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Gankutsu-ô

  • Serie de TV
  • 2004–2005
  • TV-14
  • 24min
CALIFICACIÓN DE IMDb
7.8/10
2.9 k
TU CALIFICACIÓN
Gankutsu-ô (2004)
AnimeHand-Drawn AnimationAnimationDramaMysterySci-FiThriller

Albert, aburrido de la vida parisina, viaja y conoce al enigmático Conde de Montecristo. Sin saber que su padre perjudicó al Conde, Albert lo invita a la alta sociedad parisina, allanando el... Leer todoAlbert, aburrido de la vida parisina, viaja y conoce al enigmático Conde de Montecristo. Sin saber que su padre perjudicó al Conde, Albert lo invita a la alta sociedad parisina, allanando el camino para la intrincada venganza del Conde.Albert, aburrido de la vida parisina, viaja y conoce al enigmático Conde de Montecristo. Sin saber que su padre perjudicó al Conde, Albert lo invita a la alta sociedad parisina, allanando el camino para la intrincada venganza del Conde.

  • Creación
    • Mahiro Maeda
  • Elenco
    • Jôji Nakata
    • Johnny Yong Bosch
    • Beau Billingslea
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.8/10
    2.9 k
    TU CALIFICACIÓN
    • Creación
      • Mahiro Maeda
    • Elenco
      • Jôji Nakata
      • Johnny Yong Bosch
      • Beau Billingslea
    • 24Opiniones de los usuarios
    • 9Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado en total

    Episodios24

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    DestacadoLos mejor calificados1 temporada

    Fotos36

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    Elenco principal25

    Editar
    Jôji Nakata
    Jôji Nakata
    • Count of Monte Cristo
    • 2004–2005
    Johnny Yong Bosch
    Johnny Yong Bosch
    • Albert…
    • 2004–2005
    Beau Billingslea
    Beau Billingslea
    • Bertuccio
    • 2004–2005
    Karen Strassman
    Karen Strassman
    • 2004–2005
    Kikuko Inoue
    Kikuko Inoue
    • Mercedes de Morcerf
    • 2004–2005
    Liam O'Brien
    Liam O'Brien
    • Andrea Cavalcanti
    • 2004–2005
    Tomokazu Seki
    Tomokazu Seki
    • Major Andrea Cavalcanti
    • 2004–2005
    Jun Fukuyama
    Jun Fukuyama
    • Albert de Morcerf
    • 2004
    Daisuke Hirakawa
    • Franz d'Epinay
    • 2004
    Kôji Ishii
    • Bertuccio
    • 2004
    Mai Nakahara
    • Peppo
    • 2004
    Ezra Weisz
    • Franz d'Epinay
    • 2004
    Jamieson Price
    Jamieson Price
    • Count of Monte Cristo
    • 2004
    Carrie Savage
    Carrie Savage
    • Peppo
    • 2004
    Nobuo Tobita
    Nobuo Tobita
    • Baptistin
    • 2004
    Tamio Sobami
    • Luigi Vampa
    • 2004
    Naoko Shirakami
    • Teresa
    • 2004
    Kirk Thornton
    Kirk Thornton
    • Baptistin
    • 2004
    • Creación
      • Mahiro Maeda
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios24

    7.82.9K
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    Opiniones destacadas

    10semitone

    Excellent Anime, Beautiful

    This is one show that has always kept me engaged.

    I suppose I must admit that the art style could be distracting to people who are not used to it. However, I found it to be gorgeous and takes the work to an entirely different level; this is art. I would hang pictures from this series on my wall; in fact, I have purchased prints from it.

    The art drew me in, but the story kept me around.

    In some respects, this is better than the book, in my opinion. The novel is over one thousand pages. Interesting, but long. This show cuts out much of the set-up, which keeps the pace in check and doesn't drag it down. If you are a huge fan of the book, the changes may disappoint you. But if you can watch it with an open mind, you may enjoy this translation.

    I know this has nothing to do with the quality of the show, but I must talk about the DVD art. The DVDs are quite pretty, with metallic bits that make me want to frame them or at least not put them in my player.

    The sound quality is top-notch as well, with great voice actors (I was surprised at the English cast, as it was excellent, although I prefer Japanese) and nice music. Some people don't like the opening theme (someone once said that it sounded like a drunk Frenchman; the singer is French, but probably not drunk), but I really enjoy it and think the non-rhythmic quality of it is interesting and fits into the show very well. I'm not a fan of the ending theme, but you can always skip it.

    Overall, I absolutely love this series, and it deserves a lot of attention, not just from the anime community but the art and classic novel communities as well.
    Scortia

    An AMAZING adaptation... in some ways better than the original novel.

    I can scarcely put my love for this 24-episode anime series into words. "Gankutsuou" is a futuristic adaptation of Dumas' acclaimed novel "The Count of Monte Cristo". Famous anime director Mahiro Maeda shows just how much he loved the original novel and the character of the Count by being quite faithful to the mood while leaving his own fresh take on the story.

    One of the most noticeable details about this series is an almost revolutionary method of animating. This series uses 2-D Texturing to an extreme level... giving hair unnatural textures and even everything in the background textures... in an insane color palette. It takes viewers and episode or two to get used to this style of texturing but over time it becomes something most fans love about the series.

    One of the major changes in this anime is that the storyline is told from Albert's point-of-view for the majority of the series. This means everything that happens before the Château D'if comes in back-story. This also adds mystery to the Count's past and his character itself. Much of the cast is younger than in the novel, in classic anime fashion. Such as Albert is 15 instead of in his early twenties...but this makes his heightened innocence added into his anime persona more believable and his personal growth more endearing. There are other small character changes. Eugenie is greatly changed into a character that is actually of interest opposed to her novel version. Humoresly enough, according to the original promo for the series, she was indeed still quite similar to the book version in the first set up of the series... being quite close with her "lady friend".

    And of course other major changes come with the new time and setting. Most of the series takes place in Paris but the year is 5053. So Paris is futuristic while also having touches of old such as the fashion and carriages and opera thrown in. And also we take the playing field out into space where Earth's warfare is mostly taking place in the future.

    I honestly can't praise this series enough. I think the most important aspect of adaptations should be to get the tone of the novel right and to get the most rich, important characters accurate in personality. This series does this incredibly well. After appreciating the Count's character in the novel, the depth added from the anime only heightens my interest in him. This series is to be released in America soon so I personally suggest it as a buy to anyone who wants an anime with rich, involving plot and characters. Almost all of the storyline from the book is there, aside from an ending which is different but not a "hollywood ending" like the recent movie.

    10 out of 10!
    SarahofBorg

    Beautiful and well-done

    I heard about this anime and was immediately interested. I know anime very well and I was looking for something that looked artistic, intelligent, and suspenseful. Unfortunately I have never read the book this was based on, but I found this anime's story so beautiful that I have picked up the 1,400 page book and plan to finish it all. If you see only one anime in your life, and you appreciate art and drama, than this is the best of it's kind. The unique art takes some getting used to, and is somewhat disorienting at times. Really, the only complaint I have about the art is it's Too beautiful, that it goes to fast to fully appreciate. This show would probably be best in slow motion just for the sake of the art. I have heard some say that although they loved the book, they loved this anime version even more. Don't let it's scifi setting disturb you. It has absolutely no negative effect on the story. The scifi setting really only seems to enchance it's overall beauty. The characters are extremely well-developed and fascinating. One moment they will be strong and courageous, the next moment crying, the next laughing. Every episode ends in an extreme state of unpredictable suspense (AKA cliffhangers galore.) I believe so far the entire show has not been released in America. I actually suggest watching the show in it's entirety, and wait until all episodes are released, and that you have a lot of time on your hands to watch it. The story is somewhat complex, certainly unpredictable, and always gripping. Even the seasoned otaku would highly appreciate this anime at least for it's impressive quality. It's not the cliché cheaply-made primitive-art anime about scantily clad lolicon girls. Speaking of which, all the characters are quite beautiful for both sexes, and I seem to have a personal crush on The Count. I highly recommend this to anyone whose looking for an intelligent, dramatic and classic story.
    8WeAreLive

    A decent adaptation

    Trying to escape his uneventful life, Albert, the son of a renowned general from Paris, makes a journey with his friend Franz. During his travels, he meets an immensely wealthy nobleman named The Count of Monte Cristo. Living in luxurious hotels, surrounded by beautiful women and strong bodyguards, the charming but enigmatic count fascinates Albert. Albert invites the count to join the high society of Paris. However, unknown to Albert, his father had once framed the count and took the Count's fiancée as his own.

    I thought this adaptation was decent. For an anime version of The Count of Monte Cristo.

    My only bad quality was how it ended.
    cbarley

    Gorgeous in all respects of the word.

    Initially, what attracted me to Gankutsuou, was the idea of an Anime version of Alexandre Dumas' "Le Comte de Monte Cristo," but upon seeing the previews, I fell in love with the whole concept. The art, to say the least, is breathtaking, if not revolutionary; to that, the animation is flawless as well - one can only guess at the expense that went into creating such a visual marvel. While Gankutsuou doesn't follow Dumas' story as religiously as some would have it, what is important is that Dumas' intent in the story was held sacred. All too often is Edmond Dantes portrayed as being right in his quest, a true hero; nothing could be farther from the truth. Dumas' Dantes was a Satanic Hero like no other, if only perhaps Heathcliff from Bronte's "Wuthering Heights." Cruel, malicious, and bloodthirsty, Dantes is one with whom the audience is meant to sympathize and pity, while at the same time despise passionately. We can understand his motives, even support them, though we know innately we shouldn't condone them; Dantes is, in his truest nature, the incarnation of both ultimate love and ultimate hate, and was Dumas' tool to show that there is little difference betwixt the two. Gankutsuou stays true to this endeavor of Dumas' in all ways. The Count is everything he was in the novel - to both men and women, he held an (for lack of a better term) erotic visage about himself, something men wanted to aspire to, and women fell to. Frigid, calculating, with a gift to bend the wills of others, Dantes proved that one who has nothing to lose, yet does not allow himself to sink into depression (but rather finding purpose for your life) and thus has no fear of death or repercussions at all, is the most alluring; people are drawn to such darkness, such demonic power. But the beauty of this story doesn't stop simply at the creation of the ultimate sinister character - to create such a character is simple; what Dumas did, and Gankutsuou respected and embellished upon, was that despite the obvious horrific nature of the character, his reasons for being so are understandable. Aristotle said that one cannot create a truly tragic character without establishing fear and sympathy within the audience first; without Catharces, tragedy has no impact. While watching the story of Gankutsuou unfold, we begin to wonder if we, too, aren't capable of such atrocities, especially if under similar conditions. In our society, we sympathize with, if not often condone secretly, crimes of passion; but to what extent can we stretch out sympathy? Perhaps revenge of this nature is too extreme, that the Count is wrong in his hellish plans; but if we were betrayed by our best friend in so horrible a manner, who can say that, given the opportunity, we would not do the same, if not worse? Sympathy we have for Edmond's position; but fear becomes the all-consuming emotion we have while watching this, as we come to realize the extent of the atrocities we ourselves are capable of, given the chance and motive for them. For any Anime fan, or for any fan of cartoons or Dumas' works, Gankutsuou is by far one of the most astounding pieces you will ever see: true to the nature of the book like no other screenplay has been, and breathtaking in its visual nature, and musical score (opening theme not withstanding), Gankutsuou is a must-see, a beautiful testament to the power of hope and love, as well as an unmatched plunge into the darkest parts of the human soul.

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    • Trivia
      The series title "Gankutsu-o" ("The King of the Cavern") is the Japanese title of Alexandre Dumas's "The Count of Monte Cristo" when it first was published in that country in 1905.

      Though later publications used a more accurate title ("Monte Cristo-haku" - "The Count of Monte Cristo), "Gankutsu-o" is still the most popular one in Japan.
    • Citas

      Count of Monte Cristo: My solitude has ceased to be solitude. I am surrounded by the goddesses of revenge.

    • Conexiones
      Referenced in Belle (2021)
    • Bandas sonoras
      We Were Lovers
      Opening theme

      Performed by Jean-Jacques Burnel

      Lyrics and music by Jean-Jacques Burnel

      Arrangement by Jean-Jacques Burnel & Louie Nicastro

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    Detalles

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    • Fecha de lanzamiento
      • 5 de octubre de 2004 (Japón)
    • País de origen
      • Japón
    • Sitio oficial
      • Official site (Japan)
    • Idiomas
      • Japonés
      • Inglés
    • También se conoce como
      • Gankutsuou: The Count of Monte Cristo
    • Productora
      • Gonzo Digimation
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      24 minutos
    • Color
      • Color
    • Relación de aspecto
      • 1.78 : 1

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