Catch a Fire

The picture shows life in Apartheid-era South Africa, it deals about the real story of Patrick Chamusso(Derek Luke), an oil refinery foreman, soccer coach and good father of family . He's married to Precious(Bonnie Henna) and with children. The president Botha's government rules in iron hand of the supremacist white minority over the black population in an oppressive system. When happen an explosion in the refinery Patrick is arrested by police colonel Nic Vos(Tim Robbins).The secretive torture and sadism that follows in custody leads to his changing ideals. His wife is also arrested and then truly starts to watch the atrocities, forced to become freedom fighter and then he goes into action. Rebellion against the repressive government breaks out his mind. He's attempting to change his world for the better but at the expense of using terrorist means. Then he goes to Mozambique where is trained by the local terrorist guerrilla and he joins the ANC, African National Congress.

This is an exciting and thrilling movie based on real events.This story about apartheid is very compelling made and deserving a fine treatment with poignant moments.It's completely convincing and makes a moving and powerful statement about the evil of the racism. Superb cast with fine all round performances; particularly from Derek Luke, he does a very good job, he's surprisingly good in the role of dad turned terrorist, and excellent Tim Robbins as sadistic torturer.The remainder of the casting was also competent enough and did splendid acting.Evocative cinematography by Garry Phillips and Ron Fortunato. Adequate musical score with African sounds by Philip Miller . The motion picture is professionally directed by Phillip Noyce.

Another films about ¨Apartheid¨ theme are the following: ¨ Cry the beloved country¨with Sidney Poitier; ¨The power of one¨ with Armin Mueller Stall and Steven Dorff;¨A world apart¨by Chris Menges with Barbara Hershey and Jodhi May; ¨A white dry season¨with Marlon Brando; ¨Cry Freedom¨ by Richard Attemborough with Denzel Washington and Kevin Kline; and the biographies, as ¨Mandela¨ with Danny Glover and Alfre Woodward as Winnie and ¨Mandela and DeKlerk¨, among others.

With Rabbit Proof Fence, The Quiet American and now Catch A Fire to his credit in succession, Phillip Noyce appears to be leaving the blockbuster action movies behind and moving into the realm of serious but still mainstream cinema. These are all very proficient films with interesting stories that contain relevant social and political messages. It is noteworthy that the three are all based on historical facts.

This style of film-making is much more interesting than films like Syriana or (especially) The Constant Gardener. In those, the director appears to make a show of promoting a worthy world view, but doesn't really seem committed to the political cause. It felt gratuitous, the director simply exploiting our interest in political conspiracies without necessarily sharing that interest. Whatever it takes to get bums on seats.

It is a difficult balance for a director. You want to do a story that you know is going to be hard to sell. So you need a big name or two to get the studio on board. But then you're stuck with a highly recognisable face that everyone knows is American but has to use an Afrikaaner accent.

I was pleasantly surprised to find that Tim Robbins was completely believable as the South African police interrogator. His accent seemed flawless, and with his excellent acting I was able to buy-in to his character immediately. And I assumed that Derek Luke, who played the protagonist Patrick Chamusso, was African. In fact, he's from LA and has appeared in Spartan and Antwone Fisher (in the title role).

Apartheid, like say Nazism or so-called terrorism, is an easy target. It doesn't take much effort to totally demonise even minor participants, even though they may be ordinary people. Noyce skilfully avoided such caricatures. Using effective cinematic devices, he was able to portray that both the protagonist and the antagonist had much in common. They both had two daughters, and both loved their families and their country. But one became a torturer and one became the tortured.

Noyce's portrayal of Apartheid was very balanced. Robbin's character Vos was a family man with a job. His family loved him, but at work he was a man to be feared. Torture is a method that has been shown to not work. Both Michael Winterbottom's The Road to Guantanamo and Noyce's Catch A Fire illustrate this by depicting false confessions that were actually made by innocents. According to Noyce at the Q&A session that proceeded the film, the confessions made by Chamusso after he joined the ANC were deliberately sparse on detail and designed to appease but ultimately frustrate his interrogators.

I asked Noyce if the film was making a statement about current world events, and he acknowledged that it was. It is very relevant to the war on terror and the West's turning to inhumane methods. "One man's terrorist is another man's freedom fighter", he quoted. Patrick Chamusso was a hero, he said, not because he took up arms, but because he renounced them. The ANC had a policy of not harming innocents, but this wasn't always the case. Chamusso was unsuccessful (and was jailed), because he was careful to follow this policy.

Phillip Noyce is showing himself to be a deft master of quietly subversive films with commercial appeal, but ultimately they are socio-political commentaries with a strong humanitarian element. This film should have wide appeal among both casual movie-goers and the more serious cinephiles.

This movie, set in the 1980's, depicts and contrasts the brutal oppression of White South Africa with the opposition of the ANC, most notably Joe Slovo, a hero of the time. Joe Slovo paid a high price for his opposition, including the loss of his wife to the oppressors of the day, but this movie, with a screenplay written by one of his children, takes a high-minded, forgiving approach that few of us could ever contemplate in the circumstances. Told through the eyes of Patrick Chamusso, a gentle man whose quiet life becomes radicalized by oppressive forces, the movie is powerful, emotional and, curiously - for reasons mentioned, balanced. One of the best movies I have ever seen, with a fine performance by Tim Robbins as a detective without a soul. This movie was first screened at the Toronto International Film Festival where it received lengthy and well-deserved applause, as did a gracious Mr. Chamusso, who was on hand at the premiere.

Apartheid-era South Africa was a time of abuse and persecution by the white minority onto the black majority. The black South Africans were looked down upon and segregated at every turn. Any instance of fighting back was a sign of terrorism and treason. This film, Catch a Fire, is based on the true-life story of Patrick Chamusso whose life was turned upside. A man who was apolitical and loving to his family, Chamusso was unaccounted for during a span of time in which the oil refinery he worked at was bombed. As a top suspect he was arrested and tortured, along with his wife to try and make him comply, before finally being released. Patrick did nothing wrong—at least as far as arson goes, the missing time was due to infidelity—and as a result of being accused and beaten decided to do something his people could be proud of and try to stop the persecution.

Director Phillip Noyce has brought to the table a tale that not only shows a sympathetic side to the black people of South Africa, but also a side of moral ambiguity to the whites. Playing the head of anti-terrorism is Tim Robbins in a subdued and nuanced performance. He is a man that feels what he is doing is right and necessary for the protection of all South Africans. The bombings and killings need to be stopped for all to live in harmony. Unfortunately, though, he doesn't seem to really see the consequences of his actions in finding out exactly who the leaders of the resistance are. By seeing people as guilty until proved innocent, his compassion to let the non-guilty go, rather than be strung up as a symbol like those around him would like, does little when the innocent turn from the atrocities and become the enemy as a result. Beating those that have not wronged for events they had no part in will eventually eat away at their souls until they realize that something truly is broken with the system, and instead of having one's family hurt for nothing, let the pain and suffering mean something. The mentality soon becomes that if I am tortured for keeping to myself, I might as well fight back to slowly chip away, slowly accomplish something for my trouble.

These are the thoughts that come to Patrick Chamusso after his wife is beaten while he sits and tells the truth about where he had been during the bombing. Played wonderfully by Derek Luke, Patrick is portrayed early on as a loving husband and father, sticking up for friends in a way to amiably keep trouble far away. He helps the local children stay off the streets by coaching them at soccer and he feels pride for the job status he holds at the mine, making a good enough living to support his family, but also understanding his limits and not being greedy to want more than the love of those close to him. The transformation he goes through after being released from wrongful imprisonment is subtle and heartbreaking. He leaves his family behind so as to help his people in a guerilla war; he must leave in order to come back without the guilt or embarrassment the Afrikaners have instilled in him. All the scenes in the terrorist camp are intriguing and well-made, good people doing the only thing left that they can do in a world closing in on them.

Emotions run high during the course of the film. Faces of anguish and pain are always cropped close in to see the souls screaming behind dampened eyes. Everyone is played against each other through lies and deceit with each turn adding to the powder keg that you know has to eventually let loose. The addition of many African tribal songs helps create mood as well as the back and forth between English and the South African native tongue. All the supporting roles also add depth to the proceedings, especially Bonnie Mbuli as Chamusso's wife Precious and those playing Robbins' character's children and wife. Noyce show us both sides of the equation in his film and asks us the question of how far we'd be willing to go to do what's right, no matter what side we are on.

As I started watching this movie, I thought Apartheid movies are like Holocaust movies---they are all the same theme repeated over and over again with minor variations. But something about this unfolding picture made me resist the eject button. One factor was, I think, that the Tim Robbins character was magnetically unpredictable. It was hard to predict what kind of a person he would ultimately turn out to be. Secondly, and maybe I missed something at the outset or went in with imperfect knowledge of the circumstances of the film, but only quite late in the picture did I realize that this was a biographical flashback of a national hero. That was refreshing to me. Heroic biopics generally seem to be trying too hard to lionize their subject. And finally, from all aspects of cinematography that a casual user like me can address, the picture was not that badly done. So, if you haven't seen many Apartheid-themed movies and would like to see a decent one, this would be a respectable choice. As a political aside, I found myself hoping that at least a few Americans would watch this picture and say "Hey, that's what we do to suspected terrorists, too!", and consider whether right and wrong are not all that easy to distinguish.