dryer. Now, add in one red sock. (Make sure everything's dry so you don't end up with a bunch of pink laundry.) Now, hopefully you have the kind of dryer that has the clear window in front. If you do, start the load and watch the laundry spin around. Every time you see the red sock pretend to be scared.

That's it. That's the equivalent to seeing this movie. As entertaining as watching your laundry dry and every bit as scary as a red sock.

Others have already punched all the holes in the plot (or complete lack thereof) that are necessary. I won't beat that dead horse. As mentioned, the acting was completely mailed in. The CGI was hokey, stilted and throw in in a lot of scenes unnecessarily. This wasn't just a really bad movie, this was a really bad horror movie. Most horror movies these days suck to one degree or another, but this moving distinguishes itself as being among the worst of the worst. Seriously, save yourself the time and energy and steer clear of The Fog. I haven't seen a horror movie this bad since I saw the remake of The Haunting.

I was hoping and praying that "The Fog" was going to be good and better then the original. Nope, didn't happen. Where the original film at least kept you on the edge at times, the new remake is very predictable. The story isn't any different then the first one. Ghost of a 100yr old ship come back to an offshore island town to get revenge for what was done to them by the founders of the island. Yes it's a remake, but at least add something original.

The main problem with The Fog is, there's no build up or suspense. Even when it tries, it fails with the results. There are maybe 1-2 jump out of your seat moments and they aren't because of anything scary on the screen. Even the deaths are pretty weak, except for one, which you'll have to see for yourself. Then again, maybe not.

The acting is drab and weak. Maggie Grace should choose her films more carefully. Coming from a hit T.V. show like "Lost" to make this crap is unforgiving. Tom Welling (Smallville, Cheaper by the Dozon) isn't going to set his film career ablaze with this film. A least this will be a learning experience for both of them. Selma Blair is the only one who at least give an admirable performance, but she really don't have much to do it this film.

What the Fog does get right is, "THE FOG". The eerie mist has a mind of it's own and I loved the way the ghosts slipped around in the background. The fog is done very well, but everything else is way below average. There's just not enough scares and the story just won't hold people's interest for long, as it's been done before.

Stay out of the fog and out of the theater for this one. Now I know why John Carpenter didn't want his name on this film. What a bomb.