CALIFICACIÓN DE IMDb
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TU CALIFICACIÓN
Subhash Nagre dirige un gobierno paralelo en la ciudad, donde tiene seguidores de culto. Cuando sus enemigos planean asesinarlo, su hijo toma las riendas y se enfrenta a ellos.Subhash Nagre dirige un gobierno paralelo en la ciudad, donde tiene seguidores de culto. Cuando sus enemigos planean asesinarlo, su hijo toma las riendas y se enfrenta a ellos.Subhash Nagre dirige un gobierno paralelo en la ciudad, donde tiene seguidores de culto. Cuando sus enemigos planean asesinarlo, su hijo toma las riendas y se enfrenta a ellos.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 16 nominaciones en total
Kay Kay Menon
- Vishnu Nagre
- (as Kay Kay)
Tanishaa Mukerji
- Avantika
- (as Tanisha)
Rukhsar Rehman
- Mrs. Amrita Vishnu Nagre
- (as Rukhsar)
Priyanka Kothari
- Heroine
- (as Nisha Kothari)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Ram Gopal Verma has not intended to actually remake "The Godfather". Its his tribute to the original great story & subsequent adaptation for Indian audiences. Hence, if one thinks that Sarkar is an Indian remake of Coppola's "The Godfather" he might get disappointed as for fact even the director has not intended to revive the original Master piece.
"Sarkar" is an Acting galore. After Agneepath, we see the best performance of Amitabh Bachchan of his career. Here is an absolutely unique genre of Acting skill depicted by Amitabh Bachchan, playing Subhash Nagare (Sarkar) illustrating all emotions through his Eyes. With very less dialogs spoken, Amitabh Bachchan proficiently establishes a massive screen presence captivating the audience throughout the movie.
Its finally proved that, its only Amitabh Bachchan who can reach or excel the act of Marlon Brando as Vito Corleone from the original.
Sarkar begins with a common man visiting Subhash Nagare seeking justice for his rape-victim daughter. The first 30 minutes is an explosive drama. The meeting with Rashid & Sarkar is riveting. The villains in the movie are like any other Hindi movie Villains and are shown larger than life which possibly was a setback unexpected from R.G.Verma Film.
The strength of the movie drama again slightly suppresses by pale acting from Kay-Kay, who plays Sarkar's elder son. Abhishek as Sarkar's younger son is shown as obedient & modest as Al Pacino in The Godfather.
The Script is then changed from the Original, and in a better fashion to suit Indian cinema. The Elder son joins the Baddies & Sarkar is caught in a conspiracy of killing a honest politician. Sarkar is arrested and an attempt to murder Sarkar in Jail is planned by the baddies just when the younger son saves his father. The gradual transformation of Abhisekh's humble human person to the tough-guy is splendid.
The major drawback of the film includes the lack of display of the Operations & Business Conducts carried out by Sarkar. We don't come to know primarily what are their various source of income. What governs the strength of "Sarkar" ? What are the mutual benefits deriving from relationships of the Politicians with Sarkar ? In R.G.Verma's Satya & Company, they perfectly dispayed the operations which the gangs conduct, their source of income & various businesses they do.
Finally the film is a journey revived through "Agneepath" where we relish the powerful performance of Superstar Amitabh Bachchan.
"Sarkar" is an Acting galore. After Agneepath, we see the best performance of Amitabh Bachchan of his career. Here is an absolutely unique genre of Acting skill depicted by Amitabh Bachchan, playing Subhash Nagare (Sarkar) illustrating all emotions through his Eyes. With very less dialogs spoken, Amitabh Bachchan proficiently establishes a massive screen presence captivating the audience throughout the movie.
Its finally proved that, its only Amitabh Bachchan who can reach or excel the act of Marlon Brando as Vito Corleone from the original.
Sarkar begins with a common man visiting Subhash Nagare seeking justice for his rape-victim daughter. The first 30 minutes is an explosive drama. The meeting with Rashid & Sarkar is riveting. The villains in the movie are like any other Hindi movie Villains and are shown larger than life which possibly was a setback unexpected from R.G.Verma Film.
The strength of the movie drama again slightly suppresses by pale acting from Kay-Kay, who plays Sarkar's elder son. Abhishek as Sarkar's younger son is shown as obedient & modest as Al Pacino in The Godfather.
The Script is then changed from the Original, and in a better fashion to suit Indian cinema. The Elder son joins the Baddies & Sarkar is caught in a conspiracy of killing a honest politician. Sarkar is arrested and an attempt to murder Sarkar in Jail is planned by the baddies just when the younger son saves his father. The gradual transformation of Abhisekh's humble human person to the tough-guy is splendid.
The major drawback of the film includes the lack of display of the Operations & Business Conducts carried out by Sarkar. We don't come to know primarily what are their various source of income. What governs the strength of "Sarkar" ? What are the mutual benefits deriving from relationships of the Politicians with Sarkar ? In R.G.Verma's Satya & Company, they perfectly dispayed the operations which the gangs conduct, their source of income & various businesses they do.
Finally the film is a journey revived through "Agneepath" where we relish the powerful performance of Superstar Amitabh Bachchan.
10rdig1-1
SARKAR is a creation of a life time from Ramu, it will remain as a highlight in all the artists careers, a great movie...it sucks you into it and throws you out. I watched the movie and before i could realise it started...it finished. When someone says slow narration...they are just ignorant of what cinema making is all about. Amitabh is excellent...on par with him is his son playing hi son in the movie, Abhishek. He is the one actor out of the young genre who will stand tall for a long time. The music of the movie is first rate, it plays a very important role in keeping us glued to what happens on screen.
I read a post saying "a bad adaptation of godfather" lets get this one clear that this is not Godfather. We get that impression because Ramu says he is inspired by the Hollywood movie, very kind of him. I have seen the movie and can confirm that approx 5% meets with what we have seen in Godfather.
Talking about direction, i could write a couple of pages about it, but i prefer to say it is exceptional. Its a pity our movies do not get as much exposure as international cinema, but having watched movies from all other languages, Indian cinema coming from unorthodox directors like Ramu are far better.
Watch the movie or you will miss out on something special.
I read a post saying "a bad adaptation of godfather" lets get this one clear that this is not Godfather. We get that impression because Ramu says he is inspired by the Hollywood movie, very kind of him. I have seen the movie and can confirm that approx 5% meets with what we have seen in Godfather.
Talking about direction, i could write a couple of pages about it, but i prefer to say it is exceptional. Its a pity our movies do not get as much exposure as international cinema, but having watched movies from all other languages, Indian cinema coming from unorthodox directors like Ramu are far better.
Watch the movie or you will miss out on something special.
i saw this movie on its first weekend and i was just stunned after watching it.
i can't even remember that how 2 hrs. have been passed.
The performance from the actors are really wonderful, specially Jr. bachchan. i think the Jr. is taking some acting skills from his father. i strictly recommend that he is 2 step ahead from his father in this film.
The script, Background Mscore, Editing, Cinematography, direction, everything is just next 2 great.
SUMIT
i can't even remember that how 2 hrs. have been passed.
The performance from the actors are really wonderful, specially Jr. bachchan. i think the Jr. is taking some acting skills from his father. i strictly recommend that he is 2 step ahead from his father in this film.
The script, Background Mscore, Editing, Cinematography, direction, everything is just next 2 great.
SUMIT
I recently read a review on IMDb completely destroying Sarkar. I found it to be quite untrue. This movie is one of the best i have seen. The performances are mind blowing. Its the first time amitabh has been told to underplay his role.Amitabh is incredibly restrained, and his task is to sit there and look simmeringly angry.The first half focuses on the Big B and the second on the smaller one. Abhishek tries to copy his father's angry look from yesteryear and does so brilliantly. Even Kay Kay Menon does a great job as the bad son. Of course credit must go to Ramu who always makes his stars perform. The camera work and the background score keeps you riveted to the movie. Truly a very good movie.
Hollywood guys can forward this movie to Mr.Francis Ford Cuppola and say this is the best version of his "godfather" (regionally) ever made on the face of this planet....movie rests on three pillars screenplay ,narrative technique and acting.... as usual Amitabh Bacchan delivers with venom...Abishek shines through...but the special mention should be given to Kay Kay for his role of elder son "vishnu" ....Kay Kay s eyes were intruding as were his fine acting skills.. there are some spoilers though..but the three pillars cover them up equally.... Kota srinivas Rao as "madrasi"...saying "mera style south,operation north" was to the bones
worth watching ...RGV stamped movie..signature .....
worth watching ...RGV stamped movie..signature .....
¿Sabías que…?
- TriviaThis movie is inspired by The Godfather(1972)
- ErroresWhen Rashid is pushed in water his hands are tied behind his back but when he falls in water he is freely moving his hands.
- Citas
Selva Mani: I, Selva Mani... Style South, operation complete North...
- ConexionesFeatured in Apna Sapna Money Money (2006)
- Bandas sonorasGovinda Govinda
Vocals: Amitabh Bachchan, Kailash Kher, Bapi and Tutul
Lyrics: Sandeep Nath
Composition: Bapi-Tutul
Recorded at Swarlata Studio
Recordist: Chinmaya Harshe
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Authority
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- INR 150,000,000 (estimado)
- Total a nivel mundial
- USD 264,217
- Tiempo de ejecución2 horas 4 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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