CALIFICACIÓN DE IMDb
6.2/10
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TU CALIFICACIÓN
La ominosa lectura de un psíquico hace que la vida de un hombre caiga en picado.La ominosa lectura de un psíquico hace que la vida de un hombre caiga en picado.La ominosa lectura de un psíquico hace que la vida de un hombre caiga en picado.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Steven Michael Quezada
- Mechanic Enrique
- (as Steven Quezada)
Julie Fergus
- Receptionist
- (as Julie Gawkowski)
Gurudarshan
- Psychic Woman
- (as Gurudarshan Khalsa)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
"Fate rules the affairs of mankind with no recognizable order." Seneca
Guy Pearce confirmed his cult status with his tortured Leonard of Memento. Writing notes to himself because of his serious short term memory loss, he pursues a putative killer of his wife. Now in First Snow Pearce as Jimmy Starks pursues another threat, his imminent death disclosed by a fortune teller. The theme of fate versus determinism-- Can anyone alter his destiny?-- is provocatively introduced but only partially developed beyond plot demands for someone avoiding death.
The expectations for a thematically heavy duty, time challenged thriller like Christopher Nolan's Memento are not always in Mike Fergus's First Snow, a semi-entertaining thriller slow in many parts and hardly challenging other than seeing Pearce put his indie-strange stamp on a mediocre knockoff of his most famous role. Here he displays his usual taut physical and mental persona but without any puzzling character depths other than selling old Wurlitzer juke boxes and flooring while touting shoulder-length hair and attitude incommensurate with the nowhere character he inhabits.
The New Mexico setting is just right for the new-age ambiance of the occult and existentialism. This region has had its cult status confirmed with the many UFO sightings and the starkly haunting work of Georgia O'Keefe. Chris Martinez's minimalist score punctuates the spare emotional landscape.
Jimmy's palm reader, Vacaro (a wonderfully weary J.K. Simmons), says, "I saw no more roads, no more tomorrows. But you're safe until the first snow." The script doesn't allow Jimmy to go too far beyond disbelief at this prophecy into whether or not one can be happy knowing the future. Try he will to alter that future but without intellectual resolution for the audience.
More promising is the redemption motif in which he must face a recently- released-from-prison former business partner, who went up the river because of Jimmy's testimony and who may now wish to exact his due. How Jimmy faces this prophetic return is not well enough dissected, but it remains an energetic coda to an otherwise sporadically interesting study of personal responsibility and fate.
Guy Pearce confirmed his cult status with his tortured Leonard of Memento. Writing notes to himself because of his serious short term memory loss, he pursues a putative killer of his wife. Now in First Snow Pearce as Jimmy Starks pursues another threat, his imminent death disclosed by a fortune teller. The theme of fate versus determinism-- Can anyone alter his destiny?-- is provocatively introduced but only partially developed beyond plot demands for someone avoiding death.
The expectations for a thematically heavy duty, time challenged thriller like Christopher Nolan's Memento are not always in Mike Fergus's First Snow, a semi-entertaining thriller slow in many parts and hardly challenging other than seeing Pearce put his indie-strange stamp on a mediocre knockoff of his most famous role. Here he displays his usual taut physical and mental persona but without any puzzling character depths other than selling old Wurlitzer juke boxes and flooring while touting shoulder-length hair and attitude incommensurate with the nowhere character he inhabits.
The New Mexico setting is just right for the new-age ambiance of the occult and existentialism. This region has had its cult status confirmed with the many UFO sightings and the starkly haunting work of Georgia O'Keefe. Chris Martinez's minimalist score punctuates the spare emotional landscape.
Jimmy's palm reader, Vacaro (a wonderfully weary J.K. Simmons), says, "I saw no more roads, no more tomorrows. But you're safe until the first snow." The script doesn't allow Jimmy to go too far beyond disbelief at this prophecy into whether or not one can be happy knowing the future. Try he will to alter that future but without intellectual resolution for the audience.
More promising is the redemption motif in which he must face a recently- released-from-prison former business partner, who went up the river because of Jimmy's testimony and who may now wish to exact his due. How Jimmy faces this prophetic return is not well enough dissected, but it remains an energetic coda to an otherwise sporadically interesting study of personal responsibility and fate.
Basically, without going into a lot of detail covered by many here already, you get a pretty good idea just from the review summaries for this film that many found it really well done, moody, and a great concept, BUT... unfortunately I felt that it was ultimately watered down by the ending chosen by the film makers (or possibly yet ANOTHER stupid studio interference...)
So, without entering any Spoiler territory, if you can excuse or overlook the completely OBVIOUS and somewhat ham-handed ending, and just sit back and enjoy the rest of the film, it actually is quite good and intriguing, and you probably will like it for the most part. And, Guy Pearce's acting is superb...
But... I REALLY would have given my left nut (the smaller of the two) if they had just left the ending far more ambiguous and moody, just like the rest of this excellent film. I basically gave it about 2 stars less than I would have normally for a film of this overall quality; specifically because of the poor way in which I feel that they handled the ending...
(I undress further, oh, excuse me... I mean, ADDRESS this further in a much more detailed SPOILER laden thread here in the discussion section for this film below...)
So, without entering any Spoiler territory, if you can excuse or overlook the completely OBVIOUS and somewhat ham-handed ending, and just sit back and enjoy the rest of the film, it actually is quite good and intriguing, and you probably will like it for the most part. And, Guy Pearce's acting is superb...
But... I REALLY would have given my left nut (the smaller of the two) if they had just left the ending far more ambiguous and moody, just like the rest of this excellent film. I basically gave it about 2 stars less than I would have normally for a film of this overall quality; specifically because of the poor way in which I feel that they handled the ending...
(I undress further, oh, excuse me... I mean, ADDRESS this further in a much more detailed SPOILER laden thread here in the discussion section for this film below...)
FIRST SNOW is a relatively low budget vehicle for star Guy Pearce, attempting to plough the same sort of furrow as his superlative MEMENTO. The simplistic storyline sees the star given news of his impending death by a trailer-park psychic, at which point his life begins to unravel as he attempts to do all he can to avert impending disaster.
The story in this one is straightforward enough, but it's more of a mood piece than anything. The small town photography is excellent and there's a cast of eccentrics and seasoned professionals who help to bring the story to life; Shea Wigham, William Fichtner, and J.K. Simmons are the stand-outs here. Pearce is excellent, as he always has been, and the director builds a genuine sense of foreboding as the narrative heads for its inevitable conclusion. My only real fault is that the twist ending is way, way too obvious.
The story in this one is straightforward enough, but it's more of a mood piece than anything. The small town photography is excellent and there's a cast of eccentrics and seasoned professionals who help to bring the story to life; Shea Wigham, William Fichtner, and J.K. Simmons are the stand-outs here. Pearce is excellent, as he always has been, and the director builds a genuine sense of foreboding as the narrative heads for its inevitable conclusion. My only real fault is that the twist ending is way, way too obvious.
First Snow is a movie of which the plot can be outlined in a minute. A man (Pearce) is stuck in a little town on the side of the highway where the only attraction is the psychic (Simmons). He spits out some normal predictions, then freaks out and says he doesn't see a future for Pearce's character. Pearce laughs it off, but after all the other predictions come true, he goes back to the same guy. He says this time: "You will be safe until the first snow"
Of course, the clichéd plot line would be that he goes paranoid beyond belief, which for part of it is like this, but the film sets up multiple possibilities of his death that keep you intrigued. The film could have many alternate endings because of all the other ways he could die that are set up in the movie.
But the ending is perfect. The last shot of the film is the best I've ever seen except for Glory and maybe The Shawshank Redepmtion. I also feel J.K. Simmons and William Fichtner both gave performances worthy of a Best Supporting Actor Nomination, more Fichtner than Simmons, but since it is April it's doubtful they'll stand a chance in Oscar season. The screenplay is top notch and Oscar-Worthy as well.
But the movie fall short of a 10/10 because it no suspense is built. For this kind of film, suspense is necessary. But everything else is really good in this movie. But you should still see this movie, especially if you're into fate or destiny related movies
Of course, the clichéd plot line would be that he goes paranoid beyond belief, which for part of it is like this, but the film sets up multiple possibilities of his death that keep you intrigued. The film could have many alternate endings because of all the other ways he could die that are set up in the movie.
But the ending is perfect. The last shot of the film is the best I've ever seen except for Glory and maybe The Shawshank Redepmtion. I also feel J.K. Simmons and William Fichtner both gave performances worthy of a Best Supporting Actor Nomination, more Fichtner than Simmons, but since it is April it's doubtful they'll stand a chance in Oscar season. The screenplay is top notch and Oscar-Worthy as well.
But the movie fall short of a 10/10 because it no suspense is built. For this kind of film, suspense is necessary. But everything else is really good in this movie. But you should still see this movie, especially if you're into fate or destiny related movies
As soon as i read the cast for this movie i knew i would enjoy it. Pearce Perabo and Fitchner all give fine performances. At first glance you may think the plot line is cliché and overly simplistic, and you may be right, but it is the way the story is told, the setting, and the great performance from Guy Pearce that will really suck you in and have you thinking about this movie for long after it is over. This is the kind of movie that is good for multiple viewings. Even though i've only seen it once, im sure you would pick up more bits and pieces form watching it a second time around. I would recommend this movie to anyone who enjoys physchological thrillers that make you think. This is not for action junkies that can't enjoy a movie unless it layed out in front of them.
¿Sabías que…?
- TriviaTodas las entradas contienen spoilers
- ErroresWhen Jimmy visits Mrs. McClure and pours himself a glass of Coke, the amount of Coke in his glass changes several times.
- Bandas sonorasWorking Man
Written by John Fogerty
Performed by Creedence Clearwater Revival
Courtesy of Concord Music Group, Inc.
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- How long is First Snow?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- First snow: la primera nevada
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 8,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 214,864
- Fin de semana de estreno en EE. UU. y Canadá
- USD 15,189
- 25 mar 2007
- Total a nivel mundial
- USD 573,864
- Tiempo de ejecución1 hora 41 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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