Viaje a los confines de la tierra

To the Ends of the Earth is an exceptionally well written, directed, and acted film. It is probably the best sea voyage film I have ever seen. And I have see all three versions of Mutiny on the Bounty. The writers had an excellent trilogy by William Golding to work from. Benedict Cumberbatch is tremendous as the naive, somewhat pompous, self possessed Mr. Talbot. Jared Harris is formidable as Captain Anderson. The supporting cast is equally as talented, richly portraying characters from the early 19th century. However the real leading "character" is the ship, tossed and turned, battered and beaten. It determines the fate of all those on board.

The three-part series ended last night on PBS, which I believe was its first wide exposure to an American audience. The richness of its text and the unique quality of its filming are high points. It seems very novel to view and hear an action play employing the vernacular of Georgian England, Jane Austen's filmed drawing rooms being the primary example of that form of speech. Yet it is the scope of drama overwhelming the senses that makes quaint language fit perfectly into each and every scene. Such bold exposure to an old reality is evocative of literary giants like Tolstoy or Shakespeare while at the same time entertaining in the manner of a C. S. Forester or Patrick O'Brian sea saga. The universality of basic human condition lies at its center.

Narrator Talbot as played by an actor with the almost perfectly appropriate name of Benedict Cumberbatch (surely not even Dickens could beat that one!) alternates between stodgy jingoism and extreme vulnerability, an acting tour de force. Indeed, I cannot recall among this very fine cast any misstep of interpretation. That is a tribute not only to the actors themselves, but to the director as well.

The most impressive element, however, is how perfectly life aboard a man-of-war en route to Australia in the early 1800's is presented. That is especially true of how the motion of the ship becomes almost a character itself, something sea stories rarely take into account except as backdrop. Anyone who has ever experienced mal de mer in person will recognize it instantly, and appreciate all the more how difficult it must have been to recreate within the context of filming.

This is no fanciful Pirates of the Caribbean. Some effort must be expended in attaining an understanding of its nuances.

I love Benedict Cumberbatch, I adore Jared Harris, I was in love with Charles Dance when both of us were younger, and I watched this on Netflix on the strength of those feelings. The three gentlemen were impeccable, and the supporting cast equally so. Except perhaps Sam Neill, who presented a caricature rather than a character. But the whole thing lacked heart and conviction, it couldn't decide what genre it wanted to be, the pace was excruciatingly slow, it felt like a string of set pieces unrelated to each other narratively and cohesively. The visual aspects were pretty awesome, more's the pity. I wanted to love it but it didn't give me much to love other than the acting.

At last, something different, something different, something different! After flailing around (day after day) in the never-ending soup of present day cinematic, repetitive, mundane bilge ... stumbling across this wonderful series is like finding the proverbial oasis in the desert. I wish to thank the gods of Netflix for making it available and allowing me (admittedly late) to find and watch it. As a new-found fan of Mr. Cumberbatch (via Sherlock), I had just started to search out his other works when I found this wonderful epic.

I found it to be an excellent period piece that kept me enthralled and interested from beginning to end. And the end ... so refreshingly lifting in spirit and emotion. The language was impeccable and precise. The acting fantastic and the drama left little wanting.

I pray that the BBC Production Company never stops seeking out and filming these types of films.

I saw the second part of this beautiful period piece set on a ship sometime in the 19th century. Golding's book must be responsible for some of the superb dialogue but everything else was good too! I especially liked the way they created the period and feeling of being on the ship so well. For me this had a feeling of completeness about it which I know I won't be able to convey in words... Perhaps it was the way they mixed in technical and historical details about sailing in the eighteen hundreds to the story without messing it up. Benedict Cumberbatch was excellent, as was the rest of the cast. It's not often a mini-series sends me to the "zone", but this one did.