CALIFICACIÓN DE IMDb
5.1/10
30 k
TU CALIFICACIÓN
Un grupo de delincuentes es enviado a limpiar el Hotel Blackwell. No saben que un psicópata solitario se ha refugiado en el hotel en ruinas. Cuando uno de ellos es capturado, los que quedan ... Leer todoUn grupo de delincuentes es enviado a limpiar el Hotel Blackwell. No saben que un psicópata solitario se ha refugiado en el hotel en ruinas. Cuando uno de ellos es capturado, los que quedan se unen para sobrevivir contra el brutal asesino.Un grupo de delincuentes es enviado a limpiar el Hotel Blackwell. No saben que un psicópata solitario se ha refugiado en el hotel en ruinas. Cuando uno de ellos es capturado, los que quedan se unen para sobrevivir contra el brutal asesino.
- Dirección
- Guionista
- Elenco
- Premios
- 3 nominaciones en total
Glenn Jacobs
- Jacob Goodnight
- (as Kane)
Annalise Woods
- Young Girl
- (as Annaliese Woods)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I remember way back when I was a manager at Toys R Us I had to watch this sad, pathetic "Personnel Management" training video. It lectured that whenever you say a criticism, you should ALSO include a compliment. This movie reminded me of that principal.
First off, it's not all that bad, actually. Kane makes a pretty good "Silent Psycho," and the character's back story is decently developed in a series of B&W flashbacks. His POV shots are nicely distorted, and, unlike the vast majority of psycho killers in film today, is not simply an "unstoppable force." Kane actually manages to find a character in there. (A very minimal character, to be sure, but there is a TINY bit there more than just a "Thing-That-Kills-People-For-No-Reason.") On the whole, however, the acting in the film is best described as "not-TOTALY-sucking." (I'm reminded of that Simpsons episode where Groundskeeper Willie sings a song that goes "Wouldn't it be adequate?" Yes, the acting here is, indeed, adequate, but only just. To be fair the actors aren't really being asked to act here, it's enough that they are clichéd stereotypes.)
The art direction is generally good, if very, very derivative of other films like "Hostel" and the "Saw" series. It goes a bit over the top with the filth and grime at times, but for this kind of movie, that isn't really a problem from an aesthetic standpoint. It is a problem from a plot standpoint. The people are there (we learn this in the first 10 minutes, so don't worry, it isn't a spoiler) to do public service by cleaning an old, historic building. Unfortunately, the sheer SCALE of the mess at this building would take that guy from "Dirty Jobs" and a full hazmat crew a month to deal with. The place is practically a toxic waste dump. There are a few problems (which I will NOT detail in the interest of avoiding spoilers) with the set and set dressing that are later revealed as not problems at all, but rather plot points. Those I can forgive.
The film delivers on what it promises: A creepy, disgusting setting with a creepy, violent psycho stalking creepy, dysfunctional people, with absolutely minimal story, plot, acting, direction, sense, or purpose to get in the way. It's almost Ed-Woodian in it's gleeful disregard of knowledge of it's own lack of ambition to greatness. (If I may be allowed to construct a sentence that convoluted without being arrested by the Language Police.)
I had very few expectations from this film (Hell, after all, it IS a WWE film...), and the only thing that really disappointed me is the same thing I am disappointed by in most horror films. It was very, very predictable. At one point I was sitting there going, "...and now someone runs in and saves them," only to be rewarded by just that.
In the end, if you can accept the idea that a correctional institute would send a co-ed group of mixed violent and non-violent offenders to do heavy-duty industrial cleanup in street clothes and sandals for a weekend with only 2 chaperons, then nothing else the film asks you to accept will be much of a problem for you.
First off, it's not all that bad, actually. Kane makes a pretty good "Silent Psycho," and the character's back story is decently developed in a series of B&W flashbacks. His POV shots are nicely distorted, and, unlike the vast majority of psycho killers in film today, is not simply an "unstoppable force." Kane actually manages to find a character in there. (A very minimal character, to be sure, but there is a TINY bit there more than just a "Thing-That-Kills-People-For-No-Reason.") On the whole, however, the acting in the film is best described as "not-TOTALY-sucking." (I'm reminded of that Simpsons episode where Groundskeeper Willie sings a song that goes "Wouldn't it be adequate?" Yes, the acting here is, indeed, adequate, but only just. To be fair the actors aren't really being asked to act here, it's enough that they are clichéd stereotypes.)
The art direction is generally good, if very, very derivative of other films like "Hostel" and the "Saw" series. It goes a bit over the top with the filth and grime at times, but for this kind of movie, that isn't really a problem from an aesthetic standpoint. It is a problem from a plot standpoint. The people are there (we learn this in the first 10 minutes, so don't worry, it isn't a spoiler) to do public service by cleaning an old, historic building. Unfortunately, the sheer SCALE of the mess at this building would take that guy from "Dirty Jobs" and a full hazmat crew a month to deal with. The place is practically a toxic waste dump. There are a few problems (which I will NOT detail in the interest of avoiding spoilers) with the set and set dressing that are later revealed as not problems at all, but rather plot points. Those I can forgive.
The film delivers on what it promises: A creepy, disgusting setting with a creepy, violent psycho stalking creepy, dysfunctional people, with absolutely minimal story, plot, acting, direction, sense, or purpose to get in the way. It's almost Ed-Woodian in it's gleeful disregard of knowledge of it's own lack of ambition to greatness. (If I may be allowed to construct a sentence that convoluted without being arrested by the Language Police.)
I had very few expectations from this film (Hell, after all, it IS a WWE film...), and the only thing that really disappointed me is the same thing I am disappointed by in most horror films. It was very, very predictable. At one point I was sitting there going, "...and now someone runs in and saves them," only to be rewarded by just that.
In the end, if you can accept the idea that a correctional institute would send a co-ed group of mixed violent and non-violent offenders to do heavy-duty industrial cleanup in street clothes and sandals for a weekend with only 2 chaperons, then nothing else the film asks you to accept will be much of a problem for you.
Okay, this is a B-Movie, Horror by numbers. The good news is it doesn't try or pretend to be anything else. So it just concentrates on being the best B-Movie, horror by numbers flick it can manage. It succeeded, but as you can tell by the rating, that still doesn't make it a good film.
Okay, so the positives. The acting is pretty reasonable and this lot, including Kane can probably do much better horrors in the future. The special effects, while simply being generic for this day and age were also pretty reasonable. Nothing ground breaking or stand out impressive for either of these. Probably the most notable thing was Kane himself, but it's not a great surprise seeing as his day job is to play a Psycho.
On the downside however the whole plot was so incredibly bog standard you get bored with it early on, stop really caring who's going to live or die and just try and enjoy the visuals. The story naturally revolves around a couple of young but tough women (like that's new) who have a tendency of getting all the men around them killed. The older characters are very peripheral and somewhat wasted. But that's part of the hangover from the "scary movie" sub-genre, which fortunately seems to be slowly fading into the distance and morphing into marginally better films such as this.
The worst part of the movie was the supposed plot twist. This was something that if you were to ask yourself what the most obvious, generic thing that could happen would be, you'll have guessed it long before it happens.
Anyway, as I said the film is at least honest and for a short disposable hack and slash horror it's pretty reasonable. Having said that, there are better films even in for B-Movie slashers. So really, unless your a WWE fan, or you really like this kind of movie, I wouldn't bother.
Okay, so the positives. The acting is pretty reasonable and this lot, including Kane can probably do much better horrors in the future. The special effects, while simply being generic for this day and age were also pretty reasonable. Nothing ground breaking or stand out impressive for either of these. Probably the most notable thing was Kane himself, but it's not a great surprise seeing as his day job is to play a Psycho.
On the downside however the whole plot was so incredibly bog standard you get bored with it early on, stop really caring who's going to live or die and just try and enjoy the visuals. The story naturally revolves around a couple of young but tough women (like that's new) who have a tendency of getting all the men around them killed. The older characters are very peripheral and somewhat wasted. But that's part of the hangover from the "scary movie" sub-genre, which fortunately seems to be slowly fading into the distance and morphing into marginally better films such as this.
The worst part of the movie was the supposed plot twist. This was something that if you were to ask yourself what the most obvious, generic thing that could happen would be, you'll have guessed it long before it happens.
Anyway, as I said the film is at least honest and for a short disposable hack and slash horror it's pretty reasonable. Having said that, there are better films even in for B-Movie slashers. So really, unless your a WWE fan, or you really like this kind of movie, I wouldn't bother.
I was expecting this movie to suck, but what I got was a pretty good slasher/gore film. Most of the death scenes are adequately brutal. The teens are decent, with Penny McNamee definitely the best of the bunch. Rachael Taylor looks like a young Christie Brinkley, but doesn't bring much to the movie other than that. Kane was good as the killer, and is totally believable as a fearsome juggernaut. I saw the "twist" coming from miles away, but I still enjoyed the movie.
But what really stood out to me was the direction. Gregory Dark might actually have a career in legit film ahead of him. Aside from overusing the horror film "speed cam"(you know, where like the guy's face shakes all fast?), there's some good shots here. The camera angles and environments really emphasize Kane's size, making him look even bigger than he actually is.
If you're looking for deep story or characters, this ain't it. But that's not what slasher films are about. If you're looking for some good violence, or if you're into gory films, go check this out!
But what really stood out to me was the direction. Gregory Dark might actually have a career in legit film ahead of him. Aside from overusing the horror film "speed cam"(you know, where like the guy's face shakes all fast?), there's some good shots here. The camera angles and environments really emphasize Kane's size, making him look even bigger than he actually is.
If you're looking for deep story or characters, this ain't it. But that's not what slasher films are about. If you're looking for some good violence, or if you're into gory films, go check this out!
The first official release of World Wrestling Entertainment's film division is a pretty basic horror/slasher movie called "See No Evil" starring Kane, one of their big men wrestlers known for having an intimidating presence, hard-hitting moves, and one of the most convoluted backstories in wrestling. And let's not pull any punches here; while this movie is promoted as the greatest horror movie of all time (mostly by WWE), it goes without saying that after having seen this movie, I can confirm it as one of the greatest comedies of all time.
"See No Evil" sees a bunch of juvenile delinquents sent to a hotel so they can clean up. Of course, a monstrous murderer (played by Kane) also happens to be living in this hotel and we all know where that goes. Without giving away too much of the movie plot, this film has all the semblance and structure of an early-1980s slasher flick with most of the clichés intact, but without any of the scares that those films accompany. And that's sort of the main problem with "See No Evil". It tries so many of the tricks implied by its predecessors in the genre that it comes off as predictable; veteran horror fans will easily recognize some of the gimmicks ahead of time and even those who have only seen a few flicks should tell what happens next. It's too generic to be scary.
The movie's gory, no doubt, but it's only there for the effect. The dark atmosphere instilled in the movie gives off that feel of terror initially, but as you get towards the end, it somehow feels out of place and gets tiresome quickly. The death scenes don't come off as gory and horrific as much as they do laughable, although some of them are pretty inventive.
And the acting in this movie is pretty bad too, as the main characters aren't developed enough for us to care when they eventually do get axed. Some can't even portray fear properly; they just scream and cry in a vain effort to emote. So when they die, it only adds to the comedy because you don't care enough about them that you simply consider them the equivalent of Starfleet Redshirts to the monster Kane.
As for Kane, he simply portrayed his movie character the same way he portrays his wrestling character, only he uses axes and hooks instead of hellfire and brimstone. There's no doubt in my mind that Kane can be a great fixture in the horror genre. He has the look and presence for it; he just needs better material (specifically a script that isn't written by someone who writes wrestling shows) to work with.
Now, despite what may seem like a harsh review, I actually enjoyed the film. It's one of those laughably bad movies that you can't help but sit down and enjoy. My main gripe with the film, again, is that it's simply an exercise in filming gory kills and doesn't have any frightening or shock moments. I enjoyed it, but I enjoyed because it was easy for me to laugh off some of what was supposed to be scary moments in the movie. If that happens because it was supposed to be that way, the movie would have been rated higher. But it didn't. It got laughs because it's a B-movie and it doesn't help that the director's previous experiences was porn flicks and music videos; not exactly overcomplicated things to direct anyway. Nonetheless, I enjoyed it tremendously.
If you don't mind a fun B-movie or funny horror film, I'd highly recommend "See No Evil." If you are a true enthusiast of the genre, I'd wait until the DVD comes out before checking it out. Everyone else should probably go watch something else.
"See No Evil" sees a bunch of juvenile delinquents sent to a hotel so they can clean up. Of course, a monstrous murderer (played by Kane) also happens to be living in this hotel and we all know where that goes. Without giving away too much of the movie plot, this film has all the semblance and structure of an early-1980s slasher flick with most of the clichés intact, but without any of the scares that those films accompany. And that's sort of the main problem with "See No Evil". It tries so many of the tricks implied by its predecessors in the genre that it comes off as predictable; veteran horror fans will easily recognize some of the gimmicks ahead of time and even those who have only seen a few flicks should tell what happens next. It's too generic to be scary.
The movie's gory, no doubt, but it's only there for the effect. The dark atmosphere instilled in the movie gives off that feel of terror initially, but as you get towards the end, it somehow feels out of place and gets tiresome quickly. The death scenes don't come off as gory and horrific as much as they do laughable, although some of them are pretty inventive.
And the acting in this movie is pretty bad too, as the main characters aren't developed enough for us to care when they eventually do get axed. Some can't even portray fear properly; they just scream and cry in a vain effort to emote. So when they die, it only adds to the comedy because you don't care enough about them that you simply consider them the equivalent of Starfleet Redshirts to the monster Kane.
As for Kane, he simply portrayed his movie character the same way he portrays his wrestling character, only he uses axes and hooks instead of hellfire and brimstone. There's no doubt in my mind that Kane can be a great fixture in the horror genre. He has the look and presence for it; he just needs better material (specifically a script that isn't written by someone who writes wrestling shows) to work with.
Now, despite what may seem like a harsh review, I actually enjoyed the film. It's one of those laughably bad movies that you can't help but sit down and enjoy. My main gripe with the film, again, is that it's simply an exercise in filming gory kills and doesn't have any frightening or shock moments. I enjoyed it, but I enjoyed because it was easy for me to laugh off some of what was supposed to be scary moments in the movie. If that happens because it was supposed to be that way, the movie would have been rated higher. But it didn't. It got laughs because it's a B-movie and it doesn't help that the director's previous experiences was porn flicks and music videos; not exactly overcomplicated things to direct anyway. Nonetheless, I enjoyed it tremendously.
If you don't mind a fun B-movie or funny horror film, I'd highly recommend "See No Evil." If you are a true enthusiast of the genre, I'd wait until the DVD comes out before checking it out. Everyone else should probably go watch something else.
This, ladies and gentlemen, is truly a modern B-movie. The dialog is stilted and delivered with wooden rigidity, the premise is predictable (there are a few decent twists) and characters remain 2D for most of it. And yet there is a certain...charm. WWE wrestler Kane brings to life the sick, twisted monster of a man with a lot of pathos (though it is somewhat like his character that he's been playing around ten years) and so I'll find it quite amusing when people say it's "not much of a reach for him," but Glen Jacobs is, apparently, quite the nice guy, so actually it is. In any event, he's cast perfectly as the hulking brute and the deaths are suitably over the top (Jason would be proud), but I heard at least four applause breaks for four different kills scenes. Frankly go into this movie thinking that you'll have some fun and a gorefest, oh it is QUITE the gorefest. The R-rating IS richly deserved and I actually got a little nauseous during some of the more graphic times. In any event, a very, very fun, but fairly bad, movie.
¿Sabías que…?
- TriviaGlenn Jacobs (Kane) has stated that the best thing about making this movie (due to the hectic amount of traveling as a professional wrestler) was the opportunity it gave him to sleep in the same bed for two months.
- ErroresIn one of the last scenes, when one of the women has the ability to shoot the murderer, the pistol is suddenly empty. The Glock pistol that was used is a semi-automatic weapon that uses the recoil of the last shot to load another bullet. If the last shot is fired the breech block slides back and won't slide forward again as seen in the movie. She (and the audience) would have been able to see that there is clearly no bullet left in the pistol instead of recognizing it after pulling the trigger.
- Citas
Jacob Goodnight: I see now...
- Créditos curiososAmong the end credits, after the cast and stunt list, there's a scene where a dog urinates in Jacob's empty eye socket
- Versiones alternativasGerman DVD release by Kinowelt was cut by 11 seconds (cell phone scene) to secure a light SPIO: JK approval (meaning they were allowed to advertise the film, a normal approval would result in prohibition of advertising). Additionally, a FSK-18 version was created for retail chains, which was cut by 3 minutes.
- ConexionesEdited into Los ojos del mal 2 (2014)
- Bandas sonorasX'ed
Written by David Banner & Kamikaze
Performed by David Banner featuring Kamikaze
Courtesy of SRC Records / Universal Records
Under license from Universal Music Enterprises
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is See No Evil?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Sin ver el mal
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 8,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 15,032,800
- Fin de semana de estreno en EE. UU. y Canadá
- USD 4,581,233
- 21 may 2006
- Total a nivel mundial
- USD 18,707,966
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta