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Dirty

  • 2005
  • R
  • 1h 37min
CALIFICACIÓN DE IMDb
5.5/10
6.1 k
TU CALIFICACIÓN
Cuba Gooding Jr. and Clifton Collins Jr. in Dirty (2005)
Theatrical Trailer from Silver Nitrate Entertainment
Reproducir trailer2:30
1 video
21 fotos
CrimeThriller

Agrega una trama en tu idiomaTwo gangbangers-turned-cops try and cover up a scandal within the LAPD.Two gangbangers-turned-cops try and cover up a scandal within the LAPD.Two gangbangers-turned-cops try and cover up a scandal within the LAPD.

  • Dirección
    • Chris Fisher
  • Guionistas
    • Chris Fisher
    • Gil Reavill
    • Eric Saks
  • Elenco
    • Frank Alvarez
    • Clifton Collins Jr.
    • Brittany Daniel
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.5/10
    6.1 k
    TU CALIFICACIÓN
    • Dirección
      • Chris Fisher
    • Guionistas
      • Chris Fisher
      • Gil Reavill
      • Eric Saks
    • Elenco
      • Frank Alvarez
      • Clifton Collins Jr.
      • Brittany Daniel
    • 48Opiniones de los usuarios
    • 20Opiniones de los críticos
    • 37Metascore
  • Ver la información de producción en IMDbPro
  • Videos1

    Dirty
    Trailer 2:30
    Dirty

    Fotos20

    Ver el cartel
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    + 16
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    Elenco principal51

    Editar
    Frank Alvarez
    Frank Alvarez
    • Gangster #1
    Clifton Collins Jr.
    Clifton Collins Jr.
    • Officer Armando Sancho
    Brittany Daniel
    Brittany Daniel
    • Tatiana
    Keith David
    Keith David
    • Captain Spain
    Roberto 'Lil Rob' Flores
    • Gangster #4
    • (as Robert Flores)
    Aimee Garcia
    Aimee Garcia
    • Rita
    Cesar Garcia
    Cesar Garcia
    • Gangster #3
    Nicholas Gonzalez
    Nicholas Gonzalez
    • Officer Rodriguez
    Cuba Gooding Jr.
    Cuba Gooding Jr.
    • Salim Adel
    Kevin Grevioux
    Kevin Grevioux
    • Daddy
    Wood Harris
    Wood Harris
    • Brax
    Cole Hauser
    Cole Hauser
    • Lieutenant
    Wyclef Jean
    Wyclef Jean
    • Baine
    Pat Healy
    Pat Healy
    • Ronnie
    Tory Kittles
    Tory Kittles
    • Wallace
    Terry Kennedy
    • Terry
    Robert LaSardo
    Robert LaSardo
    • Roland
    Jen Martinez
    • Jen
    • (as Jennifer Martinez)
    • Dirección
      • Chris Fisher
    • Guionistas
      • Chris Fisher
      • Gil Reavill
      • Eric Saks
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios48

    5.56K
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    Opiniones destacadas

    5SnoopyStyle

    Good start but by the end, I just didn't care about these guys

    Salim Adel (Cuba Gooding, Jr.) is a LAPD patrol cop. His partner Armando Sancho (Clifton Collins, Jr.) is a former gang member.

    Cuba tries his best copy of Denzel in Training Day and it works for a little while. I think Denzel is just on a different level. Cuba seems to fade. He's not able to keep it up. As they follow their dark path, it becomes less and less relevant. I don't care about these characters. I find no rooting interest in either of these characters. In the end, I have little interest in the movie itself. This is only for die-hard Cuba fans.
    SanFernandoCurt

    To live and lie in L.A.

    The Ramparts Scandal of the 1990s entailed L.A. gang members infiltrating the police department, violently shaking down fellow gang-bangers, then, in perjured testimony after their stupidity busted wide open the whole mess, ruined the careers of honest cops in L.A.P.D.'s gang units. As final salt in the wound, taxpayers were soaked for millions in court settlements to the put-upon homies that got rough treatment from these hoods in blue.

    The real villains of the piece were not-well-thought-through outreach projects to recruit more inner-city youth into the city's police force. This was yet another brainstorm of liberal social engineers far removed from the detritus wrought by their brilliance.

    This movie, inspired by Ramparts, takes those facts and corkscrews them 180 degrees. The gangstas are the cops. All cops. The real villain is the SYSTEM, maaaaaaan.

    This tired, hackneyed tripe represents the warped mindset of Hollywood's establishment today. It's a weak-tea Frankfurt School indictment of class, race, capital, injustice... (yaaaawn). I think one of the great injustices in this country today that so much of our media, so much of our political arena, is fabricated by these tapas-bar revolutionaries from the mean streets of Malibu, Brentwood and Beverly Hills. Decades ago, "Dirty" would be hailed as wonderfully subversive by reviewers feasting on the bounty of the very system they claim to despise. It's as subversive as "Dancing With the Stars". This is the only political viewpoint we get - in any movie or documentary produced in this country.

    In that respect, this movie is similar to "Crash", that other self-celebration of hypocritical Lefty gibberish. In fact, the scene in which Gooding Jr. hassles a middle-class white couple was almost straight-lifted a few years later for "Crash", with the racial components reversed.

    One reviewer here proposed "it's easy to behave morally in a sheltered, safe, middle-class environment." Well, it's easier not to become murderous animals in that kind of environment - that's for sure. And, evidently, it's a lot easier to develop a morality far removed from the real world by typing out scripts in tony neighborhoods with gates, guards, income levels in the stratosphere and worldviews in Never-Never Land.
    7MovieMaddis

    Strong delivery of cast and crew makes Dirty a clean and polished ride

    Dirty will unfortunately draw comparison to Training Day, but if you can get past the similarities of the cover of this book, the content will come back strong and stand alone as a polished original. This movie reminds you that with decisive, deliberate direction, an excellent score and solid performances, a routine storyline can serve as the boilerplate foundation for the more difficult aspects of film-making to shine.

    Collins has always been a favorite of mine to watch; almost singlehandedly destroying stereotypes of Latino actors while simultaneously stewing in the shallow pool of roles offered him. His stand out performances in 187 and Tigerland have only been improved in Dirty with his ability to bring humanity and sincerity to his otherwise bland characters. Gooding pulls it off in the end, almost through the sheer pleasure of watching him portray such an off-type character that the "over the top" performance was a necessity to draw your attention away from the believability of his playing the role. It was as if with every screamed expletive he was daring you to not take him seriously.

    Dirty is a poster child film for how a director through what would appear to be either deliberate, clever and wise choices for the cast and crew or was very lucky in the outcome. But to this writer that is the magic of film-making. The end result of this film looks like a seamless collaboration of professionals turning out what is an interesting, exciting, visceral portrayal of bad cops and worse cops trying to outplay the system. Luck can only take you so far, and no doubt every component played a part in making this film work. The cinematography keeps the grit and grime of the streets in full focus, and the action and sometimes brutal violence is always just around the corner to snap your attention back into place as the plot moves forward.

    To compare this movie to any other is doing it a disservice. Dirty takes any preconceived lemons it clearly had as a disadvantage going in, and made lemonade worth a second glass. Try it, you won't be disappointed.

    7/10 - Maddis
    5gradyharp

    DIRTY is in every way Dirty...until the Zinger Ending!

    DIRTY seems to be confused as to what it is. The viewer is lead to believe that the LAPD has an undercover anti-gang force made op of ex-gangbangers who know the streets and therefore know how to break the codes that allow gang crimes of drugs and violence to continue unfettered by arrests. Yes, we are all aware of the Rampart scandal that perhaps is the nidus for this story, but what DIRTY shows is a group of despicable, foul mouthed, evil, crime perpetrating opportunists who will do anything to make a hit - all 'protected' by a police force that condones their actions.

    Cuba Gooding, Jr. is a fine actor whose recent roles have not allowed him to demonstrate his craft. Perhaps he wanted a role as a bad guy (in the vein of Denzel Washington, Richard Gere et al who opt for smarmy roles to 'prove' their acting grit!), but he is artificial in this film as a man willing and waiting to do filthy deeds without conscience. He is paired with the also fine actor Clifton Collins, Jr. as the Hispanic equivalent of Gooding's Black bad cop. The story jumps all over the place with so many subplots and characters identifiable only by their total body tattoo differences and hampered by a script that depends on the F word and the N word and M**F** word as a means of communication.

    Gooding and Collins are partners and while Gooding seems to be the major offender to decency, Collins does little about it, leading us to believe he is an innocent victim to the Internal Affairs investigation that appears to be the endpoint of this drama. Just when the viewer is saturated by the dirt of this film's techniques and story, the gritty collision of loyalty and redemption enters at the very end, making reflection on the tale that has been assaulting our senses almost embarrassing for the viewer. In the police code, what is permissible, what is wrong, what is justifiable? Fighting crime with crime doesn't seem a viable answer, but we are left asking the question 'What is?' A disturbing film on many levels, not the least of which is the fact that Gooding's agent needs a heads up on finding this gifted actor some worthy roles! Grady Harp
    8Johnny10

    Beyond Training Day

    Dirty is another cop movie about crooked cops, and there are many similarities between Training Day and Dirty, but I enjoyed Dirty more than Training Day. The Directing by Chris Fisher is much more Stylish then Antoine Fuqua's vision and also I thought the acting by Clifton Colins Jr. and Cuba were very good, i do believe Collins was a bit better because his character was not the same as Ethan Hawkes character in Training Day but Cuba's character in this film was almost Idenitical to Denzel's character. Also i enjoyed the somewhat complicated story in this film rather then Training Day's straight forward story. If you were to forget about seeing Traing Day and just watch this film as i did, i believe that you would enjoy this film more than Training Day. I recommend this film to anyone that likes cop movies and to people who don't have sensitive ears due to the hundreds of F words in the film and those who don't mind violence in their movies.

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    Argumento

    Editar

    ¿Sabías que…?

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    • Trivia
      Director Chris Fisher wanted to convey a sense of Los Angeles being a dry, desolate place where people aren't supposed to live, which was a challenge since shooting took place during early 2005, one of the rainiest seasons in Los Angeles history.
    • Citas

      Captain Spain: A man said, "Someday a real rain is gonna come and wash all the scum off the streets." But it don't rain in the desert.

    • Conexiones
      Featured in Siskel & Ebert & the Movies: Running Scared/Tsotsi/Dirty (2006)
    • Bandas sonoras
      Como Las Noticias
      Written by Jose Jimenez Jr., Richard Contreras and George Contreras

      Performed by Loyalty & Honor

      Courtesy of Dragon Mob Records

    Selecciones populares

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    Preguntas Frecuentes18

    • How long is Dirty?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 2005 (Portugal)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Silver Nitrate Pictures (United States)
    • Idiomas
      • Inglés
      • Español
    • También se conoce como
      • La ley de la calle
    • Locaciones de filmación
      • Arclight Cinemas - 6360 W. Sunset Blvd., Hollywood, Los Ángeles, California, Estados Unidos(parking structure)
    • Productoras
      • 2710 Inc.
      • Deviant Films
      • Silver Nitrate Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 3,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 274,245
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 95,521
      • 22 ene 2006
    • Total a nivel mundial
      • USD 274,245
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 37 minutos
    • Color
      • Color
    • Mezcla de sonido
      • SDDS
      • Dolby Digital
      • DTS
    • Relación de aspecto
      • 1.85 : 1

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