Del otro lado de la historia

Fresh young talent and a healthy dollop of enthusiasm serve as the springboard of this well written (Carlos Portugal and Charo Toledo), well directed (Carlos Portugal) and well acted exuberant story of those once perceived tightly closet doors of the East Los Angeles Hispanic community. Not that this is the first film to engage the topic of being gay in East LA - QUINCEAÑERA is another superb film on the subject - but it addresses so many other aspects of family and social life happening now that it deserves a wide audience. With a cast of newcomers coupled with some very fine veterans of the screen EAST SIDE STORY comes to life in a highly entertaining fashion.

Closeted schooled chef Diego Campos (a fine debut by René Alvarado) works as a waiter in his grandmother Sara's (elegant Irene DeBari) little Mexican restaurant where grumpy homophobic chef Don Rogelio (Luis Accinelli) presides in the kitchen. Diego dreams of opening his own restaurant but family ties keep him grounded. Diego's campy Aunt Bianca (Gladise Jimenez) returns from Monaco on one of her many expensive sojourns to find a man and changes begin to happen. Diego's equally closeted boyfriend Pablo Morales (David Berón) has been refusing to settle down in a relationship with Diego, claiming that the union is a 'passing fancy'. When Bianca enters, Pablo's attentions turn to the sexy lady and Diego is brokenhearted.

Into this mélange enters a white gay couple who buy a 'flip' house across the street, a signal to the neighborhood that gentrification is just around the corner. The couple - Wesley (Steve Callahan) and Jonathan (Cory Schneider) - meet the morose Diego and a match strikes between Diego and Wesley. Jonathan is assigned all the lines having to do with prejudice and is the one who wants out of the neighborhood as soon as their house is enhanced and their gay friends begin to visit. The white couple move apart and Wesley and Diego begin a courtship dance that is encouraged by Diego's family. How Diego handles his loss of Pablo to his Aunt Bianca and copes with the possibility of being open with Wesley forms the story line. It is all the hilarious and not so hilarious sidebars that share the space of the 'outing' that make the film so personal and successful.

Carlos Portugal is clearly a talent to watch, as are his attractive and talented cast members. EAST SIDE STORY is a fine companion piece to QUINCEAÑERA and should enjoy the same degree of popularity for all the same reasons! Grady Harp

This is a wonderfully fun and well-made film. For a low-budget film, this is about as good as it gets. You can tell the people involved are headed for great things. The direction was flawless. The drama was touching and the humor absolutely hilarious; the pace: perfect. The acting: engaging.

While technically a coming-out story, it doesn't feel like one. The story avoids the clichés with a refreshingly modern angle. The over-arching themes are there loud and clear, without overshadowing the personal story of the lead character.

I saw this film at Philly's gay film festival. So many of the other films either have gorgeous eye candy or good acting, not both. That was not the case with this movie. The lead actors are all incredibly hot - and you see plenty of them - yet they were great actors as well. The director was generous with the eye candy without being gratuitous. It seemed directed to appeal to a gay audience, but tastefully, in a way that won't be a turn-off to straight audiences.

Fun. Entertaining. Touching. Hilarious. Highly recommended.

I just finished watching this movie and I have to say; I really enjoyed it. The whole cast is great. The acting from the sexy Rene Alvarado who plays Diego Campos to the crazy and lots of drama aunt Bianca Campos played by Gladise Jimernez is simply incredible. Irene De Bari who plays Sara Campos truly plays a latina grandmother. I really admire the way the Director Carlos Portugal has brought together many issues how people in our own latino community feel about outside economic infusion, minorities and gays.

I can only hope that this is not Carlos Portugal last film. I wish him luck in finding new and refreshing material to turn into great movies like this one. I want everyone can see East Side Story. It is a great film.

'East Side Story' is a cheesy gay romantic comedy. There are some truly funny moments - mostly thanks to Bianca (wonderfully portrayed by Gladise Jiminez), who happens to by one of my favourite characters.

The story revolves around a chef, Diego (Rene Alvarado), who works for his family in their restaurant. His family doesn't know he is gay, but when he meets and falls in love with Wesley (Steve Callahan), he realizes life indeed has a deeper meaning. Only problem is, Wesley is trapped in a loveless relationship with Jonathan, and Jonathan is jealous and possessive over Wesley. (Steve Callahan is SO handsome with such a great body. He quite simply is the most delicious thing on two legs!!)

Many funny moments arise (among other things...). Bianca's relationship with Diego's ex, Pablo, is also hilarious! There's also enough eye candy here to make you drool all the way! The only downside to the movie, was the poor lighting (at times). I found many scenes way too dark. Pity.

Nevertheless, 'East Side Story' is a funny, thoroughly enjoyable comedy sure to entertain. And, if you look closely, you'll even find a few life lessons here too.

This is a very technically well-made film with good pacing and overall good acting, with standout performances from the main females and most of the main male actors. The main problem with the film is the extent to which is borrows from stereotypical sitcom television conventions, down to the nicely packaged happy ending. Boy meets closeted boy, boy dumps closeted boy, boy meets new gay couple on block, one half of the gay couple cheats on partner with boy, purely dramatic devices causes a break-up (which in typical television fashion, the couple didn't actually belong together - not the like the boy and cheating partner do), till finally, again true to TV conventions, all is resolved and happily so, that by the time the end title credits roll, boy ends up with the right half of the couple.

Don't get me wrong, it's a well-made film with some excellent performances. It's definitely a crowd-pleaser and it's sure to be enjoyed by nearly any gay-identified audience member who views it. Apparently, the distributors didn't see any cross-over appeal as the movie seems to be headed to a DVD release without even a cursory theatrical release in some of the major markets where it did not make into (or which do not have) a gay and lesbian film festival.

Definitely worth renting, once the DVD is released, apparently in the next few months, and perhaps even owning. However, comparing this to Brokeback Mountain is definitely not appropriate.