Fanaa

The second half of this movie seems to be largely inspired by "Eye of the Needle" which I had watched twenty years back. It starred Donald Sutherland. "Eye of the Needle" has the backdrop of World War II. A German spy gets marooned on a desolate British island colony, probably Gibraltar. He falls in love with a woman who stays on the island with her crippled husband and their son. She too falls for the hero. When she learns about the hero being a spy she mercilessly shoots him. The tag-line of the movie ran like 'it is easy to love an enemy but difficult to kill a lover' (not verbatim). Replace the island by Kashmir made inaccessible in winter. Replace the German spy by lost husband terrorist. Crippled husband by alcoholic father. Presto, you get "Fanaa".

The story writer (who won a Filmfare award for this movie!) owes us an explanation.

Title "FANAA"....as it says "Destroyed in Love"...well suits the theme.

Rehan (Aamir Khan) is on a mission where he meets Zooni (Kajol), playing a role of a blind girl who is on a visit to Delhi for the performance. The story starts with them falling in love with each other. The dialog here are very interesting especially for Hindi / Urdu poetry lovers. It is a beautiful expression of exchanging their feelings in enchanting words…truly mesmerizing. The viewers who are enthralled by this love story in the first half are astonished to see the twist of the second half. Here comes the silent message and the sad end (as the name suggests) where Zooni has to choose between right or wrong, between the life with her son and lover/husband who has returned after years or the country's wellbeing that is in danger if Rehan succeeds in his plan. Zooni chooses the right thing as taught by her parents.

Over all, it is a good plot, well written and well directed. It is a love story with a twist finally depicting that the love for the truth and for the country is far greater then one's personal feeling. As mentioned, there is always a choice between good and bad but what defines one's life is the right choice.

Lyrics are very melodious and the music is also very good that gifts us the hit song of the month "Chand..."

This is hands down the best romantic film since .....well in a long time , all the people i know who haven't liked this film is because its got impossible situations in it and its slow in the 2nd half all i have to say : stop watching Hindi films then and continue watching 25 sec ads which have diminished your attention span .

The characters are given amazing dept and lo and behold they take the film to an all new high .Kajol has proved shes the best actress of her generation and with this film is giving serious competion to her late legendary aunt nutun as the best actress of the family .

Aamir is splendid though i felt his character got a bit sketchy in the 2nd half not his fault the director and writer could have made his motives more clearer for us . however what ever hes given to work with he electrifies every scene hes in .

kudos to all the crew especially kunal kohli

After all the recent pornographic movies such as Murder and the like, it's really refreshing to have a D E C E N T Indian film which the entire family can watch. Sure the film wasn't brilliant but it beats the other crap Bollywood has been spewing out ever since the arrival of Mr. Imran-Gigolo-Hashmi. What a treat to see Kajol on screen again. She truly is the gem in the crown of Indian cinema. And as for Aamir...well, his done it again. After his stellar performance in Rang De Basanti, he pulls off the role of Rehan with immense warmth and passion. I know this is probably a pipe-dream, but it would be fantastic to see these 2 set the big screen ablaze again. Kudos to Kunal Kohli for reminding the world of what a true Bollywood film is made of!

Well, if you have had that experience you will know what I am talking about. The character of Zooni is straight out of Bronte sisters' romantic novels. The strong willed, intelligent girl out to meet her prince, the supportive mother, the mysterious and charming lover, the lonely house in the middle of nowhere, the retired colonel as the only family friend who sometimes comes and shares a drink with the father; it's all there.

Fanaa is one of the most intense romantic movies to have come out of Bollywood for a long time. Perhaps, since Silsila. The pairing of two of the best actors of our generation (maybe, perhaps of all time) needed a story just like Fanaa. You need to scratch the surface to reveal the passion of this unique love story.

The director, Kunal Kohli has exploited the potential of this pairing admirably. Look at the picturisation of the song 'Dekho Na'. The camera hardly seems to move away from the two faces. There are innumerable scenes in the film where just these two faces share the screen.It is hard to think of any other actors from the present who would be able to pull off such a form of narration. Ultimately, the film belongs to Zooni and Kajol comes out with her best performance to date. Rehan asks, "KOI KISISE ITNA PYAR KAISE KAR SAKTA HAI?" and it shows in Zooni's eyes. What a role to make a come back and what a performance to make a comeback! And Aamir never ceases to surprise. He holds his own in a story primarily about Zooni and complements her character brilliantly. His performance is so amazingly understated, and yet so powerful. Rehan is one of the most complex and difficult characters played by Aamir. And it's all about the characters of Rehan and Zooni, their ideals, their emotions, their dreams and their passion. It's really like reading a 19th century English novel. It is not easy to narrate a story this way in a mainstream film and this is where the narration stumbles. The scene where Rehan takes Zooni from the train and carries her in his arms looks very cliché and awfully out of place. The tag line '.....TERE ISHQ MEIN MERI JAAN FANAA HO JAYE' is repeated to death in the film. There have been some cinematic liberties taken in the screenplay, like Rehan infiltrating the Indian Army, Zooni fumbling with the radio transmitter and speaking to the right people. The Urdu couplets, although all very good, seem to hold back the flow a bit. Also, the discussion on the political history of Kashmir at the meeting of the Intelligence Heads seems a bit off track. A better place to put that discussion would have been a friendly chat between Rehan and Zulfi (Zooni's father)over a drink.

But these are minor skirmishes in a remarkable film. The story remains true to the title of the film and if you have a liking for 19th century English novels, you would simply love this one.