The League of Gentlemen's Apocalypse

The film was apparently spawned from an idea one of the writers had when he 'saw' one of his creations in a supermarket. The inhabitants of Royston Vasey head into 'our' world to persuade the writers not to stop writing about them and thus destroy their world.

If that sounds a bit too serious, don't be put off. Within the first few minutes we get: Bernice (the vile female vicar) letting rip at an unfortunate penitent during confession; Chinnery (the vet who inadvertently destroys every animal he touches) attempting to collect semen from a giraffe; Mickey (thick beyond belief) being, ah, thick; and Tubbs (inbred sister-wife and local shopkeeper) being sweet as ever - but still disgusting.

Some of the regular characters are missing, but a new idea by the Gents introduces some 16th-Century characters - and we have the Gents themselves in the action too. If you're new to The League of Gentlemen, this is an easy introduction and a lot of fun. If you're a long-standing fan, this has everything you've come to expect - including the joys of Jeremy Dyson spotting.

All told, it's got the same faintly surreal humour that's the hallmark of the series, plus some moments of quite touching 'introspection'. Herr Lipp, for example, maintains a gentle dignity on learning that he's regarded by his creators as a 'one-joke character'. While most of the characters stay as they are, some develop in unexpected ways that are perfectly natural when they happen.

This film is a 'swan song' for Royston Vasey, but it's also a showcase for the Gents who prove that (gasp!) they can write other stuff - and it can be very funny. (But you knew that anyway.)

After three outstanding BBC television series' and a Christmas special, the bizarre and grotesque (yet perversely lovable) characters of bleak fictional town Royston Vasey make the jump to celluloid, along with their creators - The League of Gentlemen.

Mark Gatiss, Steve Pemberton and Reece Shearsmith are the more familiar three-quarters of the foursome, with the central roles shared between the trio. In an added twist, the final member of the team - Jeremy Dyson - is portrayed by actor Michael Sheen.

Where to start? Dyson (Sheen) is in conversation with his writing cohorts, when - horror of horrors - he is paid a visit by two of his grisliest characters. Both Tubbs (Pemberton) and Edward Tattsyrup (Shearsmith) are unhappy at The League's decision to kill off the Vasey inhabitants. "You're not real!" screams Dyson in vain, as the local shopkeepers from hell exact their revenge. Mayhem ensues, as reality and Vasey converge with the vast array of characters entering our world to save theirs.

Confused? You will be, as the camp, innuendo-ridden Teutonic, Herr Lipp (Pemberton) is forced to take on the daily guise of Pemberton (Pemberton), while Pemberton (Pemberton) is kidnapped by cannibalistic butcher Hillary Briss (Gatiss) and Geoff Tipps (Shearsmith).

With shades of an even more demented Misery, Briss attempts to force Pemberton to rewrite the film - thus continuing his life - but leaving Geoff in charge is never a good idea. The erstwhile comedian becomes embroiled in The League's latest, post-Vasey adventure - The King's Evil - entering a typically twisted 17th century England, complete with cameos from Victoria Wood, Peter Kay and David Warner. Known as George of Asda (due to his select line of clothing), Geoff saves the day and is treated as a hero, but for the denouement of the film, he joins characters old and new at the Church of Royston Vasey to meet with their makers.

For fans of the series, the film is a must-see. And yes, it does feature Papa Lazarou (albeit a little too fleetingly). Pen-loving Pauline, Mickey, Barbara and cursed vet Matthew Chinnery are some of the other favourites on show, and The League's portrayal of themselves (plus Sheen's as Dyson) is also a fascinating insight.

The League of Gentlemen are the Radiohead of British comedy - they are ambitious, groundbreaking (witness the excellent Series Three) and not happy to rest on their laurels. They also divide opinion accordingly.

Certainly, their macabre sense of humour is not for every palate, and while not written exclusively for 'fans', a grasp of the storyline would benefit those who have previously viewed the series. Nevertheless, Apocalypse is a film in its own right and The League will no doubt manage to attract a new breed of fan, as well as appeasing and pleasing existing ones.

There are two ways to turn a TV series into a film.

The first, most common, and least successful, is to basically make a feature-length TV episode- see the disasters of the Steptoe & Son movie. The second is to do something else- something quite different, à la Monty Python.

Thankfully, the creators of the cult TV series have gone for the second option, and they've come up with something unique, clever and funny- it couldn't feel less like a TV episode.

Try to get your head around this- the writers, playing themselves, are confronted by their Royston Vasey alter-egos, played, of course, by them, and told to continue writing the series, otherwise apocalypse will befall the village.

High-concept, contrived and easy to screw up? Yes, but somehow they managed to pull it off. Not for every taste, perhaps, and the ending does drag, but fans will be delighted, and it might even win over the uninitiated.

Based on the weird, wacky and at times wonderful sitcom, League Of Gentlemen's Apocalypse is a fans delight. I was a fan of the first two series myself, with the third still enjoyable but a little too out there for my liking. You could easily assume that with the Royston Vasey locals hitting the big screen and leaving behind TV boundaries of taste' that the movie would really push the darker aspects out. However the is nothing quite as disturbing as series three's sodomy scene. Of course many sitcoms don't translate all too well to the big screen, but LOG was a sitcom with a real movie atmosphere, from the style it was made to all the references, it truly felt like a long movie split into six segments each series. Similarly Spaced's unique style worked superbly for it's translation to the big screen in Shaun Of The Dead. This movie is very filmic thankfully with possibly the most strange plot ever to grace the silver screen. The four writers add plenty of film reference with little nods from everything from The Shining, Labyrinth to the old HarryHuasen films. This is in many ways a whacked out smacked up version of kids favourite The Neverending Story. With the imaginary colliding with the real world.

The plot opens with the scenario that the inhabitants of Royston Vasey, who are alive inside there own little world, like Fantasia in The Neverending Story. When the town of Vasey begins showing signs of the apocalypse, due to the fact that real life writers, Mark, Steve, Reece and Jeremy are not doing any more LOG, a group of the inhabitants must venture into the real world in order to make the writers continue with the LOG otherwise Royston Vasey and its inhabitants will die out. LOG has a great advantage in translating to film and that is the fact it is set in a small universe that is so demented you can do just about anything plot-wise. This film works, it doesn't feel like a half hour skit painfully stretched out. As an example a proposed Friends movie would probably end up being a run of the mill rom-com, far too thin.

As far as being a good film, this is. It's good fun, plenty of gags, while not trying to overload the film with gags. On another impressive note, the film managers to successfully incorporate some softer moments too, in the same way Shaun Of The Dead did. While this film isn't as good as Shaun, it will undoubtedly become a cult classic, even if the theatre I saw this in was shockingly sparse (it was a midday showing though).

As is the case with Brit films it is loaded with cameos including Bernard Hill, Simon Pegg, Peter Kay, and Victoria Wood. The main cast of course are all good, playing a host of their recognised characters, themselves and some new creations. Also co-starring in his Time Bandits villain style is David Warner who has already become a fans favourite amongst those who have seen it. Also the film looks very polished for a budget of only £4.2 million. They have got some great cinematography and sets as well as excellent effects and something I particularly enjoyed was the stop motion monsters, very much a loving homage to the legendary Ray Harryhausen. I personally would love to see another Harryhausen movie. I'm fed up with all the CGI we have now, as much as it is a good tool when used right but I would love to see a film go back to the basics again, and I'm sure others would too.

LOG's Apocalypse is great fun and very nuts. Fans will love this, as will movie enthusiasts. ***1/2

"Wouldn't it be funny," thought Steve Pemberton, as the League sat down to pen a film script, "if our characters came after us, wanting to know why we wanted to kill them off?" Well, as it turns out, no, not really. In this misguided, post-modern set up (three words: Last Action Hero), bestial butcher Hilary Briss, predatory German exchange-teacher Herr Lipp and broken businessman Geoff Tipps step into the 'real world' to try to prevent the apocalypse of Roysten Vasey and sabotage the Gents' new project - an 18th century romp called The King's Evil. And ironically, this film-within-a-film, featuring a terrific cameo from Warner, is easily the best thing about this. The creators obviously had a blast, but many devotees will wonder why they've tampered with a winning formula.