¿Te gusta Hitchcock?

Me and my girlfriend had the opportunity to watch Ti Piace Hitchcock at the Brussels fantastic film festival last Saturday. He directed this movie for the Italian television (RAI) and in mine opinion with success.The movie was introduced to the crowd by the master of horror himself.

The movie isn't as gory like the seventies eighties Argento movies but it still contains a lot of suspense and the murder scene is in "Argento style". If you are looking for a real gory giallo then you'll better skip it. It's an Argento movie and expectations may be high but it's a television movie and when you are an Argentofan you'll notice.

I'm really looking forward to his next movie.

greets

Most enjoyable and suspenseful tale, featuring in the main elements of 'Strangers On A Train' and 'Rear Window', but also making reference to many of Hitchcock's movies. Much fun can be had spotting all the amusing/effective references without the ongoing tale being spoiled. There are at least two excellent sequences, one involving a moped and the other a bath, but although the pace may be a little erratic, the dialogue rather strange and the dubbing diabolical, this is as much fun for us as it must have been for Mr Argento. I'm not one of those that will talk of a 'return to form' because I'm just happy to enjoy what I enjoy without harping back, but I don't think any fan of Argento or Hitchcock should miss this.

I had pretty high expectations from this movie as it is a tribute from the great Dario Argento to the great Alfred Hitchcock.Dario Argento is one of the living directors i have the greatest respect for, and one of my personal favorite directors of all-time, and there is probably no true cineaste around to doubt that Alfred Hitchcock is one of THE most influential and greatest directors in the history of motion pictures.

That being said, I was slightly disappointed with "Ti Piace Hitchcock?" aka "Do You Like Hitchcock?" of 2005. Not because it's not nearly as gory and brutal as Argento's ultra-violent masterpieces from the 70s and 80s - I expected it to be mild for Argento standards, since it's a made-for-TV tribute from a genius director, Dario Argento, to another genius director, Alfred Hitchcock, and this doesn't call for the extreme violence of films like Suspiria or Opera. What I did expect, however, was the suspense, that Argento usually delivers, and I was therefore a bit disappointed, as I found all the parts of the movie that were meant to surprise way too predictable. There is a lot of tension, and the movie highly entertains, no doubt about that but the plot-twists are quite lame and it is simply not nearly as suspenseful as we're used to from Argento, especially after he delivered another great and highly suspenseful Giallo, "Non Ho Sonno" aka "Sleepless" in 2001.

The performances are great, Elio Germano delivers a solid leading performances and all three leading actresses - Elisabetta Roncchetti, Christina Brondo and Chiara Conti are both sexy and excellent in their roles, especially Roncchetti is drop-dead gorgeous and delivers a great performance in a great femme-fatale role. The score by Pino Donaggio is very good, but then again it is not nearly as brilliant as the scores by Progressive Rock band Goblin and their genius keyboard-player/composer Claudio Simonetti.

Over-all, the movie delivers suspense, atmosphere and good entertainment. It is just not very good for what it is (or could have been), a Hitchcock-tribute from Argento. Argento fans like myself run risk of being a little disappointed, but it is definitely worth the time.

Argento's made-for-television "Ti piace Hitchcock?" is an entertaining giallo which pays tribute to the works of the old master.

A "Rear Window" for the noughties, Argento's offering delivers some great moments and there are fleeting glimpses of the genius behind such classics as "Deep Red" and "Tenebrae".

Elio Germano is excellent as the geeky voyeur who's nosiness leads him into no end of trouble. His performance is believable and his character is both likable and sympathetic.

While the violence has been toned down for this production, it's still a very watchable tale.

A boy cycling in the woods discovered a couple of women acting strange, and starts spying on them, until he is discovered. That's the start of this film by cult film director Dario Argento. A clear and present homage to the great director Alfred Hitchcock in absolutely all that is done on screen, and more so, even to the art of film.

After the start we get to know a real film buff, working in a room full of movie posters. Is it the young boy at an older age? Yes, it is. He's Giulio, and a real Peeping Tom. Now he gets a chance to spy on a neighboring women undressing, just like the photographer in Hitchcocks "Rear window". I'm already sold... But the references go on. "Strangers on a train", "Psycho", "Dial M for murder", "Blackmail", "Family plot", "Vertigo"...

The film refers to so many classics that it's a gem in itself, and the plot is well made up in this story as well. Filmed in the typical Argento style, with the occasional mystical lingering on nature, city scapes and artful Gothic sculptures, this manages to make the right tension. Add music highly inspired by Hichcock and 80'ies thrillers like "Dressed to kill" (DePalma) and all the other ingredients, even down to finger movements, and you're in for a treat. It's not splattery, except from in one scene. OK, but has so much going for it, that it's impossible to dislike, if you got the references on.

This Italian/Spanish production is English spoken, dubbed probably due to to bad English, though filmed with Italian actors in Turin, Italy. Maybe some might feel it a bit forced and artificial due to this, and the perfect English voice-over which make our hero more recipient than actually possible. Never mind, it does only add to the fascination.

The only disappointment here is that Argento doesn't have a cameo in this film, like sold Hitch did in his!